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A Millennial's Shifting Music Perspective
Essays, MusicOctober 24, 2023<February 24, 2025

Essay: A Millennial’s Shifting Music Perspective

by Eric Schuster
coldbrew © 2023
Music, PremieresOctober 24, 2023<October 24, 2023

Premiere: The Lo-Fi Heat of “my babe,” coldbrew’s Chill, Cozy Coffeehouse Companion

by Mitch Mosk
Lana Nauphal © Ada Chen
Debut, Music, Music Videos, PremieresOctober 24, 2023<October 24, 2023

Premiere: Feeling Butterflies With Lana Nauphal’s Lovestruck Debut, “Oh He Oh My”

by Mitch Mosk
Future Islands © Frank Hamilton
Columns, Music, Today's SongOctober 24, 2023<January 24, 2024

Today’s Song: Future Islands Make Triumphant Return with New Single “The Tower” Off 7th Album ‘People Who Aren’t There Anymore’

by Beau Hayhoe
milk. © Nicholas O'Donnell
Features, Interviews, MusicOctober 24, 2023<October 23, 2023

Soul-Searching in Song: An Interview with Irish Indie Pop Band milk.

by Mitch Mosk
IMPORTED - Santa Chiara © Zoe Salducci
Debut, Features, Interviews, Music, Track-by-TrackOctober 23, 2023<October 24, 2023

Sassy, Sentimental, & Radical Chic: From Italy to Philly, Santa Chiara’s ‘IMPORTED’ Tells Stories of Love & Life

by Mitch Mosk
Humm © Kate Feast
Columns, Music, Today's SongOctober 23, 2023<October 23, 2023

Today’s Song: Humm Embrace the Clarity of Solitude Within “Danced Alone (who I am when I’m in love)”

by Sophie Severs
Thundercat © Jesse Lirola
Concerts, Music, ReviewsOctober 23, 2023<March 12, 2025

Live Review: Thundercat Puts Improv Skills on Display During Two-Night Run at Brooklyn Mirage

by Max Kalnitz
Kevin Abstract © Lucas Creighton
Columns, Music, Today's SongOctober 21, 2023<October 21, 2023

Today’s Song: Kevin Abstract’s “Blanket” Is Scary… But in a Good Way

by Sofia Sar
Atwood Magazine's Weekly Roundup | October 20, 2023
Features, Interviews, MusicOctober 20, 2023<October 27, 2023

Atwood Magazine’s Weekly Roundup: October 20, 2023

by Atwood Magazine Staff
Lovetta © John Fiorentino
Columns, Music, Today's SongOctober 20, 2023<October 20, 2023

Lovetta Finds Her North Star on “Havin’ a Good Time,” a Spirited Ode to Finding Happiness in the Everyday

by Mitch Mosk
shallow pools © Sarah Mentus
Debut, Features, Interviews, Music, Track-by-TrackOctober 20, 2023<October 29, 2023

Feature: Dive Headfirst into shallow pools’ Urgent, Empowering, & Irresistible Debut Album ‘I Think About It All the Time’

by Mitch Mosk
Sister. © 2023
Debut, Features, Interviews, MusicOctober 20, 2023<October 20, 2023

Maximalist, Homemade, & Joyful: A Guide to sister.’s Deeply Vulnerable Debut Album, ‘Abundance’

by Mitch Mosk
MisterWives © Matty Vogel
Concerts, Interviews, Music, ReviewsOctober 20, 2023<October 20, 2023

Interview: MisterWives Reflect on Their ‘Nosebleeds’ Era and Face-Melting Don’t Look Down Tour

by Kelly McCafferty Dorogy
Emily Vaughn © 2023
Music, Music Videos, PremieresOctober 19, 2023<October 19, 2023

Premiere: Emily Vaughn’s “is anybody happy?” Is a Vulnerable, Raw Reckoning With Adult Anxiety

by Mitch Mosk
Posts pagination
1 … 168 169 170 171 172 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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