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Mike Taylor © Catie Laffoon
Columns, Editorials, Music, Pride MonthJune 26, 2023<June 15, 2023

“Pride Unconfined – Navigating Identity, Representation, and Liberation as a Queer Artist of Color”: A Essay by Mike Taylor

by Guest Writer
Kevin Krein
Columns, Meet Our WritersJune 24, 2023<June 15, 2023

Meet Our Writers: Minnesota’s Kevin Krein!

by Kevin Krein
RAEGAN © Louis Browne
Columns, Editorials, Music, Pride MonthJune 23, 2023<July 3, 2023

“The Artistic Mirror – How Music Reflects My Identity”: A Pride Month Essay by RAEGAN

by Guest Writer
Dizzy's Katie Munshaw © Boy Wonder
Columns, Music, Today's SongJune 23, 2023<June 13, 2023

Today’s Song: Dizzy Yearn to Keep Their Loved Ones “Close”

by Brendan Le
'The Good Witch' album artwork - Maisie Peters
Music, ReviewsJune 23, 2023<June 23, 2023

Review: Maisie Peters’ Sophomore Album ‘The Good Witch’ Is Magical & Flawless

by Kelly McCafferty Dorogy
Blondshell © Nick Walker
Features, Interviews, MusicJune 22, 2023<January 30, 2024

Clawing Her Way Out: A Conversation With Blondshell

by Nasim Elyasi
Mya Byrne © Lauren Tabak
Columns, Editorials, Music, Pride MonthJune 22, 2023<June 15, 2023

“Our Promised Land”: A Pride Month Essay by Mya Byrne

by Guest Writer
Miss Machina © 2023
Columns, Music, Today's SongJune 21, 2023<June 13, 2023

Today’s Song: Miss Machina’s “Like That” Has All the Shiny, Seductive Thrills We Crave

by Chloe Robinson
Tei Shi © Leeay
Features, Interviews, MusicJune 21, 2023<July 9, 2023

Interview: Tei Shi’s ‘BAD PREMONITION’ Sets Her Free

by Alex Killian
Donna Missal © Jasmine Rutledge
Columns, Editorials, Music, Pride MonthJune 21, 2023<June 15, 2023

“What Queerness Means to Me”: A Pride Month Essay by Donna Missal

by Guest Writer
Jessye DeSilva © Emma Delevante
Columns, Editorials, Music, Pride MonthJune 20, 2023<June 15, 2023

“I Am No Shrinking Violet”: A Pride Month Essay by Jessye DeSilva

by Guest Writer
The Backseat Lovers' Joshua Harmon at Hangout Music Fest 2023 © Alive Coverage
Features, Interviews, MusicJune 20, 2023<June 21, 2023

Finding Inspiration While Starstruck: A Conversation With The Backseat Lovers

by Nick Polak
Tomorrow Never Comes - Rancid
Music, ReviewsJune 20, 2023<June 16, 2023

Review: Rancid’s ‘Tomorrow’ Is Here, But Yesterday Sounded Better

by Kevin Krein
Richy Mitch & The Coal Miners
Columns, Music, Today's SongJune 20, 2023<June 16, 2023

“An Honest, Raw, Beautiful Folk Tune”: Mt. Joy Join Richy Mitch & The Coal Miners for “Lake Missoula”

by Miles Campbell
Julia Dzurillay
Columns, Meet Our WritersJune 17, 2023<July 18, 2023

Meet Our Writers: New Jersey’s Julia Dzurillay!

by Julia Dzurillay
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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