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Breakaway Kansas City stage view © Danilo Lewis, Kursza
Festival, Music, PreviewsJune 16, 2023<June 16, 2023

The Biggest Small EDM Festival in the World: A Preview of Breakaway Kansas City 2023!

by Nick Polak
Samantha Bowers © Mia Isabella Aguirre
Columns, Essays, Music, Pride MonthJune 16, 2023<June 15, 2023

“Permission to Be Exactly Who You Are”: A Pride Month Essay by Samantha Bowers of Sammy Rae & The Friends

by Guest Writer
Pride Month 2023 | Atwood Magazine
Features, Music, Pride MonthJune 15, 2023<June 16, 2023

Atwood Magazine Celebrates Pride Month 2023!

by Atwood Magazine Staff
Riverbend Festival 2023 crowd © Zoe Elizabeth Media
Festival, Music, ReviewsJune 15, 2023<June 15, 2023

Fans of Oldies & Indie, This One’s for You: A Review of Riverbend Festival 2023!

by Nick Polak
Atwood Magazine's Editor's Picks 102
Columns, Editor's Picks, Features, MusicJune 14, 2023<June 15, 2023

Editor’s Picks 102: Birthh, The Mysterines, Angie McMahon, Katelyn Tarver, Katherine Li, & The Japanese House!

by Mitch Mosk
Tunes and Tumblers x Ryan Ritual
Music, Podcast, Tunes & TumblersJune 14, 2023<July 14, 2023

Podcast: Tunes & Tumblers Features Ryan Ritual and a Love Lost

by Atwood Magazine Staff
BJ the Chicago Kid © Micaiah Carter
Features, Interviews, MusicJune 14, 2023<June 14, 2023

“A healed person will make better music”: BJ the Chicago Kid Leads With Self-Care

by Ankita Bhanot
Savannah Conley © Sophia Matinazad
Debut, Features, Interviews, MusicJune 13, 2023<June 14, 2023

“I’m a Romantic Nihilist”: Savannah Conley Discusses Songwriting, Mental Health, & Her Breathtakingly Vulnerable Debut Album

by Mitch Mosk
BTS © BIGHIT MUSIC
Features, MusicJune 13, 2023<June 13, 2023

Despite All Odds: BTS, the Underdogs Turned Biggest Boy Band in the World, Celebrate Their 10-Year Anniversary

by Freya Rinaldi
Mermaid Blues V1 - LAPêCHE
Columns, Music, Today's SongJune 13, 2023<June 13, 2023

Today’s Song: The Raw Verve & Vulnerability of LAPêCHE’s Seasonally-Charged “Mermaid Blues (V1)”

by Mitch Mosk
Christine and the Queens © Jasa Muller 8
Music, Our Take, ReviewsJune 13, 2023<June 13, 2023

Our Take: Christine and the Queens’ ‘ PARANOÏA, ANGELS, TRUE LOVE’ Tackles Self-Discovery, Love, & ‘Angels in America’

by Julia Dzurillay
Small Shake © Brady Harvey
Debut, Music, PremieresJune 13, 2023<June 13, 2023

Premiere: Seattle’s Small Shake Debuts with “Imposter,” a Grunge-Pop Anthem for the Uncool

by Mitch Mosk
Almost Sex © 2023
Features, Interviews, Music, Premieres, Track-by-TrackJune 12, 2023<June 12, 2023

EP Premiere: ‘Ever Better’ Is a Cathartic Indie Folk Triumph for Brooklyn’s almost sex

by Mitch Mosk
Dance Lessons © Craig Benson
Columns, Music, Today's SongJune 12, 2023<June 12, 2023

Today’s Song: London Trio Dance Lessons Seduce the Senses on Soul-Stirring “Good Enough”

by Mitch Mosk
Mainland Break © 2023
Music, PremieresJune 12, 2023<June 12, 2023

Premiere: Denver’s Mainland Break Deliver a Jangle-Pop Anthem of Star-Crossed Summer Love in “Calling After”

by Mitch Mosk
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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