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Tinsley © William Daniel Harvey
Music, PremieresJune 1, 2023<June 1, 2023

Premiere: Tinsley’s New Love Song Is an Intimate, Instant “Classic”

by Mitch Mosk
CMAT © Sarah Doyle
Columns, Music, Today's SongJune 1, 2023<October 3, 2023

CMAT Reminds Us to “Have Fun!” (Despite Life’s Madness) on the Spirited New Single Off Her Sophomore LP ‘Crazymad, For Me’

by Mitch Mosk
Say Yes To Heaven - Lana Del Rey
Columns, Music, Today's SongMay 31, 2023<May 31, 2023

“Say Yes to Heaven, Say Yes to Me”: A Love Letter to Lana Del Rey’s Magical, Not-So-New Single

by Jamie Kahn
Freya Rinaldi
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 31, 2023<May 31, 2023

“Teaching Myself English”: A Personal Essay on the Asian-American Experience

by Freya Rinaldi
AAPI Heritage Month 2023 | Atwood Magazine
Asian American and Pacific Islander Heritage Month, Columns, Features, MusicMay 31, 2023<May 31, 2023

Celebrating Asian & Pacific Islander Representation in Music for AAPI Heritage Month 2023!

by Atwood Magazine Staff
John Tsung © James Bee
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 31, 2023<May 31, 2023

“Car Radios in Texas”: An Essay by John Tsung for AAPI Heritage Month

by Guest Writer
Boston Calling 2023 © Alive Coverage / Boston Calling
Festival, Music, ReviewsMay 31, 2023<May 31, 2023

Three Days of Sonic Sunshine: A Recap of Boston Calling 2023!

by Coco Rich
Alan Chang © 2023
Features, Interviews, MusicMay 30, 2023<May 30, 2023

Interview: Alan Chang Embraces Change, Starting with His New Single, “Love As a Weapon”

by Joe Beer
Polartropica © Olivia Hemaratanatorn
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 30, 2023<May 30, 2023

“Embracing Heritage, Championing Authenticity, & the Dazzling Journey of an Asian American Girl with Big Pop Dreams”: An Essay by Polartropica for AAPI Heritage Month

by Guest Writer
Jorydn Shellhart © Jory Lee Cordy
Debut, Features, Interviews, MusicMay 30, 2023<May 30, 2023

“God makes art of ugly things”: Jordyn Shellhart on Making Her Debut Record ‘Primrose’ & What Vulnerability Sounds Like

by Emily Frances Algar
Jawny © Michael Tyrone Delaney
Debut, Features, Interviews, MusicMay 30, 2023<June 9, 2023

Interview: Why JAWNY Continues to Leave Us “Wide-Eyed, Tongue-Tied”

by Sophie Severs
eundohee © Chris da Canha
Features, Interviews, Music, Track-by-TrackMay 26, 2023<June 1, 2023

Lifting the Fog: Seoul’s eundohee Enchants & Inspires with Breathtaking Indie Folk on ‘Kookaburra’ EP

by Mitch Mosk
The Fae © 2023
Columns, Music, Today's SongMay 26, 2023<May 26, 2023

Today’s Song: Dublin’s The Fae Debut with Raw Passion on “Chloe,” a Loving Message to a Friend in Need

by Mitch Mosk
Atwood Magazine's Weekly Roundup | May 26, 2023
Columns, Features, Music, Weekly RoundupMay 26, 2023<May 26, 2023

Atwood Magazine’s Weekly Roundup: May 26, 2023

by Atwood Magazine Staff
Yueku © Gina De Maio
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 25, 2023<May 25, 2023

“Where do I look?”: An Essay by Yueku for AAPI Heritage Month

by Guest Writer
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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