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Charlie Hall © Lloyd Bishop
Features, Interviews, MusicMay 25, 2023<May 25, 2023

Interview: Charlie Hall Floats Through Lovely Soundscapes on Debut Solo Album ‘Invisible Ink’

by Beau Hayhoe
Blake Ruby © Sean Bryan
Features, Interviews, Music, Track-by-TrackMay 25, 2023<May 25, 2023

Interview: Blake Ruby’s Intimate, Sincere Take on Nurturing Love

by Miles Campbell
Guest Singer © Callum O'Keefe
Columns, Music, Today's SongMay 25, 2023<May 25, 2023

Today’s Song: Guest Singer’s “Puppy” Explores Altruism Vs. Cynicism in a Soul-Stirring Synth-Soaked Upheaval

by Mitch Mosk
Softlung © Nicole Romanoff
Debut, Features, Interviews, Music, Track-by-TrackMay 24, 2023<May 24, 2023

Feature: S.J. Kardash Is Reborn in Softlung’s Raw, Honest, & Moody Debut Album ‘Second Chances’

by Mitch Mosk
Agust D © Freya Rinaldi
Concerts, Music, ReviewsMay 24, 2023<May 24, 2023

Live Review: Suga of BTS Takes Over the Kia Forum for 3 Unforgettable Sold-Out Nights in Los Angeles!

by Freya Rinaldi
Social Cinema © Justin Labadie
Features, Interviews, Music, Track-by-TrackMay 24, 2023<May 24, 2023

Track-by-Track: Social Cinema’s ‘Get Along’ EP Is a Chill, Easy, & Fun Alt-Rock Reverie

by Mitch Mosk
John Roberts © 2023
Interviews, MusicMay 24, 2023<May 24, 2023

Interview: Queer Synth Meets ’80s Electropop in John Roberts’ “DANGER”

by Julius Robinson
Roskamala © 2023
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 24, 2023<May 24, 2023

“Feeling Like a Global Misfit as an AAPI Artist”: An Essay by Roskamala for AAPI Heritage Month

by Guest Writer
Santa Chiara © Zoe Salvucci
Music, PremieresMay 24, 2023<May 24, 2023

Premiere: Santa Chiara’s “Peach Tree” Is a Sun-Kissed Soundtrack to Sweet Summer Nostalgia

by Mitch Mosk
Scott Tyler Schwartz © 2023
Music, ReviewsMay 23, 2023<May 23, 2023

“The heat is rising”: The Shadowboxers’ Scott Tyler Schwartz Lights a Fire on “Time & Temperature”

by Mitch Mosk
Runnner's Noah Weinman © Seannie Bryan
Debut, Features, Interviews, MusicMay 23, 2023<May 23, 2023

Connection, Communication, and the Human Condition: A Conversation with Runnner’s Noah Weinman

by Mitch Mosk
Maggie Rogers © Ankita Bhanot
Concerts, Music, ReviewsMay 23, 2023<May 23, 2023

Concert Review: Maggie Rogers Lights Up San Francisco Stage on ‘Feral Joy’ Tour

by Ankita Bhanot
Curtis Waters © Callum Walker Hutchinson
Features, Interviews, MusicMay 23, 2023<May 24, 2023

Interview: Curtis Waters, a Nepali Native Escalating the American Alternative Scene

by Josh Weiner
Sarah Kinsley © Julia Khoroshilov
Columns, Music, Today's SongMay 23, 2023<May 23, 2023

Today’s Song: “Oh No Darling!” by Sarah Kinsley Has Listeners Screaming, “Oh Yes, Sarah Kinsley!”

by Julia Dzurillay
Gregory Alan Isakov © Glen Ross
Columns, Music, Today's SongMay 22, 2023<June 10, 2023

“We all break a little when we fall”: Folk Farmer Gregory Alan Isakov Returns with “The Fall,” a Hauntingly Beautiful Song of Life’s Trapeze Act

by Mitch Mosk
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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© Atwood Magazine 2024 For the Love of Music
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