Music, Podcast, Tunes & TumblersMarch 29, 2023<April 30, 2023 Podcast: Tunes & Tumblers Features Mazie and a Kaleidoscopic Journey by Atwood Magazine Staff
Concerts, Music, ReviewsMarch 29, 2023<April 30, 2023 Lightning in a Bottle: Gracie Abrams, Live from Austin by Kelly McCafferty Dorogy
Features, Interviews, MusicMarch 29, 2023<March 2, 2025 Interview: Noah Kahan on Third LP ‘Stick Season’, Embracing His Roots, & Finding Happiness in Being Himself by Mitch Mosk
Columns, Music, Today's SongMarch 29, 2023<April 30, 2023 Wednesday’s “TV in the Gas Pump” Paints an Honest, Irreverent Picture of Life on the Road by Kylie Gurewitz
Columns, Music, Today's SongMarch 28, 2023<April 30, 2023 Today’s Song: Melbourne Singer/Songwriter ISHAN Sings His “Apologies” with an Intimate, Buoyant Bounce by Mitch Mosk
Music, Music Videos, PremieresMarch 28, 2023<April 30, 2023 Premiere: DAMOYEE Faces Fear & Love in “Phobia,” Her Beautifully Vulnerable, Achingly Raw Ethereal Folk Song by Mitch Mosk
Editorials, Music, Women's History MonthMarch 28, 2023<April 30, 2023 “The Importance of Empowering Young Women & Girls”: An Essay by Becca Bowen for Women’s History Month by Guest Writer
Music, PremieresMarch 28, 2023<April 30, 2023 Premiere: Au Gres Explores the Struggle Between Personal & Material Identity in “Leaving” by Isabella Le
Features, Interviews, Music, Track-by-TrackMarch 27, 2023<April 30, 2023 “A Beautiful Mess”: Mary Anne’s Polar Rig Dive into the Unapologetic Fever Dream of ‘Makes You Wonder’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMarch 27, 2023<April 30, 2023 “Connection with Everything”: Darren Jessee Shines on ‘Central Bridge’, His Lyrical, Tuneful, & Captivating Third LP by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMarch 27, 2023<April 30, 2023 “There isn’t a world you aren’t creating”: Tow’rs Explore Life Through an Intimate Lens on ‘Joy Alchemy’ by Mitch Mosk
Columns, Music, Today's SongMarch 27, 2023<April 30, 2023 Today’s Song: LØLØ’s “5,6,7,8” (ft. girlfriends) Fills the Gaps of Nostalgia and Desire by Rachel Leong
Debut, Features, Interviews, Music, Track-by-TrackMarch 24, 2023<April 30, 2023 “Harmonically Charged Tragicomedy”: Matt Pond Finds His Voice (Again) on The Natural Lines’ Soaring & Spirited Debut by Mitch Mosk
Columns, Features, Music, Weekly RoundupMarch 24, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: March 24, 2023 by Atwood Magazine Staff
Features, Interviews, MusicMarch 24, 2023<April 30, 2023 Interview: NJ’s Phoneboy Are Moving Up & ‘Moving Out’ with Their Sophomore Album by Minna Abdel-Gawad
For the Love of Music
For the Love of Music
