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Sarah Kinsley © Julia Khoroshilov
Features, Interviews, MusicJune 9, 2023<June 9, 2023

Interview: Sarah Kinsley Tackles Spirituality, Personified Objects, & Late ’70s Rock with ‘Ascension’ EP

by Julia Dzurillay
Atwood Magazine's Weekly Roundup | June 9, 2023
Columns, Features, Music, Weekly RoundupJune 9, 2023<June 10, 2023

Atwood Magazine’s Weekly Roundup: June 9, 2023

by Atwood Magazine Staff
Bob Moses © Zackery Michael
Features, Interviews, MusicJune 9, 2023<June 9, 2023

Feature: Bob Moses on the Ambient Psychic Unrest of ‘The Silence in Between’

by Anthony Kozlowski
Atwood Magazine's Editor's Picks 101!
Columns, Editor's Picks, Features, MusicJune 8, 2023<June 14, 2023

Editor’s Picks 101: Sydney Sprague, The Aces, Bear’s Den, Bleach Lab, Pacifica, & Eyedress!

by Mitch Mosk
Bishop Briggs © Ashley Osborn
Columns, Music, Today's SongJune 8, 2023<June 8, 2023

Today’s Song: Bishop Briggs Owns Her Mess in “Baggage,” an Impassioned Anthem of Empowerment & Acceptance

by Mitch Mosk
Governors Ball Music Festival
Festival, Music, Preview, Previews, ReviewsJune 8, 2023<June 8, 2023

2023 Governors Ball Music Festival Preview: The Premier East-Coast Party Featuring Lizzo, Kendrick Lamar, & Odesza!

by Nick Polak
J Lind © Torrey Lind
Music, PremieresJune 8, 2023<June 8, 2023

Premiere: J Lind Reminds Us to Unplug & Live in the Moment on “Oxford Sweater”

by Mitch Mosk
Tunes & Tumblers x BottleRock Napa Valley 2023
Music, Podcast, Tunes & TumblersJune 7, 2023<June 7, 2023

Podcast: Tunes & Tumblers’ Great BottleRock Adventure!

by Atwood Magazine Staff
joan © Jacob Ruth
Debut, Features, Interviews, Music, Track-by-TrackJune 7, 2023<June 7, 2023

“Life, death, and everything between”: joan Go Track-by-Track Through ‘superglue,’ Their Intimately Cinematic Debut Album

by Mitch Mosk
Babe Rainbow © Maclay Heriot
Features, Interviews, MusicJune 7, 2023<June 7, 2023

Interview: Babe Rainbow’s “Super Ego” Is a Summer Psychedelic Masterpiece

by Miles Campbell
swim school "duality" © Rory Barnes
Music, ReviewsJune 7, 2023<June 7, 2023

Review: swim school Offer a Compelling Look at ‘duality’ with New EP

by Brianna Corrine
Winten © Matthew Shaw
Columns, Music, Today's SongJune 7, 2023<June 7, 2023

The Intimate Warmth, Freeing Energy, & Cathartic Release of Winten’s “Bad Ones”

by Mitch Mosk
Diamond Day © Ariana Molly
Music, PremieresJune 7, 2023<June 7, 2023

Premiere: Montréal’s Diamond Day Debut with “Noisemaker,” a Hypnotic & Shoegazey Alt-Pop Fever Dream

by Mitch Mosk
The Aces "I've Loved You For So Long" © Julian Burgueño
Features, Interviews, MusicJune 6, 2023<December 21, 2023

‘I’ve Loved You For So Long’: The Aces Unpack Anxiety, Youth, & Queerness on Liberating Third LP

by Mitch Mosk
The Travelin' McCourys © Taylor Lewis Photography
Festival, Music, ReviewsJune 6, 2023<June 6, 2023

Review: DelFest 2023 Brings Music to Fill the Cumberland Air

by Christopher Snyder
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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