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Claire Guerreso
Editorials, Music, Women's History MonthMarch 24, 2023<April 30, 2023

“The Elephant in the Room”: An Essay by Claire Guerreso for Women’s History Month

by Guest Writer
Yarin Glam © 2023
Columns, Music, Today's SongMarch 24, 2023<April 30, 2023

Today’s Song: Pop Artist Yarin Glam Battles Mental & Emotional Demons in “Side Effects”

by Julius Robinson
Shayla McDaniel © 2023
Columns, Music, Today's SongMarch 23, 2023<April 30, 2023

Today’s Song: Shayla McDaniel’s Invigorating “Awake” Is a Spirited & Rousing Ode to Sleep

by Mitch Mosk
Atwood Magazine's Editor's Picks 93
Columns, Editor's Picks, Features, MusicMarch 23, 2023<March 29, 2023

Editor’s Picks 93: Cafuné, Kay Young, Eliott, tinyumbrellas, Siena Streiber, & Aáyanna!

by Mitch Mosk
Brina Kabler © 2023
Editorials, Music, Women's History MonthMarch 23, 2023<April 30, 2023

“Women in Music”: An Essay by Brina Kabler for Women’s History Month

by Guest Writer
Phil Lesh Celebrates His 83rd birthday at The Capitol Theatre, 3.15.23 © Chad Anderson
Concerts, MusicMarch 23, 2023<May 11, 2023

Phil Lesh Celebrates 83rd Birthday & 100th Show at Capitol Theatre During Four-Night Run

by Max Kalnitz
Transviolet © Taylor Lewis
Music, PremieresMarch 22, 2023<April 30, 2023

Premiere: Transviolet Bask in the Light of Life on Euphoric “How Lucky” Off Third LP, ‘BODY’

by Mitch Mosk
Nicole Moudaber © 2023
Editorials, Music, Women's History MonthMarch 22, 2023<April 30, 2023

“I’ve Dedicated My Life to Fighting the Patriarchy”: An Essay by Nicole Moudaber for Women’s History Month

by Guest Writer
Tarune © Bellamy Brewster
Music, PremieresMarch 22, 2023<April 30, 2023

Premiere: “baby, get your ticket” Is Tarune’s Tender, Soul-Stirring Mantra of Love & Longing

by Mitch Mosk
U2 © Kurt Iswarienko
Music, ReviewsMarch 22, 2023<April 30, 2023

Surrender to the Music and the Call of U2

by Brianna Corrine
Woz © Cecilia Luque
Music, PremieresMarch 22, 2023<April 30, 2023

Premiere: Woz’s “How I’m Gonna Go” Is a Hauntingly Intimate, Achingly Raw Reckoning in the Dark

by Mitch Mosk
The Japanese House © Max Barnett
Columns, Music, Today's SongMarch 22, 2023<January 30, 2024

Today’s Song: The Japanese House Rewrites History with New Single “Boyhood”

by Nasim Elyasi
Jack, Mikey, LØREN, June & Leeoh (left to right) on Austin's iconic 6th Street after closing out their first ever American shows © Freya Rinaldi, March 2023
Concerts, Music, ReviewsMarch 21, 2023<April 30, 2023

Live Review: LØREN Makes a Mark with First Stateside Performances at SXSW 2023!

by Freya Rinaldi
Black Honey's Izzy Bee Phillips © Lauren Maccabee
Features, Interviews, MusicMarch 21, 2023<April 30, 2023

Interview: Black Honey’s Izzy Bee Phillips Talks Mental Health, Vulnerability, & New Album ‘A Fistful of Peaches’

by Mitch Mosk
Freshcakes - Banji
Debut, Features, Interviews, Music, Track-by-TrackMarch 21, 2023<April 30, 2023

Fun, Feverish, & Freeing: Banji Take a Bite out of Life on Zesty Debut Album ‘Freshcakes’

by Mitch Mosk
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Brand New

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success

:: discover something new ::

Recent Posts

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
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