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Atwood Magazine's Editor's Picks 105
Columns, Editor's Picks, Features, MusicJuly 27, 2023<August 24, 2023

Editor’s Picks 105: Soda Blonde, Bombay Bicycle Club, JayWood, The Slow Show, Sarah Crean, & S. Carey x John Raymond!

by Mitch Mosk
Bad Tiger © 2023
Music, PremieresJuly 27, 2023<July 28, 2023

Premiere: Bad Tiger’s “New Growth” Is a Charming and Churning Indie Pop Reverie

by Mitch Mosk
Paul Simon at the 2022 Newport Folk Festival © Rett Rogers
Festival, Music, PreviewsJuly 27, 2023<July 27, 2023

Preview: 2023’s Newport Folk Festival Promises a Legendary Celebration of Folk Music

by Nick Polak
Mad Cool 2023 © Michael Greco
Festival, Music, ReviewsJuly 27, 2023<July 27, 2023

Review: Madrid’s 2023 Mad Cool Festival Flourishes in a New Venue

by Michael Greco
Yoke Lore © Tanner Deutsch
Features, Interviews, MusicJuly 27, 2023<July 27, 2023

Interview: Yoke Lore’s Debut Album Is a Spiritual Guidebook on Evolving & Keeping Up With All Kinds of Change

by Nick Polak
Ty Dolla $ign "Motion" © Alex Bittan
Columns, Music, Today's SongJuly 27, 2023<July 26, 2023

Today’s Song: Ty Dolla $ign’s Irresistible “Motion” Captures the Kinetic Summer Heat

by Mitch Mosk
Hank © Carina Allen
Debut, Features, Interviews, Music, Track-by-TrackJuly 26, 2023<July 26, 2023

Feature: Hank’s ‘Call Me Hank’ (Deluxe) Is an Unfiltered & Uncompromising Coming-of-Age Debut

by Mitch Mosk
Liza Lo © 2023
Features, Interviews, Music, Track-by-TrackJuly 26, 2023<July 26, 2023

Feature: Liza Lo Soars High on Her Atmospheric, Intimate, & Poetic ‘Flourish’ EP

by Mitch Mosk
Head In The Clouds Los Angeles 2023
Festival, Music, PreviewsJuly 26, 2023<July 26, 2023

2023 Head in the Clouds Festival Preview: The Ultimate Cultivation of Music by Asian Diaspora Makes Its Return to Los Angeles!

by Freya Rinaldi
MOZË © Kate Marshall
Music, Music Videos, PremieresJuly 26, 2023<July 26, 2023

Premiere: MOZË’s Breathtaking “Would You Be Mine” Aches with Love, Loss, & Longing

by Mitch Mosk
Strange Ranger © Kiernan Francis
Columns, Music, Today's SongJuly 26, 2023<July 26, 2023

Today’s Song: Strange Ranger Embrace Hazy Memory on New LP & Single “Wide Awake”

by Beau Hayhoe
Bantug © 2023
Essays, MusicJuly 25, 2023<August 22, 2023

“Harmonizing Against the Odds”: An Essay by Bantug

by Guest Writer
Sleepy Gonzales © Ethan Andre
Features, Interviews, Music, Track-by-TrackJuly 25, 2023<July 26, 2023

Feature: Sleepy Gonzales’ Visceral, Volatile, & Breathtakingly Beautiful ‘Mercy Kill’ EP

by Mitch Mosk
Buddie © 2023
Features, Interviews, Music, Track-by-TrackJuly 25, 2023<July 25, 2023

Urgency, Change, & Optimism: The Charm and Churn of Buddie’s Disruptive ‘Agitator’

by Mitch Mosk
Jess Nolan © Taylor Ann Bogner
Columns, Music, Today's SongJuly 25, 2023<July 25, 2023

Today’s Song: Jess Nolan’s Empowering & Invigorating Self-Help Anthem, “Emergency Landing”

by Mitch Mosk
Posts pagination
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Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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