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Daphne Gale © Deryne Photography
Music, ReviewsJuly 17, 2023<October 26, 2023

Review: In ‘And Things,’ Daphne Gale Gently Excavates the Twenty-Something Heart with Acoustic Storytelling

by Kate Millar
Electric Forest 2023 © Alive Coverage
Festival, Music, ReviewsJuly 17, 2023<July 18, 2023

The Mecca of Midwest Raves: A Review of Electric Forest 2023!

by Nick Polak
Lauren Hicks © 2023
Columns, Meet Our WritersJuly 16, 2023<July 18, 2023

Meet Our Writers: Phoenix’s Lauren Hicks!

by Lauren Hicks
vampire - Olivia Rodrigo © Larissa Hofmann
Columns, Music, Today's SongJuly 16, 2023<September 20, 2023

Today’s Song: Olivia Rodrigo Hones the Craft of Heartbreak in “vampire”

by Brendan Le
Billie Eilish "What Was I Made For?" © Jack Bridgland
Columns, Music, Today's SongJuly 15, 2023<July 15, 2023

Today’s Song: Billie Eilish’s Somber Barbie Contribution, “What Was I Made For?”

by Mariel Fechik
Tunes and Tumblers x MisterWives 2023
Music, Podcast, Tunes & TumblersJuly 14, 2023<July 14, 2023

Podcast: Tunes & Tumblers Features MisterWives and a Sucker Punch

by Atwood Magazine Staff
Atwood Magazine's Weekly Roundup | July 14, 2023
Columns, Features, Music, Weekly RoundupJuly 14, 2023<July 14, 2023

Atwood Magazine’s Weekly Roundup: July 14, 2023

by Atwood Magazine Staff
Misterwives 'Nosebleeds' © Matty Vogel
Music, Reviews, Track-by-TrackJuly 14, 2023<July 14, 2023

Review: MisterWives’ Fiery Fourth Studio Album, ‘Nosebleeds’

by Kelly McCafferty Dorogy
Jung Kook © BIGHIT MUSIC
Columns, Debut, Music, Today's SongJuly 14, 2023<July 14, 2023

Today’s Song: Jung Kook of BTS Flaunts a Raunchy Side of Himself With His Solo Debut “Seven” ft. Latto

by Freya Rinaldi
Joy Mumford "Spilt Milk" © 2023
Columns, Music, Today's SongJuly 13, 2023<July 13, 2023

Today’s Song: Joy Mumford’s “Spilt Milk” Offers a Lesson in Vulnerability & Letting Go

by Mitch Mosk
Atwood Magazine's Editor's Picks 103
Columns, Editor's Picks, Features, MusicJuly 13, 2023<December 11, 2023

Editor’s Picks 103: EmmersonHALL, Boyish, Maple Glider, Blondes, Girl Scout, & Mumble Tide!

by Mitch Mosk
HeartSpaces - Christopher Henry
Interviews, Music, Premieres, ReviewsJuly 13, 2023<July 13, 2023

Singing to the Plants: Christopher Henry Discusses His Shamanic Gospel Album, ‘HeartSpaces’

by Guest Writer
Cosial © Katy Gettings
Columns, Music, Today's SongJuly 12, 2023<July 12, 2023

Today’s Song: Manchester’s Cosial Gets Under the Surface and “In View” on Her Intimate Indie Pop Confessional

by Mitch Mosk
Mise en Scene 'Reality Bites' © Adam Kelly 2023
Features, Interviews, Music, Track-by-TrackJuly 12, 2023<July 12, 2023

Unfiltered & Unapologetic: Mise en Scene Deliver Raw Truths and Fresh Grooves on ‘Reality Bites’ EP

by Mitch Mosk
Today's Outfit © 2022
Debut, Features, Interviews, Music, Track-by-TrackJuly 12, 2023<July 12, 2023

‘Your Perfect Self’: Today’s Outfit Debut With Social Media Critiques and a Searing New Wave Sound

by Mitch Mosk
Posts pagination
1 … 193 194 195 196 197 … 741

Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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