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Alexz Johnson © Matthew McWilliams
Features, Interviews, MusicFebruary 21, 2023<February 21, 2023

Interview: Alexz Johnson Offers a Heartfelt Hug in “Hurt Me,” an Achingly Beautiful Song of Unconditional Love

by Mitch Mosk
Photo Ops © courtesy of the artist
Columns, Music, Today's SongFebruary 21, 2023<February 21, 2023

Today’s Song: Photo Ops Mourns a Friendship in “You Must Not Need a Friend At All,” a Wistful Indie Folk Reckoning

by Mitch Mosk
Oddisee © Jasmine Van Buytene 8.3
Music, Our Take, ReviewsFebruary 20, 2023<February 20, 2023

Our Take: Oddisee Does the DC Rap Scene Proud on ‘To What End’

by Josh Weiner
Clara Mann © courtesy of the artist
Columns, Music, Today's SongFebruary 20, 2023<February 17, 2023

Today’s Song: Clara Mann’s Intimate “Confessions” Masterfully Finds the Silver Lining During Loss

by Sophie Severs
Atwood Magazine's Weekly Roundup | February 17, 2023
Columns, Features, Music, Weekly RoundupFebruary 17, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: February 17, 2023

by Atwood Magazine Staff
DWLLRS © Cole Ferguson
Features, Interviews, MusicFebruary 17, 2023<February 17, 2023

Feature: DWLLRS and the Art of Overthinking

by Anthony Kozlowski
Ber © Lauren Kim
Features, Interviews, MusicFebruary 17, 2023<February 17, 2023

Interview: Ber Talks Life, Love, & Creation Leading Up to Sophomore EP ‘Halfway’

by Rachel Leong
Atwood Magazine Editor's Picks 88
Columns, Editor's Picks, Features, MusicFebruary 17, 2023<March 11, 2023

Editor’s Picks 88: Boyish, JERUB, Alex Lahey, Paige Su, Anna Shoemaker, & Savannah Conley!

by Mitch Mosk
Montauk Hotel © Simon Walsh
Columns, Music, Today's SongFebruary 17, 2023<February 16, 2023

Today’s Song: Montauk Hotel Urge You to Jump in with Shimmering ‘80s Ode “Dive (Come Afloat)”

by Beau Hayhoe
The Cure © Jan-Erik Eriksen 2022
Columns, Features, MusicFebruary 16, 2023<February 16, 2023

Living The Cure, Pt. 2

by David Buyze
Slow Fiction © Sid Simons
Debut, Features, Interviews, Music, Track-by-TrackFebruary 16, 2023<February 16, 2023

Feature: Slow Fiction’s Dreamy & Raw Debut EP Will Have You Dancing While Crying

by Mitch Mosk
TJ Stafford "Nipple Whisk" © Rowan Daly
Features, Interviews, MusicFebruary 16, 2023<February 16, 2023

Interview: TJ Stafford Opens Up About Third Album ‘Nipple Whisk’ & Navigating Life’s Mess

by Chloe Robinson
Future Someone © Laur Loncar
Music, PremieresFebruary 16, 2023<February 16, 2023

Premiere: NYC’s Future Someone Contends with Closure in His Beautiful & Bittersweet “I Hope You Find Whatever You Are Looking For”

by Mitch Mosk
YVY MARAEY "Water" music video screenshot
Music, PremieresFebruary 16, 2023<February 16, 2023

Premiere: YVY MARAEY’s Roots Run Deep in Soul-Stirring Single “Water” ft. Raiza Biza

by Mitch Mosk
lonely bitch - Bea Miller
MusicFebruary 16, 2023<February 16, 2023

Today’s Song: Bea Miller’s “lonely bitch” Is a Thrilling Alt-Pop Anthem

by Lauren Turner
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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