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Breaking and Mending - Lisa/Liza
Features, Interviews, Music, Track-by-TrackMay 1, 2023<May 2, 2023

Feature: Lisa/Liza’s ‘Breaking and Mending’ Is an Album About Processing Trauma & Life Itself

by Mitch Mosk
Peso Pluma © 2023
Columns, Music, Music You Should KnowMay 1, 2023<May 1, 2023

Music You Should Know: Peso Pluma Fans Enter Their Corrido Era

by Julia Dzurillay
Wine Pride © Jeremy Spencer
Debut, Music, PremieresMay 1, 2023<May 1, 2023

Premiere: Wine Pride’s Shoegaze Anthem “Lone Flyer” Is an Ode to Alone Time

by Mitch Mosk
grentperez © Theo Batterham
Columns, Music, Today's SongMay 1, 2023<May 1, 2023

“I’m coming home to you”: grentperez’s Dance-Ready “When The Day Is Done” Is a Sun-Soaked Celebration of Love

by Mitch Mosk
First Two Pages of Frankenstein - The National 9.1
Music, Our Take, ReviewsMay 1, 2023<May 1, 2023

Our Take: The National Fight Through the Darkness to Deliver Stunning ‘First Two Pages of Frankenstein’

by Beau Hayhoe
Tunes & Tumblers x LØLØ
Music, Podcast, Tunes & TumblersApril 30, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features LØLØ and a Life Cycle

by Atwood Magazine Staff
Hippo Campus © Shervin Lainez
Music, ReviewsApril 29, 2023<April 30, 2023

EP Review: Indie Rock Outlaws Hippo Campus Return with ‘Wasteland’

by Nasim Elyasi
Sophie Severs
Columns, Meet Our WritersApril 29, 2023<May 6, 2023

Meet Our Writers: Boston’s Sophie Severs!

by Sophie Severs
Atwood Magazine's Weekly Roundup | April 28, 2023
Columns, Features, Music, Weekly RoundupApril 28, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: April 28, 2023

by Atwood Magazine Staff
Atwood Magazine's Editor's Picks 97
Columns, Editor's Picks, Features, MusicApril 28, 2023<May 4, 2023

Editor’s Picks 97: Scott Orr, deem spencer, Cosial, Lizzie Esau, The Maddocks, & Alma Mater!

by Mitch Mosk
The Japanese House © Jay Seba
Columns, Music, Today's SongApril 28, 2023<April 30, 2023

Today’s Song: The Japanese House Returns With Her Wistful Single “Sad to Breathe”

by Julia Dzurillay
Bec Stevens © Ian Laidlaw
Debut, Features, Interviews, Music, Track-by-TrackApril 27, 2023<April 30, 2023

Basking in ‘BIG WORRY’: Bec Stevens Opens Up About Her Emotionally Charged Debut Album

by Mitch Mosk
Kindelan © Mon Levčenkovaitė
Columns, Music, Today's SongApril 27, 2023<April 30, 2023

Today’s Song: “Feast” on Kindelan’s Smoldering, Spicy & Sultry Seduction

by Mitch Mosk
Ben Strawn © Willis Norman
Music, PremieresApril 27, 2023<April 30, 2023

Premiere: “Things I’ve Never Said” Is Ben Strawn’s Love-Soaked, Bittersweet Indie Folk Dream

by Mitch Mosk
Perfect Crimes - Ransom and the Subset
Interviews, MusicApril 27, 2023<April 30, 2023

Interview: Ransom and the Subset Return with ‘Perfect Crimes,’ Their Long-Overdue (But Worth the Wait) New Album

by Julius Robinson
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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