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Atwood Magazine's Editor's Picks 93
Columns, Editor's Picks, Features, MusicMarch 23, 2023<March 29, 2023

Editor’s Picks 93: Cafuné, Kay Young, Eliott, tinyumbrellas, Siena Streiber, & Aáyanna!

by Mitch Mosk
Brina Kabler © 2023
Essays, Music, Women's History MonthMarch 23, 2023<April 30, 2023

“Women in Music”: An Essay by Brina Kabler for Women’s History Month

by Guest Writer
Phil Lesh Celebrates His 83rd birthday at The Capitol Theatre, 3.15.23 © Chad Anderson
Concerts, MusicMarch 23, 2023<May 11, 2023

Phil Lesh Celebrates 83rd Birthday & 100th Show at Capitol Theatre During Four-Night Run

by Max Kalnitz
Transviolet © Taylor Lewis
Music, PremieresMarch 22, 2023<April 30, 2023

Premiere: Transviolet Bask in the Light of Life on Euphoric “How Lucky” Off Third LP, ‘BODY’

by Mitch Mosk
Nicole Moudaber © 2023
Essays, Music, Women's History MonthMarch 22, 2023<April 30, 2023

“I’ve Dedicated My Life to Fighting the Patriarchy”: An Essay by Nicole Moudaber for Women’s History Month

by Guest Writer
Tarune © Bellamy Brewster
Music, PremieresMarch 22, 2023<April 30, 2023

Premiere: “baby, get your ticket” Is Tarune’s Tender, Soul-Stirring Mantra of Love & Longing

by Mitch Mosk
U2 © Kurt Iswarienko
Music, ReviewsMarch 22, 2023<April 30, 2023

Surrender to the Music and the Call of U2

by Brianna Corrine
Woz © Cecilia Luque
Music, PremieresMarch 22, 2023<April 30, 2023

Premiere: Woz’s “How I’m Gonna Go” Is a Hauntingly Intimate, Achingly Raw Reckoning in the Dark

by Mitch Mosk
The Japanese House © Max Barnett
Columns, Music, Today's SongMarch 22, 2023<January 30, 2024

Today’s Song: The Japanese House Rewrites History with New Single “Boyhood”

by Nasim Elyasi
Jack, Mikey, LØREN, June & Leeoh (left to right) on Austin's iconic 6th Street after closing out their first ever American shows © Freya Rinaldi, March 2023
Concerts, Music, ReviewsMarch 21, 2023<April 30, 2023

Live Review: LØREN Makes a Mark with First Stateside Performances at SXSW 2023!

by Freya Rinaldi
Black Honey's Izzy Bee Phillips © Lauren Maccabee
Features, Interviews, MusicMarch 21, 2023<April 30, 2023

Interview: Black Honey’s Izzy Bee Phillips Talks Mental Health, Vulnerability, & New Album ‘A Fistful of Peaches’

by Mitch Mosk
Freshcakes - Banji
Debut, Features, Interviews, Music, Track-by-TrackMarch 21, 2023<April 30, 2023

Fun, Feverish, & Freeing: Banji Take a Bite out of Life on Zesty Debut Album ‘Freshcakes’

by Mitch Mosk
girlhouse © Shervin Lainez
Columns, Music, Today's SongMarch 21, 2023<April 30, 2023

Today’s Song: girlhouse’s Lauren Luiz Shares an Intimate Look into Relationships and Proves She’s “worth it”

by Brianna Corrine
Joesef © Nathan Dunphy
Debut, Features, Interviews, Music, Track-by-TrackMarch 20, 2023<April 30, 2023

“If you can take the fall, how high do you wanna be?”: Joesef’s Stunning, Soul-Soaked Debut Album ‘Permanent Damage’

by Mitch Mosk
Meadowlark © 2023
Music, Music Videos, PremieresMarch 20, 2023<April 30, 2023

Premiere: Meadowlark’s “What’s It Like to Love Me” Is an Intimate, Vulnerable Song for the Anxiously Attached

by Mitch Mosk
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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