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John Tsung © James Bee
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 31, 2023<May 31, 2023

“Car Radios in Texas”: An Essay by John Tsung for AAPI Heritage Month

by Guest Writer
Boston Calling 2023 © Alive Coverage / Boston Calling
Festival, Music, ReviewsMay 31, 2023<May 31, 2023

Three Days of Sonic Sunshine: A Recap of Boston Calling 2023!

by Coco Rich
Alan Chang © 2023
Features, Interviews, MusicMay 30, 2023<May 30, 2023

Interview: Alan Chang Embraces Change, Starting with His New Single, “Love As a Weapon”

by Joe Beer
Polartropica © Olivia Hemaratanatorn
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 30, 2023<May 30, 2023

“Embracing Heritage, Championing Authenticity, & the Dazzling Journey of an Asian American Girl with Big Pop Dreams”: An Essay by Polartropica for AAPI Heritage Month

by Guest Writer
Jorydn Shellhart © Jory Lee Cordy
Debut, Features, Interviews, MusicMay 30, 2023<May 30, 2023

“God makes art of ugly things”: Jordyn Shellhart on Making Her Debut Record ‘Primrose’ & What Vulnerability Sounds Like

by Emily Frances Algar
Jawny © Michael Tyrone Delaney
Debut, Features, Interviews, MusicMay 30, 2023<June 9, 2023

Interview: Why JAWNY Continues to Leave Us “Wide-Eyed, Tongue-Tied”

by Sophie Severs
eundohee © Chris da Canha
Features, Interviews, Music, Track-by-TrackMay 26, 2023<June 1, 2023

Lifting the Fog: Seoul’s eundohee Enchants & Inspires with Breathtaking Indie Folk on ‘Kookaburra’ EP

by Mitch Mosk
The Fae © 2023
Columns, Music, Today's SongMay 26, 2023<May 26, 2023

Today’s Song: Dublin’s The Fae Debut with Raw Passion on “Chloe,” a Loving Message to a Friend in Need

by Mitch Mosk
Atwood Magazine's Weekly Roundup | May 26, 2023
Columns, Features, Music, Weekly RoundupMay 26, 2023<May 26, 2023

Atwood Magazine’s Weekly Roundup: May 26, 2023

by Atwood Magazine Staff
Yueku © Gina De Maio
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 25, 2023<May 25, 2023

“Where do I look?”: An Essay by Yueku for AAPI Heritage Month

by Guest Writer
Charlie Hall © Lloyd Bishop
Features, Interviews, MusicMay 25, 2023<May 25, 2023

Interview: Charlie Hall Floats Through Lovely Soundscapes on Debut Solo Album ‘Invisible Ink’

by Beau Hayhoe
Blake Ruby © Sean Bryan
Features, Interviews, Music, Track-by-TrackMay 25, 2023<May 25, 2023

Interview: Blake Ruby’s Intimate, Sincere Take on Nurturing Love

by Miles Campbell
Guest Singer © Callum O'Keefe
Columns, Music, Today's SongMay 25, 2023<May 25, 2023

Today’s Song: Guest Singer’s “Puppy” Explores Altruism Vs. Cynicism in a Soul-Stirring Synth-Soaked Upheaval

by Mitch Mosk
Softlung © Nicole Romanoff
Debut, Features, Interviews, Music, Track-by-TrackMay 24, 2023<May 24, 2023

Feature: S.J. Kardash Is Reborn in Softlung’s Raw, Honest, & Moody Debut Album ‘Second Chances’

by Mitch Mosk
Agust D © Freya Rinaldi
Concerts, Music, ReviewsMay 24, 2023<May 24, 2023

Live Review: Suga of BTS Takes Over the Kia Forum for 3 Unforgettable Sold-Out Nights in Los Angeles!

by Freya Rinaldi
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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