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The National © Josh Goleman
Columns, Music, Today's SongApril 25, 2023<April 30, 2023

The National & Phoebe Bridgers Deliver Somber Reminder on “Your Mind Is Not Your Friend”

by Beau Hayhoe
Jasmine Jethwa © Daniel A Harris
Artist to Watch, Columns, Features, Interviews, Music, Track-by-TrackApril 24, 2023<April 30, 2023

“Immediate, Defiant, & Vulnerable”: Jasmine Jethwa Shines on Intimate, Soul-Stirring EP ‘Same Streets But I Don’t See You Around’

by Mitch Mosk
J.E. Sunde © Nicholas Despis
Music, PremieresApril 24, 2023<April 30, 2023

“I got one life to live, but I’m not doing it right…”: J.E. Sunde Premieres “Stop Caring,” an Existential Crisis Solved in Song

by Mitch Mosk
Morat © Amanda Imm
Features, Music, ReviewsApril 24, 2023<April 30, 2023

Meet Morat, a Colombian Band Looking to “Salir Con Vida” into the Spotlight

by Josh Weiner
Drake © Universal Music Group
Covers, Music, ReviewsApril 24, 2023<April 30, 2023

Passionate About “Passionfruit”: Drake’s Unflappable, Shape-Shifting Spring Song

by Julia Dzurillay
King Krule © Frank Lebon
Columns, Today's SongApril 24, 2023<April 30, 2023

King Krule’s “Seaforth” Is an Emotionally Intimate Exploration of the ‘Space Between’

by Miles Campbell
Lilly Eason © Maria Mattingly
Columns, Meet Our WritersApril 22, 2023<April 30, 2023

Meet Our Writers: Nashville’s Lilly Eason!

by Lilly Eason
Atwood Magazine's Editor's Picks 96
Columns, Editor's Picks, Features, MusicApril 21, 2023<April 22, 2023

Editor’s Picks 96: Babygirl, sunbleached, Hollyy, Isaac Stuart, dani mack, & Augustine!

by Mitch Mosk
Rodrigo y Gabriela © Ebru Yildiz
Interviews, Music, ReviewsApril 21, 2023<April 30, 2023

“But At Least We Had Music”: A Conversation with Rodrigo y Gabriela

by Adrian Vargas
Atwood Magazine's Weekly Roundup | April 21, 2023
Columns, Features, Music, Weekly RoundupApril 21, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: April 21, 2023

by Atwood Magazine Staff
Similar Kind © Sam Lockyer
Columns, Music, Today's SongApril 21, 2023<April 30, 2023

Today’s Song: “Face to Face” Is Similar Kind’s Emotionally-Charged Indie Rock Fever Dream

by Mitch Mosk
A Plan To Get Home - SOMOH
Debut, Features, Interviews, Music, Track-by-TrackApril 20, 2023<April 30, 2023

Delicate, Emotional, Punchy: London’s SOMOH Dives into ‘A Plan to Get Home,’ Her Unapologetically Vulnerable Debut EP

by Mitch Mosk
Voice Notes - Yazmin Lacey
Debut, Features, Interviews, Music, Track-by-TrackApril 20, 2023<April 30, 2023

Feature: Yazmin Lacey Delves Deep in ‘Voice Notes,’ Her Beautifully Raw & Diaristic Debut

by Mitch Mosk
Beach Weather © Olivia Smith
Features, Interviews, MusicApril 20, 2023<April 30, 2023

Pineapple Sunrise: Beach Weather’s Catchy, Breezy & Alternative Debut Album Explores Personal Growth

by Lauren Turner
Kim Petras © Byron Spencer, illustration Lucas David
Columns, Music, Music You Should KnowApril 20, 2023<April 30, 2023

Music You Should Know: Turn On (and Turn Up) ‘Turn Off the Light’ by Kim Petras

by Julia Dzurillay
Posts pagination
1 … 209 210 211 212 213 … 741

Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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