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Hot Moms Club © Jonah Reenders
Music, PremieresFebruary 13, 2023<February 13, 2023

“You loved me all way”: Hot Moms Club Premieres “i love you, mom,” a Beautiful, Dreamy Ode to Mothers

by Mitch Mosk
Dror © Nikoli Partiyeli
Features, Interviews, MusicFebruary 13, 2023<February 14, 2023

Feature: Indie Pop Artist Dror Embraces Change in the New Year

by Ankita Bhanot
Brian Dunne © Lukasz Palka
Columns, Music, Today's SongFebruary 13, 2023<February 13, 2023

Artist to Watch: Brian Dunne Accepts “Bad Luck” in His Liberating & Lively New Anthem

by Mitch Mosk
Pearla © Tonje Thilesen
Debut, Features, Interviews, MusicFebruary 13, 2023<February 19, 2023

Feature: Traveling into the Imaginary Universe of Pearla with Her Debut Album, ‘Oh Glistening Onion, The Nighttime Is Coming’

by Frankie Rose
Ghosts Again - Depeche Mode
Columns, Music, Today's SongFebruary 11, 2023<February 10, 2023

Today’s Song: The Sublime Reveal of Depeche Mode’s Joyfully Melancholic “Ghosts Again”

by David Buyze
WILSN © She Is Aphrodite
Debut, Features, Interviews, Music, Track-by-TrackFebruary 10, 2023<February 18, 2023

Feature: WILSN Is Unleashed on ‘Those Days Are Over,’ a Debut Full of Confidence, Raw Energy, & Smoldering Soul

by Mitch Mosk
Jasmine Jethwa © Daniel A Harris
Artist to Watch, Columns, Music, Today's SongFebruary 10, 2023<April 2, 2023

Artist to Watch: South London’s Jasmine Jethwa Lights a Fire Inside with “Money to Burn”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 10, 2023
Columns, Features, Music, Weekly RoundupFebruary 10, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: February 10, 2023

by Atwood Magazine Staff
Mathew V © Matthew Miller
Features, Interviews, MusicFebruary 10, 2023<February 10, 2023

Mathew V’s Anything Goes: A Journey via Jazz

by Andrew Daly
Michal Leah © Willie Jane
Artist to Watch, Features, Interviews, MusicFebruary 9, 2023<February 9, 2023

Artist to Watch Michal Leah on the Ups, Downs, & Laughs of Her Journey So Far: A Conversation with an Old Friend

by Nick Polak
Silver Line - Hayden Everett © Ethan Porter
Features, Interviews, Music, Premieres, Track-by-TrackFebruary 9, 2023<March 26, 2024

Coarse, Reflection, Breathe: Hayden Everett Premieres His Beautifully Iridescent & Introspective ‘Silver Line’ EP

by Mitch Mosk
Indigo De Souza © Angella Choe
Columns, Music, Today's SongFebruary 9, 2023<February 9, 2023

“A Love Letter to Everyone’s Inner Child”: Indigo De Souza Mourns Lost Youth in “Younger & Dumber”

by Sophie Severs
The Cure © Magali Girardin
Columns, Features, MusicFebruary 8, 2023<February 8, 2023

Living The Cure, Pt. 1

by David Buyze
Atwood Magazine's Editor's Picks 87
Columns, Editor's Picks, Features, MusicFebruary 8, 2023<August 13, 2024

Editor’s Picks 87: Slow Fiction, M.A.G.S., Sofia Monroy, The Rocket Summer, Steady Holiday, & Roo Panes!

by Mitch Mosk
Pierce The Veil © Celina Kenyon
Features, Interviews, MusicFebruary 8, 2023<March 11, 2023

“More simplified, but more powerful”: Jaime Preciado of Pierce The Veil Unhinges ‘The Jaws of Life’

by Isabella Le
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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© Atwood Magazine 2024 For the Love of Music
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