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girlhouse © Shervin Lainez
Columns, Music, Today's SongMarch 21, 2023<April 30, 2023

Today’s Song: girlhouse’s Lauren Luiz Shares an Intimate Look into Relationships and Proves She’s “worth it”

by Brianna Corrine
Joesef © Nathan Dunphy
Debut, Features, Interviews, Music, Track-by-TrackMarch 20, 2023<April 30, 2023

“If you can take the fall, how high do you wanna be?”: Joesef’s Stunning, Soul-Soaked Debut Album ‘Permanent Damage’

by Mitch Mosk
Meadowlark © 2023
Music, Music Videos, PremieresMarch 20, 2023<April 30, 2023

Premiere: Meadowlark’s “What’s It Like to Love Me” Is an Intimate, Vulnerable Song for the Anxiously Attached

by Mitch Mosk
Nina Mučibabić (aka DJ Pink Palindrome) © Tajana Dedić-Starović
Interviews, MusicMarch 20, 2023<April 30, 2023

Interview: DJ Pink Palindrome Amidst the Sarajevo Music Scene

by David Buyze
Ollella © Kendall Rock
Essays, Music, Women's History MonthMarch 20, 2023<April 30, 2023

“I’m not going to sleep with you”: An Essay by Ollella for Women’s History Month

by Guest Writer
Hippo Campus © Shervin Lainez
Columns, Music, Today's SongMarch 20, 2023<April 30, 2023

Sweet & Twangy, “Kick in the Teeth” Marks a New, Simpler Era of Music for Hippo Campus

by Claire Meyer
Atwood Magazine's Weekly Roundup | March 17, 2023
Columns, Features, Music, Weekly RoundupMarch 17, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: March 17, 2023

by Atwood Magazine Staff
Natalia Damini & Tito Jackson © 2023
Columns, Interviews, Music, Today's SongMarch 17, 2023<April 30, 2023

Natalia Damini Displays Her “Attitude” with Music Legend Tito Jackson (The Jackson 5)

by Julius Robinson
Cracker Island - Gorillaz 8.6
Music, Our Take, ReviewsMarch 17, 2023<April 30, 2023

Our Take: On ‘Cracker Island,’ Gorillaz’ Chest-Thumping Causes Major Waves 

by Josh Weiner
Atwood Magazine's Editor's Picks 92
Columns, Editor's Picks, Features, MusicMarch 17, 2023<March 17, 2023

Editor’s Picks 92: Gordi, Under the Rug, Tash Sultana, Karson., Stolen Jars, & girlhouse!

by Mitch Mosk
Hannah Jadagu © Axel Kabundji
Debut, Interviews, MusicMarch 16, 2023<April 30, 2023

“I want kids who grew up like me to see that you can make music”: An Interview with Hannah Jadagu

by Mitch Mosk
Jake Huffman © 2023
Interviews, MusicMarch 16, 2023<April 30, 2023

Interview: Singing Drummer Jake Huffman Speaks on New Single “Martyr” & Upcoming EP ‘Younger’

by Joe Beer
Death of a Cloud - Mereki
Essays, Music, Women's History MonthMarch 16, 2023<April 30, 2023

“On Never Allowing ‘Tall Poppy Syndrome’ to Hold a Woman Back”: An Essay by Mereki for Women’s History Month

by Guest Writer
Pam Risourié © Cédric Tessonneau
Debut, Features, Interviews, Music, Track-by-TrackMarch 16, 2023<April 30, 2023

‘days of distortion’: Parisian Band Pam Risourié Premiere Their Immersive, Hypersensitive, & Ambient Debut Album

by Mitch Mosk
'Inner Child Work Pt. 2' EP art - Alicia Blue
Features, Interviews, Music, Track-by-TrackMarch 16, 2023<April 30, 2023

Feature: Alicia Blue Delves into the Soul-Stirring Depths of Her Beautifully Cathartic ‘Inner Child Work’

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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