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Peach Pit © Mackenzie Walker
Columns, Music, Today's SongJanuary 6, 2023<January 6, 2023

Today’s Song: “Up Granville” Is Peach Pit’s Ode to the Woes of Solitude

by Miles Campbell
La Femme © JD Fanello
Features, Interviews, MusicJanuary 5, 2023<January 10, 2023

Feature: The Escapist Fantasy of La Femme’s ‘Teatro Lúcido’

by Lilly Eason
Tommy Newport © courtesy of the artist
Columns, Music, Today's SongJanuary 5, 2023<January 5, 2023

Today’s Song: Delving into Genre-Blending Euphony with Tommy Newport & Jazz Cartier’s Latest Offering “Jackpot”

by Joe Beer
Marketa Irglova © Lena Bushart
Features, Interviews, MusicJanuary 5, 2023<January 17, 2023

Interview: Markéta Irglová’s Roots Go Deep on Beautifully Vulnerable Album ‘Lila’

by Nasim Elyasi
EMELINE © Andrea Riba
Features, Interviews, MusicJanuary 4, 2023<January 5, 2023

“It Felt Like a Birth”: EMELINE on Her Explosive Debut and Latest Single, “Venting to Strangers”

by Nic Nichols
SOS - SZA 8.6
Music, Our Take, ReviewsJanuary 4, 2023<September 20, 2023

Our Take: SZA Shines on Outstanding Sophomore Album ‘SOS’

by Josh Weiner
The Lemon Twigs © Eva Chambers
Columns, Music, Today's SongJanuary 4, 2023<January 4, 2023

Today’s Song: The Lemon Twigs Declare Love at Second Sight with New Single, “Corner of My Eye”

by Sophie Severs
Atwood Magazine's 2022 Albums of the Year
Features, Lists, MusicDecember 21, 2022<December 21, 2022

Atwood Magazine’s 2022 Albums of the Year

by Atwood Magazine Staff
SPIN - OTNES
Artist to Watch, Debut, Interviews, MusicDecember 20, 2022<April 26, 2023

Artist to Watch: OTNES Grieves & Glistens on Dreamy, Dazzling Debut Single “SPIN”

by Mitch Mosk
Andy Frasco & The U.N. © Andrew Hutchins
Columns, Interviews, Music, Today's SongDecember 20, 2022<December 20, 2022

“I’m trying to keep rock and roll alive”: Andy Frasco on the Most Important Song He’s Ever Written

by Nick Polak
Atwood Magazine's 2022 Songs of the Year
Features, Lists, MusicDecember 19, 2022<March 11, 2023

Atwood Magazine’s 2022 Songs of the Year

by Atwood Magazine Staff
Algiers © Ebru Yildiz
Columns, Music, Today's SongDecember 19, 2022<December 18, 2022

Today’s Song: Algiers Get Collaborative & Team with Zack de la Rocha for “Irreversible Damage” Off 4th LP, ‘Shook’

by Beau Hayhoe
Atwood Magazine's Mistletones 2022, Pt. 3
Features, Interviews, Lists, Mistletones, MusicDecember 19, 2022<January 7, 2023

Atwood Magazine Presents Mistletones: 2022’s Best New Holiday Songs, Pt. 3

by Atwood Magazine Staff
Crowder's Milk & Cookies: A Merry Crowder Christmas © Mary Caroline Russell 5a
Features, Interviews, Mistletones, MusicDecember 16, 2022<December 16, 2022

Interview: Crowder Gets into the Holiday Spirit with Festive, Faithful, & Funny Christmas Album, ‘Milk & Cookies: A Merry Crowder Christmas’

by Mitch Mosk
Atwood Magazine's Best Shows of 2022
Concerts, Features, Lists, MusicDecember 16, 2022<December 20, 2022

Atwood Magazine’s Best Concerts of 2022!

by Atwood Magazine Staff
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

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Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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