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Peter Stone © Dani Fresh
Columns, Music, Today's SongDecember 8, 2022<December 8, 2022

Today’s Song: Basking in the Beautiful Light of Peter Stone’s Intimate “Cogs”

by Mitch Mosk
Astronaut - Bailey Tomkinson © Lewis King
Music, PremieresDecember 8, 2022<December 8, 2022

Premiere: Cornwall’s Bailey Tomkinson Aches with Raw, Intimate, & Impassioned Song “Astronaut”

by Mitch Mosk
Jenny Kern - Your Heart Knows
Music, Reviews, Track-by-TrackDecember 8, 2022<December 8, 2022

Track-by-Track: Jenny Kern’s Emotionally Encapsulated EP ‘Your Heart Knows’ Soars with Unparalleled Confessionalism & Creativity Alike

by Joe Beer
Smut © Jaycee Rockhold
Debut, Features, Interviews, Music, Track-by-TrackDecember 7, 2022<December 7, 2022

“How the Light Felt”: The Radiant, Raw Glow of Smut’s Hopeful, Cathartic, & Dynamic Debut Album

by Mitch Mosk
Victoria Bigelow © Devan Skaggs
Artist to Watch, Columns, Music, Today's SongDecember 7, 2022<December 7, 2022

“I’ll never open myself up like this again”: Victoria Bigelow’s Beautifully Devastating “Song for No One” Is a Dreamy, Raw Reckoning

by Mitch Mosk
Wilby © Christina Coleman
Artist to Watch, Music, PremieresDecember 7, 2022<December 7, 2022

Premiere: Wilby’s Beautifully Vulnerable & Radiantly Raw “reach u” Reckons with Accountability and Acceptance

by Mitch Mosk
The Burma @ Ciara O'Toole
Features, Interviews, Music, Track-by-TrackDecember 6, 2022<December 6, 2022

Sucker for Stars: Ireland’s The Burma Soar with Cinematic & Sweltering Indie Rock Debut

by Mitch Mosk
Gable Price & Friends © 2022
Features, Interviews, MusicDecember 6, 2022<December 6, 2022

“Everything is contrast, and I find that beautiful”: Gable Price and Friends on ‘The Consequence of Being Alive’

by Rachel Leong
Entergalactic - Kid Cudi © 2022
Columns, Music, Today's SongDecember 6, 2022<December 6, 2022

Today’s Song: Kid Cudi Explores Heartbreak, Love, & Hope in “Willing to Trust,” a Journey Through an Anxious Mind

by Nick Polak
Atwood Magazine's Mistletones 2022, Pt. 1
Features, Interviews, Lists, Mistletones, MusicDecember 5, 2022<December 17, 2023

Atwood Magazine Presents Mistletones: 2022’s Best New Holiday Songs, Pt. 1

by Atwood Magazine Staff
Palaye Royale’s Remington Leith © Steven Rose
Concerts, Music, ReviewsDecember 5, 2022<December 5, 2022

Live Review: Palaye Royale’s North American Tour Finale Was All But a ‘Fever Dream’

by Isabella Le
Honey Moon © Andreia Lemos
Columns, Music, Today's SongDecember 5, 2022<March 2, 2025

Married to the Mob: Honey Moon’s Rendezvous with Bossa in “Amour Fou”

by Minna Abdel-Gawad
Atwood Magazine's Weekly Roundup | December 2, 2022
Columns, Features, Music, Weekly RoundupDecember 2, 2022<December 2, 2022

Atwood Magazine’s Weekly Roundup: December 2, 2022

by Atwood Magazine Staff
Atwood Magazine's Editor's Picks 81
Columns, Editor's Picks, Features, MusicDecember 1, 2022<March 11, 2023

Editor’s Picks 81: Julie Kuhl, Tancred, two blinks, i love you, Pomme, Angelo De Augustine, & Bad Posture Club!

by Mitch Mosk
Surf Curse © Julien Sage
Columns, Music, Today's SongDecember 1, 2022<November 30, 2022

Today’s Song: Surf Curse’s “Self Portrait” Elevates the Beautifully Painful State of the Unknown

by Miles Campbell
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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