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Alaska Reid © Audrey Hall
Columns, Music, Today's SongMarch 11, 2023<April 30, 2023

Alaska Reid’s Dreamy “Back to This” Proves an Enchanting First Look at Debut Album, ‘Disenchanter’

by Mitch Mosk
On Fire - Sasha Atlas
Essays, Music, Women's History MonthMarch 10, 2023<April 30, 2023

“I’ve Signed Many NDAs, But None Like This”: An Essay by Sasha Atlas on the Finance & Music Industries for Women’s History Month

by Guest Writer
Daisy Jones & the Six © Pamela Littky
Music, Today's SongMarch 10, 2023<April 30, 2023

Today’s Song: Follow Daisy Jones & The Six Down “The River”

by Brianna Corrine
You'll Live Forever In My Songs - Paige Su
Features, Interviews, Music, Track-by-TrackMarch 9, 2023<April 30, 2023

An Achingly Beautiful Adventure: Paige Su Pours Her Heart & Soul into New LP, ‘You’ll Live Forever in My Songs’

by Mitch Mosk
Annie DiRusso © Neil Shukla
Debut, Music, ReviewsMarch 9, 2023<April 30, 2023

Review: Annie DiRusso’s Debut EP ‘God, I Hate This Place’ Is an Angst-Fueled Exploration of Identity

by Claire Meyer
Sohodolls' Maya Von Doll © Catherine Harder
Music, PremieresMarch 9, 2023<April 30, 2023

Premiere: Sohodolls Re-Write Their Viral “Bang Bang Bang Bang” In a Stand Against Gun Violence

by Mitch Mosk
Akira Galaxy © Noah Witt
Columns, Debut, Music, Today's SongMarch 9, 2023<April 30, 2023

Today’s Song: Akira Galaxy Delivers an Ode to Lost Perspective in Captivating Debut, “Virtual Eyes”

by Rachel Leong
DMA'S © Kalpesh Lathigra
Features, Interviews, MusicMarch 9, 2023<April 30, 2023

“An Evolution of DMA’S”: Aussie Trio Discuss the Making of New Album, ‘How Many Dreams?’

by Guest Writer
[mila] © Hunter Lenoir
Debut, Music, PremieresMarch 9, 2023<April 30, 2023

Premiere: [mila] Defeat Toxic Obstacles with Energized Debut Single “Thuong Qua Is Vietnamese For I Love You”

by Frankie Rose
Atwood Magazine's Editor's Picks 91
Columns, Editor's Picks, Features, MusicMarch 8, 2023<March 10, 2023

Editor’s Picks 91: Marlene Oak, Aistè, Alaska Reid, Joy Oladokun, Bleach Lab, & BEL!

by Mitch Mosk
Tunes & Tumblers x Transviolet 2023
Music, Podcast, Tunes & TumblersMarch 8, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Transviolet and a Crashed Breath of Fresh Air

by Atwood Magazine Staff
Svetlana © 2023
Essays, Music, Women's History MonthMarch 8, 2023<April 30, 2023

“Overcoming Mountains as a Woman in Music”: An Essay by Svetlana for International Women’s Day

by Guest Writer
Atwood Magazine Celebrates International Women's Day 2023!
Features, Music, Playlists, Women's History MonthMarch 8, 2023<March 8, 2023

Celebrating Women in Music for International Women’s Day 2023!

by Atwood Magazine Staff
"Nothing But Mine" - Billie Marten © Katie Silvester
Columns, Music, Today's SongMarch 8, 2023<April 30, 2023

Today’s Song: Billie Marten’s “Nothing But Mine” Is Wistful, Nostalgic, And Somehow, Hopeful

by Kylie Gurewitz
Handsome Ghost © Seb Keefe
Features, Interviews, Music, Track-by-TrackMarch 7, 2023<April 30, 2023

Track-by-Track: Handsome Ghost Find the Beauty in the Cracks on ‘To the Place Where We Met Last,’ a Hauntingly Human EP

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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