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Atwood Magazine's Editor's Picks 70
MusicJuly 6, 2022<September 29, 2022

Editor’s Picks 70: Ash Grunwald, Sydney Sprague, Plastic Picnic, Louien, Motel Radio, & Georgie!

by Mitch Mosk
Eric Bolton © Gold House Studios
Columns, Essays, Music, Pride MonthJuly 6, 2022<July 6, 2022

“The Song or the Story?”: A Pride Month Essay by Eric Bolton

by Guest Writer
Little Fuss © Tori Spadaro
Music, Music Videos, PremieresJuly 6, 2022<July 6, 2022

Premiere: Little Fuss’ Dreamy & Energetic “20 Questions”

by Kelly McCafferty Dorogy
The Burma @ Ciara O'Toole
Music, Music Videos, PremieresJuly 6, 2022<July 6, 2022

Premiere: Irish Indie Rock Trio The Burma Uplift & Enchant with Spirited Anthem “Sleepers”

by Mitch Mosk
Vinyl Days - Logic 8
Music, Our Take, ReviewsJuly 6, 2022<July 2, 2022

Our Take: Logic Quickly Cuts His Retirement Short with the Poppin’ ‘Vinyl Days’

by Josh Weiner
Tunes & Tumblers x Djo & Maya Hawke
Music, Podcast, Tunes & TumblersJuly 6, 2022<April 30, 2023

Podcast: Tunes & Tumblers’ Century Club Celebrates Stranger Things and a Vecna’s Web (ft. Ruby Sparks)

by Atwood Magazine Staff
The Buckleys © Kimberley Vecsei
Columns, Music, Today's SongJuly 6, 2022<July 5, 2022

Today’s Song: “Oops I Love You,” The Buckleys’ Happy Little Accident

by Sophie Severs
French Cassettes (L-R): Scott Huerta, Rob Mills, Andy St. James, Mac Bunch
A Casual Ramble, Columns, Interviews, MusicJuly 5, 2022<July 5, 2022

A Casual Ramble: Summer, the California Sound, and French Cassettes’ ‘Rolodex’

by Ben Niesen
Matilda Bond © Maja Löfgren
Columns, Essays, Music, Pride MonthJuly 5, 2022<July 8, 2022

“Art Reflects the World Around the Artist”: A Pride Month Essay by Matilda Bond

by Guest Writer
Fab the Duo
Columns, Music, Today's SongJuly 5, 2022<July 4, 2022

Today’s Song: Fab the Duo’s Resonant, Ambitious Alt-Rock Anthem “Chill Pill”

by Joe Beer
Superpoze © François Quillacq
Interviews, MusicJuly 4, 2022<July 2, 2022

Piano, Philosophy, & Penmanship: A Conversation with French Artist Superpoze

by Josh Weiner
Carla Morrison © Esteban Calderón
Music, ReviewsJuly 1, 2022<July 1, 2022

Carla Morrison Across Borders: A Review of ‘El Renacimiento’

by David Buyze
RY X © Clifford Usher
Features, Interviews, Music, Track-by-TrackJuly 1, 2022<July 1, 2022

‘Blood Moon’: RY X Dwells in Raw Depths on His Honest, Expansive, & Hauntingly Beautiful Third Album

by Mitch Mosk
Atwood Magazine's Weekly Roundup | Songs of Protest & Empowerment
Columns, Features, Music, Weekly RoundupJuly 1, 2022<July 1, 2022

Atwood Magazine’s Weekly Roundup: Songs of Protest & Empowerment

by Atwood Magazine Staff
Thee Sacred Souls © Gustavo Olivares
Columns, Music, Today's SongJuly 1, 2022<June 30, 2022

Today’s Song: Sweet Soul & Gentle Grooves in Thee Sacred Souls’ Newest Single, “Easier Said Than Done”

by Lauren Hicks
Posts pagination
1 … 252 253 254 255 256 … 741

Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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