Columns, Debut, Music, Today's SongNovember 19, 2021<November 19, 2021 Today’s Song: Seattle’s Sea Lemon Debuts with Anxious & Dreamy “Sunday” by Mitch Mosk
Features, Music, Reviews, Track-by-TrackNovember 19, 2021<November 19, 2021 “Vulnerable but Resilient”: Exeter’s Soot Sprite Dive into Their Honest & Urgent ‘Poltergeists’ EP by Mitch Mosk
Features, Interviews, MusicNovember 19, 2021<December 10, 2021 Deciphering the Message: Makaya McCraven on Blue Note and the Art of Remixing by Mariel Fechik
Artist to Watch, Columns, Music, ReviewsNovember 19, 2021<November 19, 2021 Artist to Watch: Lizzy McAlpine Celebrates Death with “doomsday” by Nasim Elyasi
Columns, Features, Music, Weekly RoundupNovember 19, 2021<June 23, 2022 Atwood Magazine’s Weekly Roundup: November 19, 2021 by Atwood Magazine Staff
Features, Music, Reviews, Track-by-TrackNovember 18, 2021<February 7, 2022 “Free, Warm, Home”: Aquilo Find ‘A Safe Place to Be’ in Radiant & Wondrous 3rd Album by Mitch Mosk
Music, ReviewsNovember 18, 2021<November 18, 2021 Review: Courtney Barnett’s ‘Things Take Time, Take Time’ Is a Stunning Display of Lyricism to a Questionable Soundtrack by Lilly Eason
Music, Music Videos, PremieresNovember 18, 2021<November 18, 2021 Premiere: Glossies’ Erich Tomkinson Summons a Fantasy Romance in “Kinda Wish You’d Call” by Guest Writer
Columns, Music, Today's SongNovember 18, 2021<November 18, 2021 Today’s Song: Kay Slice Soars in Radiant Afrofusion Anthem “Slice M Go,” a Soundtrack to Boldness by Mitch Mosk
Features, Music, Reviews, Track-by-TrackNovember 18, 2021<November 18, 2021 “Raw, Authentic, & Tasteful”: Shannon Lauren Callihan Opens Up About Debut ‘One Sided’ EP by Mitch Mosk
Artist to Watch, Columns, Debut, Music, ReviewsNovember 17, 2021<November 17, 2021 Artist to Watch: Isolation & Fragility Soar in Cloudbelly’s Softly Stirring Debut “Up in Smoke” by Mitch Mosk
Artist to Watch, Features, Music, Reviews, Track-by-TrackNovember 17, 2021<January 12, 2022 “Real, Funny, & Chaotic”: Inside CARR’s Unapologetic & Exhilarating Sophomore EP ‘I’m Just Bored’ by Mitch Mosk
Features, Music, ReviewsNovember 17, 2021<February 7, 2022 Review: Taylor Swift Breaks the Bounds of Brilliance with “All Too Well (10 Minute Version)” by Kelly McCafferty Dorogy
Editorials, MusicNovember 17, 2021<November 17, 2021 Essay: Arms Akimbo, the Only Band Stupid Enough to Make a TV Show by Guest Writer
Features, Interviews, MusicNovember 17, 2021<November 17, 2021 “We’re Not Businessmen, We’re Musicians”: A Conversation with Acid Tongue by Ben Niesen
For the Love of Music
For the Love of Music
