Music, PremieresMarch 9, 2022<April 3, 2022 Premiere: Farees Brings the Melody and the Message on Funk Banger “Bad Apples” by Oliver Crook
Columns, Music, Today's SongMarch 8, 2022<March 8, 2022 Today’s Song: ANIQO’s Visceral “Vivre Libre” Basks in a Hard-Won Sense of Freedom & Redemption by Mitch Mosk
Music, PremieresMarch 8, 2022<March 8, 2022 Premiere: Liverpool’s RVHEEM Embraces Vulnerability in Achingly Intimate “For You” by Mitch Mosk
Columns, Music, Women's History MonthMarch 8, 2022<March 8, 2022 Essay: Country Singer/Songwriter Casi Joy on Women’s History Month by Guest Writer
Columns, Music, Today's SongMarch 7, 2022<March 7, 2022 Today’s Song: Clea Anaïs Explores Grief & Love in Beautifully Bittersweet “Stars Still Dying” by Mitch Mosk
Interviews, MusicMarch 7, 2022<March 6, 2022 Interview: Ryan Meeking Speaks About Aussie Life, New Roots in London & New Music by Joe Beer
Features, Music, Reviews, Track-by-TrackMarch 4, 2022<March 9, 2022 “Deep, Raw, & Rural”: Inside Rona Mac’s Intimately Enchanting ‘Shades of Ham’ EP by Mitch Mosk
Features, Interviews, MusicMarch 4, 2022<March 8, 2022 Third Time’s the Charm: LÉON Triumphs with Daringly Vulnerable Third Album ‘Circles’ by Coco Rich
Columns, Music, Today's SongMarch 4, 2022<March 4, 2022 Today’s Song: Noah Reid’s Dreamy “Everyday” Dwells in Raw Moments of Instability & Imbalance by Mitch Mosk
Columns, Features, Music, Weekly RoundupMarch 4, 2022<March 4, 2022 Atwood Magazine’s Weekly Roundup: March 4, 2022 by Atwood Magazine Staff
7.7 Music, Our Take, ReviewsMarch 3, 2022<March 3, 2022 Album Review: ‘Love Sux,’ But Avril Lavigne Still Rox by Josh Weiner
Features, Music, Reviews, Track-by-TrackMarch 3, 2022<March 3, 2022 Track-by-Track: Peach Luffe Breaks Down His Intimately Sun-Soaked ‘Beyond’ EP by Mitch Mosk
Columns, Debut, Music, Today's SongMarch 3, 2022<March 3, 2022 Today’s Song: Thehiz Debuts with Epic Underdog Anthem “SUBMARINE” by Mitch Mosk
Columns, Editor's Picks, Features, MusicMarch 3, 2022<September 29, 2022 Editor’s Picks 56: Primer, Monica Martin, Dehd, Riley Pearce, Blossoms, & GOON by Mitch Mosk
Features, Music, Reviews, Track-by-TrackMarch 2, 2022<March 2, 2022 “Post-Heartbreak Music”: BAYEM Basks in a Bold & Buoyant ‘AFTERGLOW’ on Debut EP by Mitch Mosk
For the Love of Music
For the Love of Music
