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The Darcys © Maya Fuhr
Columns, Music, Today's SongMay 24, 2022<May 24, 2022

Today’s Song: The Darcys’ “Washed Away” Is an Anthemic Reckoning with the Music Industry’s Constant Pressures

by Mitch Mosk
L'Imperatrice at Coachela 2022 © Mickey Pierre-Louis, Goldenvoice 2022
Interviews, Music, ReviewsMay 23, 2022<May 23, 2022

L’Impératrice: Shifting Pop Disco from Genre to Art Form

by Michael Greco
Andrew Combs © Alysse Gafkjen
Music, PremieresMay 23, 2022<May 23, 2022

Premiere: Singer/Songwriter Andrew Combs Finds Grace with “(God)less”

by Kelly McCafferty Dorogy
Debut, Music, Reviews, Track-by-TrackMay 23, 2022<May 23, 2022

A Place to Belong: A Track-by-Track Review of MOONWOOD’s ‘Everything We Once Knew’

by Joe Beer
Christian Lee Hutson © Jacob Boll
Features, Interviews, MusicMay 20, 2022<January 30, 2024

“Hope and Humor”: Christian Lee Hutson Dives into the Stories of New Album ‘Quitters’

by Nasim Elyasi
Sea Lemon © Raphael Gaultier
Debut, Features, Interviews, Music, Track-by-TrackMay 20, 2022<May 23, 2022

“Spiraling, Lush, & Bright”: Seattle’s Sea Lemon Is ‘Close Up’ & Personal on Dazzling, Dreamy Debut EP

by Mitch Mosk
Tamino © Jan Philipzen
Columns, Music, Today's SongMay 20, 2022<May 20, 2022

Today’s Song: Tamino’s “The First Disciple” Tells the Story of a Fallen Idol with Powerful Simplicity

by Lilly Eason
Atwood Magazine's Weekly Roundup | May 20, 2022
Columns, Features, Music, Weekly RoundupMay 20, 2022<May 20, 2022

Atwood Magazine’s Weekly Roundup: May 20, 2022

by Atwood Magazine Staff
Trousdale © Caity Krone
Features, Music, Reviews, Track-by-TrackMay 19, 2022<May 19, 2022

Embracing ‘What Happiness Is’: Indie Folk Trio Trousdale Shine on Truthful, Vulnerable, Optimistic Sophomore EP

by Mitch Mosk
II - Seafarers
Features, Interviews, Music, Track-by-TrackMay 19, 2022<May 19, 2022

“Lost & Searching, Small & Destructive”: The Unbearable, Hopeless Beauty of Seafarers’ Sophomore Album ‘II’

by Mitch Mosk
Bloc Party © Wunmi Onibudo
Features, Interviews, MusicMay 19, 2022<May 19, 2022

“Jaws Underneath Your Feet”: A Conversation with Bloc Party’s Kele Okereke

by Ben Niesen
Dru Cutler © Julia Fox
Columns, Music, Today's SongMay 19, 2022<May 19, 2022

Today’s Song: Brooklyn’s Dru Cutler Melts the Soul with Mellow “Vibrate”

by Chloe Robinson
Atwood Magazine's Editor's Picks 63
Columns, Editor's Picks, Features, MusicMay 18, 2022<September 29, 2022

Editor’s Picks 63: Phoebe Go, Charlie Burg, Tchotchke, Bartees Strange, Rozzi x Nile Rodgers, & Lizzie Reid!

by Mitch Mosk
Justin Christopher © 2022
Music, Music Videos, PremieresMay 18, 2022<May 18, 2022

Premiere: Justin Christopher Erupts with “Say,” a Smoldering & Searing Outpouring of the Soul

by Mitch Mosk
Delfest 2022
Festival, Music, ReviewsMay 18, 2022<May 19, 2022

Festival Preview: DelFest ’22 Brings Bluegrass & Roots Music Back to Cumberland, Maryland

by Guest Writer
Posts pagination
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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