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Jackie Kay x Bessie Smith © Mary McCartney
Books, ReviewsNovember 8, 2021<November 8, 2021

Book Review: Jackie Kay Gives the Empress of the Blues Her Flowers in Reissue of ‘Bessie Smith: A Poet’s Biography of a Blues Legend’

by Oliver Crook
AHI © Caitlin Cronenberg
Features, Music, Reviews, Track-by-TrackNovember 5, 2021<February 7, 2022

“Reassuring, Honest, & Powerful”: AHI Goes Track-by-Track Through ‘Prospect,’ a Work of Human Depth & Spiritual Wonder

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 5, 2021
Columns, Features, Music, Weekly RoundupNovember 5, 2021<November 5, 2021

Atwood Magazine’s Weekly Roundup: November 5, 2021

by Atwood Magazine Staff
Lucy Park © Lena Noguchi
Columns, Music, Today's SongNovember 5, 2021<November 5, 2021

Today’s Song: Lucy Park Basks in the Good on Warm & Wondrous “Brighter Days”

by Mitch Mosk
Sloppy Jane © Sara Cath
Features, Interviews, MusicNovember 5, 2021<February 7, 2022

Interview: Sloppy Jane Erects a Monument of Emotion with ‘Madison’

by Sophie Prettyman-Beauchamp
Neev © 2021
Music, ReviewsNovember 5, 2021<November 5, 2021

There’s Only Love to Come: Neev Releases Wholehearted Sophomore EP ‘Currants’

by Coco Rich
This Here Feels Good - Kay Young
Artist to Watch, Features, Music, Reviews, Track-by-TrackNovember 4, 2021<November 4, 2021

“This Here Feels Good”: Kay Young Delves into Her Intimate, Vulnerable, & Inspiring Third EP

by Mitch Mosk
Birdtalker © Jeremy Cowart
Features, Music, Reviews, Track-by-TrackNovember 4, 2021<November 4, 2021

Track-by-Track: Inside Birdtalker’s Radiant & Irresistible Self-Titled Sophomore Album

by Mitch Mosk
Constant Smiles © Julian Master
Columns, Music, Today's SongNovember 4, 2021<November 4, 2021

Today’s Song: Constant Smiles Pick Up the Pieces in Poignant, Heavy “The Things I Miss”

by Mitch Mosk
Outside Lands 2021
Festival, Music, ReviewsNovember 4, 2021<November 16, 2021

Review: Outside Lands 2021 Delivers on the Hype as the Year’s Best Festival

by Beau Hayhoe
Well Kept © Kyler Vollmar
Music, PremieresNovember 4, 2021<November 4, 2021

Premiere: Well Kept’s Alternative Rom-Com Anthem “Hammerhead Corvette”

by Mitch Mosk
ForEver - Joshua Crumbly
Features, Music, Reviews, Track-by-TrackNovember 3, 2021<November 3, 2021

“A Warm Hug”: Joshua Crumbly Embraces Space, Stillness & Solitude in ‘ForEver’

by Mitch Mosk
Columns, Music, Today's SongNovember 3, 2021<November 3, 2021

Today’s Song: Diving Into the Folly of the High Life with Ellie Bleach’s “Doing Really Well Thanks”

by Adrian Vargas
Year of the Locust - Elisa Nicolas
Debut, Music, Premieres, Reviews, Track-by-TrackNovember 3, 2021<November 3, 2021

Track-by-Track: Elisa Nicolas Premieres Her Warm & Wondrous Album ‘Year of the Locust’

by Mitch Mosk
Mumble Tide © 2021
Columns, Music, Today's SongNovember 2, 2021<November 2, 2021

Today’s Song: Mumble Tide’s Intimate & Grooving “On My Deathbed There’s a Full Page (You Don’t Get To Read It)”

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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