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Sabrina Song © Bao Ngo
Asian American and Pacific Islander Heritage Month, Columns, MusicMay 6, 2022<May 6, 2022

“Imposter Feelings”: An Essay by Sabrina Song

by Guest Writer
Maisie Peters © Erik Rojas
Columns, Music, Today's SongMay 6, 2022<May 6, 2022

Maisie Peters’ Song of the Summer, “Cate’s Brother”

by Kelly McCafferty Dorogy
brompton & Emilia Ali
Music, PremieresMay 5, 2022<May 6, 2022

Premiere: brompton & Emilia Ali Capture Intimacy’s Raw Intensity on “Empty,” an Emotionally Charged Eruption

by Mitch Mosk
Jacob Banks © Edward Cooke
Features, Interviews, MusicMay 5, 2022<October 5, 2022

Unity Through Music: A Conversation with Jacob Banks

by Adrian Vargas
John Mark Nelson © Molly Adams
Features, Interviews, Music, Track-by-TrackMay 5, 2022<May 5, 2022

“Reduce, Reuse, Recycle”: John Mark Nelson Inspires & Ignites on His Enchanting ‘Hideaway’ EP

by Mitch Mosk
Omnium Gatherum - King Gizzard & The Lizard Wizard 7
Music, Our Take, ReviewsMay 5, 2022<May 5, 2022

Our Take: King Gizzard & The Lizard Wizard Put on a Bazaar Consortium for ‘Omnium Gatherum’

by Ben Niesen
Letting Up Despite Great Faults © Elysia Perkins
Columns, Music, Today's SongMay 5, 2022<May 5, 2022

Today’s Song: Letting Up Despite Great Faults’ “She Spins” Shimmers with Dream Pop Charm

by Mitch Mosk
Last Dinosaurs © Luke Woodfield
Music, PremieresMay 5, 2022<May 5, 2022

Premiere: Last Dinosaurs’ Radiant “CDMX” Is a Loving Ode to Mexico City

by Mitch Mosk
Evan Veasey © Tori Essex
Debut, Features, Music, Premieres, Track-by-TrackMay 4, 2022<May 4, 2022

“Let Yourself Feel”: Singer/Songwriter Evan Veasey Premieres His Intimate & Vulnerable Debut Album, ‘Don’t Cry’

by Mitch Mosk
Atwood Magazine's Editor's Picks 62
Columns, Editor's Picks, Features, MusicMay 4, 2022<May 4, 2022

Editor’s Picks 62: Poppy Ajudha, Purr, beabadoobee, Maria Chiara Argirò, Joel Jerome, & Noah Slee!

by Mitch Mosk
POP ETC © Alex Welsh
Columns, Music, Today's SongMay 4, 2022<May 4, 2022

POP ETC Navigate the Past & Present on “Slips Away,” a Radiant Song of Reckoning & Reflection

by Mitch Mosk
Fortunate Ones © Adam Hefferman
Music, PremieresMay 4, 2022<May 4, 2022

“A four-minute lifetime”: Fortunate Ones’ Beautifully Tender Love Song, “Anchor”

by Mitch Mosk
Good Looks © John Bergin
Debut, Features, Interviews, Music, Track-by-TrackMay 4, 2022<May 5, 2022

Basking in ‘Bummer Year’: Austin’s Good Looks Dive into Their Honest & Spirited Debut Album

by Mitch Mosk
The Last Broadcast © Victoria Dalston 1
Columns, Music, Today's SongMay 3, 2022<May 3, 2022

Today’s Song: The Last Broadcast “Dissolve” into Nature’s Wonder on Stunning Sophomore Single

by Mitch Mosk
Cashma © 2022
Interviews, MusicMay 3, 2022<May 3, 2022

Interview: Cashma Paints the World Purple with the Final Installment of Her Trilogy

by Joe Beer
Posts pagination
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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