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Me and the Moon © Felix Bartlett
Music, PremieresMay 3, 2022<May 3, 2022

Premiere: London’s Me and the Moon Slow Down & Soak Up Life’s Beauty in Radiant “Fast Lane”

by Mitch Mosk
Rowan © Nicholas O'Donnell
Interviews, MusicMay 3, 2022<May 4, 2022

Interview: Irish Indie Rockers Rowan Embrace “Honesty” Ahead of Debut Album ‘Does It Make You Happy?’

by Chloe Robinson
The Good Love © 2022
Music, PremieresMay 2, 2022<May 2, 2022

Premiere: The Good Love’s Radiant “Sunshine Sometime” Is a Sweet, Seductive Love Song for All

by Mitch Mosk
Memorial © Sequoia Ziff
Debut, Features, Track-by-TrackMay 2, 2022<May 2, 2022

“Hopeful, Honest & Warm”: Brighton’s Memorial Dive Inside Their Heartfelt, Stirring Debut Album

by Mitch Mosk
Alex Porat © Patrick Ryder
Columns, Music, Today's SongMay 2, 2022<May 2, 2022

Today’s Song: Alex Porat’s “Pity Party” Is an Unapologetic Anthem of Release & Self-Empowerment

by Mitch Mosk
Calvin Langman © Rahil Ashruff
Asian American and Pacific Islander Heritage Month, Columns, MusicMay 2, 2022<May 2, 2022

“Finding My Identity & Voice Through Rock N’ Roll”: An Essay by The Happy Fits’ Calvin Langman

by Guest Writer
Atwood Magazine's Weekly Roundup | April 29, 2022
Columns, Features, Music, Weekly RoundupApril 29, 2022<April 29, 2022

Atwood Magazine’s Weekly Roundup: April 29, 2022

by Atwood Magazine Staff
Frontperson © Steve Calder & Eva Blue
Features, Interviews, Music, Track-by-TrackApril 29, 2022<April 29, 2022

Feature: Frontperson Revel in the Springy, Chaotic, & Vibrant Wonder of Sophomore LP ‘Parade’

by Mitch Mosk
Blossoms © Madeleine Penfold
Features, Interviews, MusicApril 29, 2022<April 29, 2022

Feature: Blossoms’ ‘Ribbon Around the Bomb’, a Characterization of the Personal

by Lilly Eason
Market © Ebru Yildiz
Debut, Features, Interviews, Music, Track-by-TrackApril 29, 2022<April 29, 2022

“Anxiety, Comedy, & Family”: Market’s Charged & Charming New Album, ‘The Consistent Brutal Bullshit Gong’

by Mitch Mosk
Treefort Music Fest team © Matthew Wordell
Festival, Music, ReviewsApril 28, 2022<April 28, 2022

Out of the Wilderness: Treefort After Covid-19

by Ben Niesen
sister. © Jon Merlino
Columns, Music, Today's SongApril 28, 2022<April 28, 2022

Brooklyn Band sister.’s Visceral “Space Force” Is a Beautiful Crashing Satellite in Song

by Mitch Mosk
Gabríel Ólafs © Vidar Logi
Music, PremieresApril 28, 2022<April 28, 2022

Premiere: Icelandic Composer Gabríel Ólafs Stirs the Soul with Achingly Beautiful “The Drifter”

by Mitch Mosk
artemis orion "marooned on the moon" © Ronnie Loyd
Music, PremieresApril 28, 2022<April 28, 2022

Watching from Above: artemis orion Offers a Life Raft in Stirring New Song “marooned on the moon”

by Emily Frances Algar
Atwood Magazine Editor's Picks 61
Columns, Editor's Picks, Features, MusicApril 27, 2022<September 29, 2022

Editor’s Picks 61: Jemima Coulter, Been Stellar, Rosie Carney, Carmody, She Her Her Hers, & dayaway!

by Mitch Mosk
Posts pagination
1 … 266 267 268 269 270 … 740

Brand New

  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley!

:: discover something new ::

Recent Posts

  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours” June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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