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Manuel the Band [L-R]: Matt Kalin, George Madrid, Brandon Charlesworth, Manuel Grajeda, Kevin Nowacki, Richard Fernandez © Cesar Sanchez
Music, PremieresNovember 2, 2021<November 2, 2021

Premiere: Manuel the Band’s “Love But Don’t Need You” Paints our Drives with a Folk Rock Brush

by Mitch Mosk
87 Nights
Interviews, MusicNovember 2, 2021<November 2, 2021

Interview: An Introduction to Charleston Band 87 Nights

by Lilly Eason
Yes © Gottlieb Bros
Features, Interviews, MusicNovember 2, 2021<November 1, 2021

“Music to My Ears”: A Conversation with Yes’ Alan White

by Ben Niesen
breaking point
Interviews, MusicNovember 1, 2021<November 1, 2021

Interview: Jackson+Sellers Talk About How Their Unique Chemistry Led to the Creation of Their New Album “Breaking Point”

by Dimitra Gurduiala
Atwood Magazine's Weekly Roundup | October 29, 2021
Columns, Features, Music, Weekly RoundupOctober 29, 2021<February 7, 2023

Atwood Magazine’s Weekly Roundup: October 29, 2021

by Atwood Magazine Staff
Hell Hath No Fury
Columns, Music, The Collab ColumnOctober 28, 2021<October 28, 2021

The Collab Column: Clipse and The Neptunes’ ‘Hell Hath No Fury’

by Leo Culp
ToBy © 2021
Debut, Features, Music, Reviews, Track-by-TrackOctober 28, 2021<February 7, 2022

“Vulnerable, Raw, Hopeful”: Inside ToBy’s Impassioned & Stirring Debut Album ‘L’esprit’

by Mitch Mosk
ROZET © 2021
Artist to Watch, Columns, Music, Today's SongOctober 28, 2021<October 28, 2021

Today’s Song: ROZET’s Wondrous “Cake Face” Is a Blueprint for a More Balanced Life

by Mitch Mosk
Interviews, MusicOctober 28, 2021<October 28, 2021

Interview: Banny Grove and the Gift of Play

by Sophie Prettyman-Beauchamp
The Drives © Jeff Lorch
Debut, Features, Music, Reviews, Track-by-TrackOctober 27, 2021<October 27, 2021

“Frustrated, Loud, & Manic”: LA’s The Drives Rev Their Engines with Debut EP ‘This Might Take a While’

by Mitch Mosk
If Orange Was a Place - Tems
Artist to Watch, Music, ReviewsOctober 27, 2021<October 27, 2021

EP Review: Tems’ ‘If Orange Was a Place’ Is a Hyper-Focused Snapshot of an Artist’s Burgeoning Voice

by Kosiso Ugwueze
Columns, Music, Today's SongOctober 27, 2021<October 27, 2021

Today’s Song: FEELS Seek Friends for The Apocalypse (And Bid Farewell) on “Night Walker”

by Sophie Prettyman-Beauchamp
"Delirium Passes" - Anand Wilder © Charles Vidal
Columns, Debut, Music, Today's SongOctober 26, 2021<October 26, 2021

Today’s Song: Anand Wilder’s Dazzling “Delirium Passes” Explores Escape & Perseverance, Family & Freedom

by Mitch Mosk
Outside Lands © Betsy Newman
Festival, Music, PreviewsOctober 26, 2021<November 16, 2021

Festival Preview: The Best Can’t-Miss Acts to See This Weekend at Outside Lands 2021

by Beau Hayhoe
Wilderado © Grant Spanier
Debut, Features, Music, Reviews, Track-by-TrackOctober 26, 2021<October 26, 2021

Track-by-Track: Inside Wilderado’s Hopeful, Charged & Charming Self-Titled Debut

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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