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Haunted Summer © Nicole Rico
Columns, Music, Today's SongFebruary 14, 2022<February 14, 2022

Haunted Summer Tribute Daniel Johnston with Heartbreaking Valentine’s Cover “You Put My Love Out the Door”

by Beau Hayhoe
Atwood Magazine's Editor's Picks 55
Columns, Editor's Picks, Features, MusicFebruary 11, 2022<February 11, 2022

Editor’s Picks 55: Arlie, Selah Sue, Orion Sun, Sports, ginla, & Call Me Loop

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 11, 2022
Columns, Features, Music, Weekly RoundupFebruary 11, 2022<February 11, 2022

Atwood Magazine’s Weekly Roundup: February 11, 2022

by Atwood Magazine Staff
Aeon Station © Ebru Yildiz
Features, Interviews, MusicFebruary 11, 2022<February 11, 2022

Interview: Kevin Whelan on The Wrens, His New Aeon Station Record, and Embracing the Mists of Time

by Beau Hayhoe
Hand Habits © Jacob Boll
Features, Interviews, MusicFebruary 11, 2022<February 15, 2022

Interview with Hand Habits: Finding the Growth in Pain & Building a ‘Fun House’ of Emotion

by Jesse Herb
B-Drop
Features, Music, PremieresFebruary 11, 2022<February 14, 2022

Premiere: B-Drop Worldwide Showcases LA’s Mehro

by Mitch Mosk
Interviews, MusicFebruary 10, 2022<February 18, 2022

“Music Is My Mother Tongue”: A Conversation with Sofiane Pamart

by Adrian Vargas
Creature Canyon © Jordan Dudenhoeffer
Music, Music Videos, PremieresFebruary 10, 2022<February 10, 2022

Premiere: Creature Canyon Feel the “Pressure” with Smoldering Strength & Sweet, Soaring Grooves

by Mitch Mosk
Amy Jay © Katrina Sorrentino
Music, Premieres, Track-by-TrackFebruary 10, 2022<June 13, 2022

“Outer Calm and Inner Angst”: Amy Jay Premieres Her Ethereal & Existential Debut Album, ‘Awake Sleeper’

by Mitch Mosk
Partner Look © Jason Boltex
Debut, Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022

“It’s about friendship”: Melbourne’s Partner Look Debut with Warm, Fun, & Quirky Off-Kilter Pop Album, ‘By the Book’

by Mitch Mosk
Sam Weber © Jacob Boll
Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022

Track-by-Track: Sam Weber Dives into the Heartfelt Depths of ‘Get Free’

by Mitch Mosk
Fickle Friends © 2022
Interviews, MusicFebruary 9, 2022<February 9, 2022

Interview: Fickle Friends Explain Their Latest, Hedonistic Album ‘Are We Gonna Be Alright?’

by Dimitra Gurduiala
SPINN © Barnaby Fairley
Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022

“Outside of the Blue”: SPINN Harness the Power of Love on Seductive, Soaring Second Album

by Mitch Mosk
Anna Sun © Dylan Thomas
Columns, Music, Premieres, Today's SongFebruary 9, 2022<February 9, 2022

Premiere: Anna Sun Hits Like a Train on “What a Shame”

by Ben Niesen
treesreach © 2022
Columns, Music, Today's SongFebruary 8, 2022<February 8, 2022

Today’s Song: treesreach’s “How It Seems” Is an Anthem for The Great Resignation

by Mitch Mosk
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Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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