Books, Columns, MusicDecember 2, 2021<December 2, 2021 Book Review: Kelefa Sanneh Spans Seven Genres, Fifty Years, & Countless Gems in ‘Major Labels’ by Oliver Crook
Music, ReviewsDecember 2, 2021<December 2, 2021 The Intimate Beauty of Singer/Songwriter Zach Kleisinger’s “Dance for a While” & Debut Album ‘Their Symposium’ by Mitch Mosk
Columns, Music, Today's SongDecember 2, 2021<December 2, 2021 DEVORA Refreshes Summer Single “Elvis” with an Acoustic, Steel Guitar-Filled Reboot & Western Visualizer by Beau Hayhoe
Concerts, Music, ReviewsDecember 2, 2021<December 1, 2021 Live Review: The Libertines and The Dead Freights Resurrect Rock in Bournemouth by Bethan Harper
Features, Music, Reviews, Track-by-TrackDecember 1, 2021<December 7, 2021 “Parts Becoming Whole”: Inside Cold Weather Company’s Cinematic & Wondrous 4th Album ‘Coalescence’ by Mitch Mosk
Columns, Music, Today's SongDecember 1, 2021<December 1, 2021 Today’s Song: Taloula’s Tender “Find My Way” Is an Achingly Intimate Eruption by Mitch Mosk
Features, Music, Reviews, RoundtableDecember 1, 2021<June 29, 2024 Roundtable Discussion: A Review of Adele’s ’30’ by Atwood Magazine Staff
Music, PremieresDecember 1, 2021<December 1, 2021 Premiere: Chicago’s Maxwell Planes Smolders on “Gave My Everything” ft. Melanie Faye & Ric Wilson by Mitch Mosk
Music, PremieresDecember 1, 2021<November 30, 2021 Hello Lightfoot’s Jessica Louise Dye Owns Her “Shame” in Moody Sophomore Single by Guest Writer
Music, PremieresDecember 1, 2021<December 1, 2021 Premiere: Theodore Debuts Urgent, Hypnotic, & Cinematic Single “Man and His Tools” Off 4th Album ‘The Voyage’ by Mitch Mosk
Features, Music, Reviews, Track-by-TrackNovember 30, 2021<December 1, 2021 “Positive, Specific, & Green”: Norway’s Kenneth Ishak Blooms in Dazzling ‘Native Tongue’ by Mitch Mosk
Columns, Music, Today's SongNovember 30, 2021<November 30, 2021 Today’s Song: Love Hits Like a Wrecking Ball in Francis Karel’s “I Don’t Like How Much I Like You” by Mitch Mosk
MusicNovember 29, 2021<November 29, 2021 Interview: Chong the Nomad Follows Her Own Rhythm at Treefort 9 by Sophie Prettyman-Beauchamp
Features, Music, Reviews, Track-by-TrackNovember 29, 2021<December 7, 2021 “Introspective, Human, & Hopeful”: Mother Mother Dive ‘INSIDE’ Their Intimate, Raw 8th Album by Mitch Mosk
Features, Music, Reviews, RoundtableNovember 29, 2021<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘Red (Taylor’s Version)’ by Atwood Magazine Staff
For the Love of Music
For the Love of Music
