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Walk the Moon (from L to R): Eli Maiman, Nicholas Petricca, and Sean Waugaman
Features, Interviews, MusicSeptember 8, 2021<February 7, 2022

“A Happy Mess of Things”: Walk the Moon Preview New LP ‘Heights’ with Songs of Perseverance, Love, & Inner Light

by Mitch Mosk
Andy Shauf © Colin Medley
Columns, Music, Today's SongSeptember 8, 2021<September 8, 2021

Today’s Song: A Sun-Adorned Look into Broken Love on Andy Shauf’s “Spanish on the Beach”

by Adrian Vargas
The Marías © Ashley Seryn
Debut, Features, Interviews, MusicSeptember 8, 2021<February 7, 2022

Cerebral Slideshows: The Marías Marry the Arts of Film and Music in Expansive Debut LP ‘CINEMA’

by Anthony Kozlowski
Real Topeka People
Music, ReviewsSeptember 8, 2021<September 8, 2021

Real Topeka People’s Tender “STL” Is a Heartfelt Hometown Love Letter

by Mitch Mosk
Johnnyswim © Darren Lau
Music, ReviewsSeptember 7, 2021<September 7, 2021

Johnnyswim Will Make You Fall Back in Love with “Devastating”

by Kelly McCafferty Dorogy
Jade Bird © Colin Lane
Features, Interviews, MusicSeptember 7, 2021<September 7, 2021

Interview: Jade Bird Embraces Survival on Powerful ‘Different Kinds of Light’

by Oliver Crook
Columns, Music, Today's SongSeptember 7, 2021<September 7, 2021

Today’s Song: A Vast Beauty on Japanese Breakfast’s “Glider”

by Adrian Vargas
Columns, Music, Today's SongSeptember 6, 2021<September 6, 2021

Today’s Song: Rasmus Hagen Creates Acoustic Magic Alongside Maxine With “Learn to Love”

by Joe Beer
allie © 2021
Debut, Features, Interviews, MusicSeptember 3, 2021<September 3, 2021

Interview: allie’s Debut LP ‘Maybe Next Time’ Looks Ahead with Hope

by Lowndes Commander
Ailsa Tully © 2021
Music, Reviews, Track-by-TrackSeptember 3, 2021<September 3, 2021

“Achy, Reflection, Tension”: Inside Ailsa Tully’s Gently Kaleidoscopic ‘Holy Isle’ EP

by Mitch Mosk
Atwood Magazine's Weekly Roundup | September 3, 2021
Columns, Features, Music, Weekly RoundupSeptember 3, 2021<October 5, 2021

Atwood Magazine’s Weekly Roundup: September 3, 2021

by Atwood Magazine Staff
Kacey Musgraves © Adrienne Raquel
Columns, Music, Today's SongSeptember 3, 2021<September 3, 2021

Healing Doesn’t Happen in a Straight Line: Kacey Musgraves Navigates the Winding Roads of Healing a Broken Heart

by Emily Frances Algar
Atwood Magazine Editor's Picks 51
Columns, Editor's Picks, Features, MusicSeptember 2, 2021<October 5, 2021

Editor’s Picks 51: Little Simz, Fantastic Cat, Sister., Bleach Lab, Hannes & Billie Flynn

by Mitch Mosk
Pet Symmetry © Sam Porter
Columns, Music, Today's SongSeptember 2, 2021<September 2, 2021

Today’s Song: Pet Symmetry Get “Simply Irresponsible” on ‘Future Suits’

by James Crowley
Velvet Starlings © Megan Blanchard
Features, Interviews, MusicSeptember 2, 2021<September 8, 2021

Interview: Los Angeles’ Velvet Starlings Capture Live Music Energy on “Technicolour Shakedown”

by Chloe Robinson
Posts pagination
1 … 276 277 278 279 280 … 711

Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

:: discover something new ::

Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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