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James Blake © Miles Johnston
Columns, Music, Today's SongSeptember 23, 2021<January 30, 2024

Today’s Song: James Blake Explores a Different Kind of Loss with “Life Is Not the Same”

by Nasim Elyasi
Mini Trees © Nina Raj 9.1
Debut, Features, Interviews, Music, Our Take, ReviewsSeptember 22, 2021<September 22, 2021

“Relatable Indie Pop”: Mini Trees’ Debut Album ‘Always in Motion’ is a Dreamy, Triumphant Reckoning

by Mitch Mosk
Larkins © Ryan Jafarzadeh
Concerts, MusicSeptember 22, 2021<September 22, 2021

Live Review: Larkins Take Us To Heaven and Back on ‘If + When’ Tour

by Bethan Harper
Durand Jones & The Indications © Ebru Yildiz
Features, Interviews, MusicSeptember 22, 2021<September 26, 2021

Interview: We Can Dance Together Once More with Durand Jones & The Indications’ ‘Private Space’

by Sophie Prettyman-Beauchamp
Sean Medlin © Nina Paz
Books, Columns, Music, ReviewsSeptember 22, 2021<September 22, 2021

Book Review: Sean Avery Medlin Creates a New Universe Begging to be Explored in ‘808s & Otherworlds’

by Oliver Crook
Victoria Bigelow © 2021
Music, PremieresSeptember 22, 2021<September 22, 2021

Premiere: Victoria Bigelow’s Gut-Wrenchingly Intimate & Breathtakingly Raw ‘waves’ EP

by Mitch Mosk
Columns, Music, Today's SongSeptember 22, 2021<September 22, 2021

Today’s Song: Alice Pisano Eases Us into Autumn with the Golden “September”

by Joe Beer
The Slang © 2021
Debut, Features, Music, Premieres, Track-by-TrackSeptember 22, 2021<September 22, 2021

Expressive, Moody, & Cathartic: DC’s The Slang Premiere Their Cinematic Debut Album, ‘Divide’

by Mitch Mosk
Distractions - Kelsey Abbott
Music, PremieresSeptember 21, 2021<September 21, 2021

Premiere: Nashville’s Kelsey Abbott Finds Release in Impassioned Alt-Rock Anthem “Distractions”

by Mitch Mosk
elkyn © 2021
Music, Music Videos, PremieresSeptember 21, 2021<September 21, 2021

Premiere: The Blur, Loss, & Warmth of elkyn’s Heartfelt Single “found the back of the tv remote”

by Mitch Mosk
Priya Ragu © Amir Hossain
Features, Interviews, MusicSeptember 21, 2021<October 5, 2021

Damn She’s Tamil: Priya Ragu on Debut Mixtape, Spirituality, & Culture

by Mariel Fechik
LOVE BY NUMB3RS © Cam Jones
Music, Music Videos, PremieresSeptember 21, 2021<September 21, 2021

Premiere: LOVE BY NUMB3RS’ Soulful Single “Colours” Captures a Stunning Spectrum of Feeling

by Mitch Mosk
Katelyn Tarver © Ethan Gulley
Music, Music Videos, PremieresSeptember 21, 2021<September 21, 2021

Premiere: Katelyn Tarver Shines on Radiant & Intimately Unapologetic New Single “Nicer”

by Mitch Mosk
Daisy Abrams © 2021
Music, PremieresSeptember 21, 2021<November 16, 2021

Premiere: Daisy Abrams Tackles Depression & Purpose on “The Early Riser”

by Beau Hayhoe
You, Me, And Everyone We Know © Connor Feimster
Music, Reviews, Today's SongSeptember 21, 2021<September 22, 2021

Today’s Song: You, Me, And Everyone We Know Pack an Existential Punch with “We’re Not Like That!”

by James Crowley
Posts pagination
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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