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Interviews, Music, PremieresSeptember 21, 2021<July 17, 2023

Premiere: Andrea Tomasi’s Meditative, Spiritual Album ‘Into the Mystery’

by Mariel Fechik
Kaley Rutledge © Monica Murray
Columns, Music, Today's SongSeptember 20, 2021<September 20, 2021

Today’s Song: Kaley Rutledge’s Tranquil, Warm, & Wondrous “Corduroy Coat”

by Mitch Mosk
Caroline & Claude © Andrew Fawcett
Features, Interviews, MusicSeptember 20, 2021<September 20, 2021

Sibling Effervescence and Originality: A Conversation with Caroline & Claude

by Nicole Almeida
Features, Interviews, MusicSeptember 20, 2021<October 27, 2021

A Way to Harmonize: Becca Stevens & The Secret Trio on Fate and Expanding Tradition

by Mariel Fechik
Atwood Magazine's Weekly Roundup | September 17, 2021
Columns, Features, Music, Weekly RoundupSeptember 17, 2021<September 17, 2021

Atwood Magazine’s Weekly Roundup: September 17, 2021

by Atwood Magazine Staff
carwash © Athena Merry
Debut, Features, Music, Reviews, Track-by-TrackSeptember 17, 2021<September 17, 2021

“Friendship, Empathy, & Youth”: carwash’s Radiant Debut EP ‘soap water’ Captures the Wonder of Connection & Intimacy

by Mitch Mosk
Noah Kahan © Aysia Marotta
Features, Music, Reviews, Track-by-TrackSeptember 17, 2021<October 5, 2021

A Beautiful Inner Reckoning: Noah Kahan’s Stirring ‘I Was / I Am’ Plunges into the Deepest Depths of Self

by Mitch Mosk
Overcoats © Aysia Marotta
Features, Interviews, MusicSeptember 17, 2021<September 16, 2021

Not Scared Anymore: A Conversation with Overcoats

by Coco Rich
José González © Peter Toggeth / Mikel Cee Karlsson
Features, Interviews, MusicSeptember 16, 2021<September 29, 2022

Interview: José González Is Confident in Who He Is on Dynamic New Album ‘Local Valley’

by Kosiso Ugwueze
Timothy Edward Carpenter © Samuel Greenhill
Artist to Watch, Debut, Music, PremieresSeptember 16, 2021<September 16, 2021

Artist to Watch: Timothy Edward Carpenter’s Debut EP ‘the boy from ohio’ Is an Intimate & Beautifully Raw Upheaval

by Mitch Mosk
Art School Girlfriend © Jake Green
Debut, Features, Music, Reviews, Track-by-TrackSeptember 16, 2021<September 16, 2021

“Dark, Light, & Bloomy”: Art School Girlfriend’s Debut Album ‘Is It Light Where You Are’ and the Breathtaking Weight of Loss

by Mitch Mosk
Columns, Music, ReviewsSeptember 16, 2021<March 2, 2025

Album Review: Tyler, The Creator Opens Up His World & Reflects on Lost Love in ‘CALL ME IF YOU GET LOST’

by Adam Davidson
Hayden Calnin © Al Parkinson 9.4
Features, Music, Our Take, Reviews, Track-by-TrackSeptember 16, 2021<September 16, 2021

‘What It Means to Be Human’: Hayden Calnin Dives into the Beautiful Depths of His Cinematic & Stunning Third LP

by Mitch Mosk
Treefort Music Fest 2018 © Glenn Landberg
Features, Festival, Music, PreviewsSeptember 16, 2021<November 10, 2021

(Y)Our Guide to Treefort Music Fest 2021!

by Atwood Magazine Staff
Young Rising Sons © 2021
Music, Music Videos, PremieresSeptember 15, 2021<September 15, 2021

Premiere: Young Rising Sons Revel in Past Highs on Nostalgic Anthem “Good Days”

by Mitch Mosk
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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