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Surprise, Surprise - Savannah Conley
Features, Interviews, Music, Reviews, Track-by-TrackApril 30, 2021<June 13, 2023

“Surprise, Surprise”: Savannah Conley Shines with Stirring Strength & Stunning Depth on New EP

by Mitch Mosk
Blake Layman © Alex Gore
Music, Music Videos, PremieresApril 30, 2021<April 30, 2021

Premiere: Charlottesville’s Blake Layman Stuns with Quietly Charming “Unhistoric Acts”

by Mitch Mosk
Jesse Beaman © Kate Meyer
Features, Interviews, MusicApril 30, 2021<April 30, 2021

Jesse Beaman’s New Album ‘Mira’ Is a Sonic Monument to Being Patient & Trusting the Process

by Diego Morales
Parallel World - Cadence Weapon
Features, Interviews, MusicApril 30, 2021<October 5, 2021

Interview: Exploring Toronto Rapper Cadence Weapon’s ‘Parallel World’

by Oliver Crook
Del Water Gap © Angela Riccardi
Columns, Music, Today's SongApril 30, 2021<April 29, 2021

Today’s Song: Del Water Gap Turns the Unspoken into Art on “Sorry I Am”

by Jason Brillon
Atwood Magazine's Weekly Roundup April 30, 2021
Columns, Features, Music, Weekly RoundupApril 30, 2021<April 30, 2021

Atwood Magazine’s Weekly Roundup: April 30, 2021

by Atwood Magazine Staff
Total Brutal
Music, ReviewsApril 29, 2021<April 29, 2021

Review: Total Brutal’s Sun-Soaked “Had a Feeling” Is a Dazzling, Emotional Daydream

by Mitch Mosk
heka
Music, ReviewsApril 29, 2021<April 29, 2021

Review: London’s heka Weaves Intimate Indie Folk Wonders in “(a) dab”

by Mitch Mosk
Artist to Watch, Features, Music, ReviewsApril 29, 2021<February 24, 2025

“I Have Something to Live For”: A Conversation With Glüme

by Adrian Vargas
Sandro Manzon
Music, Reviews, Track-by-TrackApril 29, 2021<April 29, 2021

Solitude, Silence, & Connection: Sandro Manzon Weaves Little Wonders in ‘Mr. Nothing’ EP

by Mitch Mosk
aviv
Columns, Music, Today's SongApril 29, 2021<April 29, 2021

AVIV’s “Black Coffee” Is a Call to Reconcile with the Ones You Don’t Want to Lose

by Dimitra Gurduiala
Breaking The Record 2020
Breaking the Record, Columns, MusicApril 29, 2021<April 28, 2021

Breaking the Record with Roan Yellowthorn, Part 59: “Stranger”

by Guest Writer
Charlotte OC © Maximillian Hetherington
Music, ReviewsApril 28, 2021<April 28, 2021

Charlotte OC’s Bold Songs “Bad Bitch” & “Forest” Offer Stunning Preview of LP 2

by Mitch Mosk
Damen © Anna Mattsson
Music, PremieresApril 28, 2021<April 28, 2021

Premiere: Gothenburg’s Damen Light an Anthemic Fire in “Brightside” off New EP ‘Unemployment, Broken Bones, Death, Baby’

by Mitch Mosk
Gordi © Jess Gleeson
Features, Interviews, MusicApril 28, 2021<October 5, 2021

Reckoning, Identity, & Rediscovery: Gordi Plunges into Personal Depths on Breathtaking ‘Our Two Skins’

by Mitch Mosk
Posts pagination
1 … 304 305 306 307 308 … 711

Brand New

  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’

:: discover something new ::

Recent Posts

  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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