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TOBi © Stanislaw
Music, ReviewsMay 13, 2021<May 13, 2021

Review: TOBi & Flo Milli Heat Up in Dynamic, Impassioned “Family Matters” Reboot

by Mitch Mosk
Lycoriscoris © 2021
Interviews, MusicMay 13, 2021<May 13, 2021

Interview with Lycoriscoris: A Master EDM-Maker from Japan Delivers a Spellbinding Record with ‘Chiyu’

by Josh Weiner
Peter Stone © Lakyn Heming
Music, PremieresMay 13, 2021<May 13, 2021

Premiere: Singer/Songwriter Peter Stone Reflects on Home, Place, Loss, & Self in “Pacific”

by Mitch Mosk
Music, ReviewsMay 13, 2021<May 13, 2021

Review: Contour’s ‘Love Suite’ EP Exists in a Realm of Its Own

by Sophie Prettyman-Beauchamp
Wanderwild © Emma Rolader Martin
Music, PremieresMay 13, 2021<May 13, 2021

Premiere: Athens, GA’s Wanderwild Ignite in Dazzlingly Dynamic “Stranger”

by Mitch Mosk
Columns, Music, Today's SongMay 13, 2021<May 13, 2021

Today’s Song: Hanne Mjøen’s “Hell with You” Is a Heavenly, Synth Dreamland

by Joe Beer
Olivia O. © Avsha Weinberg
Music, PremieresMay 13, 2021<May 13, 2021

Premiere: Olivia O. Returns with New Single “All I Want,” an Achingly Vulnerable & Bittersweet Surrender

by Mitch Mosk
Roan Yellowthorn © Patrisha McLean
Breaking the Record, Interviews, Music, Premieres, ReviewsMay 13, 2021<May 13, 2021

Interview: Roan Yellowthorn Breaks the Record with Sophomore LP, ‘Another Life’

by Mitch Mosk
New Candys © Jancy Buffington
Music, ReviewsMay 12, 2021<May 12, 2021

Review: New Candys’ “Zyko” Is an Electroshock to the System

by Mitch Mosk
M.A.G.S. © 2021
Music, ReviewsMay 12, 2021<May 12, 2021

M.A.G.S. Serves Up a Fresh & Feverish Sonic Cocktail in “Choked Out”

by Mitch Mosk
Evan Greer © Kayana Szymczak
Columns, Music, Today's SongMay 12, 2021<May 12, 2021

Today’s Song: Evan Greer Issues Call to Arms on Powerful “The Tyranny of Either/Or”

by Oliver Crook
Hayden Calnin © Emma McEvoy 2021
Music, PremieresMay 12, 2021<May 12, 2021

Premiere: Hayden Calnin Rediscovers Himself in Wondrous “The Parts I Hid Away” Off New Album ‘What It Means To Be Human’

by Mitch Mosk
BSÍ © Baldur Kristjánsson
Music, PremieresMay 12, 2021<May 12, 2021

Premiere: Reykjavík’s BSÍ Soothe & Stir in New Single “TAL 11” off Debut Album ‘Sometimes Depressed​.​.​.​But Always Antifascist’

by Mitch Mosk
Nicole McKinney © Julian Darcy
Debut, Music, PremieresMay 11, 2021<May 11, 2021

Premiere: Brisbane’s Nicole McKinney Rises with Raw Indie Anthem “Stay” Off Debut EP ‘The Process’

by Mitch Mosk
Atwood Magazine Celebrates AAPI Heritage Month I
Asian American and Pacific Islander Heritage Month, Features, MusicMay 11, 2021<October 1, 2021

Atwood Magazine Celebrates AAPI Heritage Month 2021, Pt. I

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention

:: discover something new ::

Recent Posts

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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