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Night Flight © Sequoia Ziff
Artist to Watch, Music, PremieresFebruary 17, 2021<February 17, 2021

Premiere: Night Flight’s New Single “Canada” Is a Warm Wash of Nostalgic Rapture

by Mitch Mosk
Emily Blue "7 Minutes" © Greg Stephen Reigh, Matt Bordman
Interviews, Music, ReviewsFebruary 16, 2021<December 8, 2021

Interview: Emily Blue’s Euphoric “7 Minutes” Is an Irresistible Outpouring of Love, Intimacy, & Perfect Pop

by Mitch Mosk
Serena Isioma © 2021
Columns, Music, Today's SongFebruary 16, 2021<February 16, 2021

Today’s Song: Serena Isioma’s Empowering “King” Is a Stunning Assertion of Identity & Self-Worth

by Mitch Mosk
ISLAND © Christian Cargill
Interviews, Music, Reviews, This Just InFebruary 16, 2021<February 17, 2021

This Just In: London’s ISLAND Return with Fresh, Snappy, & Seductive New Song “Octopus”

by Mitch Mosk
Haviah Mighty © Yung Yemi
Black History Month, MusicFebruary 16, 2021<February 16, 2021

“Obeah”: Haviah Mighty Dives into Her Visceral Song of Strength, Trust, and the Occult

by Guest Writer
Wyn Starks © 2021
Black History Month, Interviews, MusicFebruary 16, 2021<February 16, 2021

“Sparrow”: Wyn Starks Dives into His Breathtakingly Beautiful George Floyd-Inspired Ballad

by Guest Writer
Emanuel "Black Woman" © Matt Barnes
Black History Month, MusicFebruary 16, 2021<February 16, 2021

“A Great Realization”: An Essay by Emanuel

by Guest Writer
KILLTONY EP - Tony Njoku
Black History Month, Music, Reviews, Track-by-TrackFebruary 15, 2021<February 15, 2021

Track-by-Track: Tony Njoku Dives into his Dark, Cinematic, & Experimental ‘KILLTONY’ EP

by Mitch Mosk
STNFXCE's Black History Month Playlist
Black History Month, Music, PlaylistsFebruary 15, 2021<February 18, 2021

STNFXCE’s Black History Month Playlist

by Guest Writer
Lyncs © 2021
Music, PremieresFebruary 15, 2021<February 15, 2021

Premiere: Lyncs’ Earnest “i shouldn’t say it” Rewinds and Looks Back

by Kelly Liu
Columns, Music, Today's SongFebruary 15, 2021<February 15, 2021

Today’s Song: Al-Doms Wants to Run His Numbers Up on “Slang!”

by Ryan Feyre
Julien Baker © Alysse Gafkjen
Columns, Music, Today's SongFebruary 14, 2021<February 14, 2021

Today’s Song: Julien Baker Haunts the Pop World with New Single “Favor”

by Ethan James
Photographic Memory © Tracy Nguyen
Music, ReviewsFebruary 12, 2021<February 12, 2021

Review: Photographic Memory’s “Twirl Back” (ft. Rat Tally) Is an Angsty, Raw Emo Song for the 2020s

by Mitch Mosk
Claud © Angela Ricciardi
Debut, Features, Interviews, MusicFebruary 12, 2021<March 14, 2021

Interview: Falling in Love with Claud, the “Bedroom Pop” Super Monster

by Jason Brillon
Features, Music, Weekly RoundupFebruary 12, 2021<February 19, 2025

Atwood Magazine’s Weekly Roundup: Valentine’s Day 2021!

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”

:: discover something new ::

Recent Posts

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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