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Sundressed © Orlando Pelagio
Music, Music Videos, ReviewsMarch 18, 2021<March 18, 2021

Review: Sundressed’s “Cash Out” Is an Anthem of Perseverance, Inner Strength & Staying Power

by Mitch Mosk
girlhouse © Alex Justice
Artist to Watch, Columns, Music, Today's SongMarch 18, 2021<March 18, 2021

Artist to Watch: girlhouse Reckons with Inherited Trauma & Finds Renewal on “loaded gun”

by Mitch Mosk
Riley Pearce © Al Parkinson
Music, Premieres, Track-by-TrackMarch 18, 2021<March 18, 2021

EP Premiere: Riley Pearce Captures the Beauty & Magic of Connection with ‘Love and All That Stuff’

by Mitch Mosk
LA Parties' Andy Gorel
Debut, Music, PremieresMarch 18, 2021<March 18, 2021

Premiere: LA Parties Debuts with Invigorating & Visceral Disillusionment on Self-Titled Single, “LA Parties”

by Mitch Mosk
alexdgoldberg
Debut, Interviews, MusicMarch 18, 2021<March 18, 2021

Interview with Alexdgoldberg: Brooklyn’s Finest Bounces Back From Bad Health & Releases Compelling Debut LP ‘Loste’

by Josh Weiner
Atwood Magazine Celebrates Women's History Month
Features, Music, Women's History MonthMarch 18, 2021<April 7, 2021

Atwood Magazine Celebrates Women’s History Month 2021, Pt. IV

by Atwood Magazine Staff
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 18, 2021<March 18, 2021

Breaking the Record with Roan Yellowthorn, Part 54: Pre-Order

by Guest Writer
Michael Baker
Features, Interviews, Music, Reviews, Track-by-TrackMarch 17, 2021<March 17, 2021

“Bionic Chemistry Chimney”: Michael Baker Dives into His Stirring & Hopeful 3rd LP ‘How Come You Sleep’

by Mitch Mosk
Blackout Problems
Features, Interviews, Music, Reviews, Track-by-TrackMarch 17, 2021<March 19, 2021

“Emotional, Energetic, Expressive”: Germany’s Blackout Problems Dive into Unrelenting 3rd LP ‘DARK’

by Mitch Mosk
8.2
Debut, Music, Our Take, Reviews, Track-by-TrackMarch 17, 2021<March 17, 2021

Track-By-Track: Black Country, New Road Are a Visage of Tension and Unsettled Nerves on ‘For the first time’

by Nick Matthopoulos
TANGERINE © Miro Justad
Artist to Watch, Music, PremieresMarch 17, 2021<March 17, 2021

Premiere: TANGERINE Bask in Cosmic Indie Folk Dreams on “The Coldest Winter”

by Mitch Mosk
The Bones of J.R. Jones © Christian Harder
Interviews, Music, PremieresMarch 17, 2021<March 17, 2021

“Understated, Honest, & Dark”: The Bones of J.R. Jones Lights a Fire in ‘A Celebration’ EP

by Mitch Mosk
Hands Down © Fredrik Stål
Columns, Debut, Today's SongMarch 17, 2021<March 17, 2021

Today’s Song: Hands Down Delivers a Deceptively Sweet Debut with “Too Late”

by Adrian Vargas
Huitième Art - Sinik 8
Music, Our Take, ReviewsMarch 17, 2021<March 16, 2021

Our Take: Sinik Maintains His Streak of Dominance in the French Rap Game with ‘Huitième art’

by Josh Weiner
Celebrating Irish Music: St. Patrick's Day 2021
Features, Music, PlaylistsMarch 17, 2021<April 11, 2021

Celebrating Irish Music: St. Patrick’s Day Artist Showcase, 2021

by Atwood Magazine Staff
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Brand New

  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love
  • Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP
  • “I Wanna Be a 7-Foot Zombie”: The Strokes Chase the Overstimulation of Modern Life on “Going Shopping,” the Kinetic Lead Single Off Their 7th Album ‘Reality Awaits’
  • “Life Is a Joke, and You Are the Punch”: Fantastic Cat Capture the Messy Beauty of Being Alive on ‘Cat Out of Hell,’ Deeply Human Folk Rock Triumph
  • Life Is Too Short to Be Comfortable: Whiskey Flower Turn Defiance into Fuel on ‘double yellow lines’
  • All the Right Feels: Victoryland’s ‘My Heart Is a Room With No Cameras in It’ Embraces the Imperfections of Humanity With an Ignited Soundscape of Love, Humor, & Curiosity
  • “You End Up Going Places You’d Never Get to on Your Own”: Hannah Hausman & Guthrie Galileo Collide to Create a Whole New World on ‘Move From Love’

:: discover something new ::

Recent Posts

  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
  • Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP April 15, 2026
  • “I Wanna Be a 7-Foot Zombie”: The Strokes Chase the Overstimulation of Modern Life on “Going Shopping,” the Kinetic Lead Single Off Their 7th Album ‘Reality Awaits’ April 15, 2026
  • “Life Is a Joke, and You Are the Punch”: Fantastic Cat Capture the Messy Beauty of Being Alive on ‘Cat Out of Hell,’ Deeply Human Folk Rock Triumph April 14, 2026
  • Life Is Too Short to Be Comfortable: Whiskey Flower Turn Defiance into Fuel on ‘double yellow lines’ April 14, 2026
  • All the Right Feels: Victoryland’s ‘My Heart Is a Room With No Cameras in It’ Embraces the Imperfections of Humanity With an Ignited Soundscape of Love, Humor, & Curiosity April 14, 2026
  • “You End Up Going Places You’d Never Get to on Your Own”: Hannah Hausman & Guthrie Galileo Collide to Create a Whole New World on ‘Move From Love’ April 14, 2026
  • “A Waltz of Changing Seasons”: Chicago’s Park Hills Circle Welcomes Renewal on “Spring Is Here,” an Enchantingly Dreamy Folk Reverie April 14, 2026
  • “I Walk With Love”: SAULT Explore The Beauty of Inner Peace in “Good Things Will Come After the Pressure” April 14, 2026
  • Avery Cochrane Is Singing Dispatches From a Dying Empire April 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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