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Olivia Rodrigo © Erica Hernandez
Music, ReviewsJanuary 25, 2021<January 25, 2021

Olivia Rodrigo Breaks Hearts and 2021 with Her Debut Single “drivers license”

by Nasya Blackshear
The Martha's Vineyard Ferries © 2021
Columns, Music, Today's SongJanuary 25, 2021<January 25, 2021

The Martha’s Vineyard Ferries Understand the Impact of Brevity with “Betty Ford James”

by Nick Matthopoulos
Cry Baby © Mia Naome
Columns, Music, Today's SongJanuary 24, 2021<January 22, 2021

Today’s Song: Cry Baby Dance the Pain Away on “She Likes to Get High”

by Lowndes Commander
Days of Spring
Columns, Music, Today's SongJanuary 23, 2021<February 23, 2021

Today’s Song: Days of Spring’s “Earthbound” Gives Us a New, Hopeful Vision for the Future

by Dimitra Gurduiala
Dayglow © Pooneh Ghana
Columns, Music, Today's SongJanuary 23, 2021<January 21, 2021

Today’s Song: Dayglow Transports Us Back to the ‘80s with Danceable, Forlorn “Close to You”

by Jason Brillon
The Flavians © Tobias Humble
Artist to Watch, Music, ReviewsJanuary 22, 2021<July 1, 2021

Berlin’s The Flavians Bask in Debaucherous Revelry on Star-Crossed Single “Ace of Base”

by Mitch Mosk
Pinegrove 2021 © Kenna Hynes
Features, Interviews, MusicJanuary 22, 2021<January 22, 2021

Feature: Pinegrove Bring an Indie Rock Dreamscape to Life in ‘Amperland, NY’

by Ethan Shanfeld
Atwood Magazine's Editor's Picks 43
Columns, Editor's Picks, MusicJanuary 22, 2021<January 22, 2021

Editor’s Picks 43: AYLØ, cehryl, Tara Terra, Sir Sly, Emanuel, & Issy Wood

by Mitch Mosk
Music, Music Videos, PremieresJanuary 22, 2021<February 24, 2021

Video Premiere: A Gorgeous & Powerful Outpour of Vulnerability on Cardioid’s “False Starts”

by Adrian Vargas
Kemi Ade © Prexa Shrestha
Features, Music, Reviews, Track-by-TrackJanuary 22, 2021<February 1, 2021

“A F*cking Vibe”: Kemi Ade Dives into Her Seductive, Empowering ‘DRIVE’ Dawn & Dusk EPs

by Mitch Mosk
Orlando © 2021
Columns, Music, Today's SongJanuary 22, 2021<January 22, 2021

Today’s Song: UK Bedroom Pop Artist Orlando Shines in Dreamy, Pastel Coloured “Princess”

by Hermione Kellow
The Staves © Sequoia Ziff
Music, Reviews, This Just InJanuary 22, 2021<January 22, 2021

This Just In: The Staves Tease 3rd LP ‘Good Woman’ with Final Stirring Single, “Devotion”

by Mitch Mosk
Kelly McFarling © Sam Bathrick
Music, PremieresJanuary 21, 2021<January 21, 2021

Premiere: Kelly McFarling Holds Us to Account in Dazzling Song “Delicate”

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicJanuary 21, 2021<January 21, 2021

Breaking the Record with Roan Yellowthorn, Part 47: A New Year

by Guest Writer
8.9
Music, Our Take, ReviewsJanuary 21, 2021<January 21, 2021

Our Take: Rhye’s ‘Home’ Is a Harmonious Display of Seduction and Majesty

by Adrian Vargas
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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