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3OH!3 © 2020
Columns, Music, Today's SongDecember 29, 2020<December 28, 2020

Today’s Song: 3OH!3 Have Brought Beef Back to 2020 in “LONELY MACHINES”

by James Crowley
Sufjan Stevens © 2020
Music, ReviewsDecember 29, 2020<December 28, 2020

Review: Seeking Guidance with Sufjan Stevens’ ‘The Ascension’

by Frankie Rose
cehryl © Jonny Ho
Columns, Music, Today's SongDecember 24, 2020<December 24, 2020

Today’s Song: cehryl’s Intimate Song “angels (emily)” Is a Visceral Indie Pop Upheaval

by Mitch Mosk
Atwood Magazine's 2020 Albums of the Year
Features, Lists, MusicDecember 23, 2020<February 5, 2021

Atwood Magazine’s 2020 Albums of the Year

by Atwood Magazine Staff
Columns, Music, Today's SongDecember 23, 2020<December 23, 2020

Today’s Song: Nebraska Rapper JVCKJ Spins Heartbreak into Moving Music on “You Lie”

by Josh Weiner
Songhoy Blues © Kiss Diouara
Interviews, MusicDecember 22, 2020<December 22, 2020

Interview: Songhoy Blues’ ‘Optimisme’ Provides the Hope & Groove We Need Right Now

by Oliver Crook
Atwood Magazine's Mistletones: Best New Holiday Music 2020
Features, Interviews, Lists, Mistletones, MusicDecember 22, 2020<February 5, 2021

Atwood Magazine Presents Mistletones: 2020’s Best New Holiday Songs

by Atwood Magazine Staff
Columns, Music, Today's SongDecember 22, 2020<December 22, 2020

Today’s Song: How Keesh Immortalizes Love in “Ode to Fred”

by Dimitra Gurduiala
On My Own - Lera Lynn © Alysse Gafkjen 8
Music, Our Take, ReviewsDecember 22, 2020<December 21, 2020

Our Take: Lera Lynn Settles into Herself in ‘On My Own’ & Finds Forgiveness In-Between the Bars

by Emily Frances Algar
Nothing But Thieves © Jack Bridgland
MusicDecember 22, 2020<December 21, 2020

Interview: Conor Mason on How He & Nothing But Thieves Wrote One of the Most Prescient Albums of 2020

by Adam Davidson
Atwood Magazine's Artist Discoveries of 2020
Features, Lists, MusicDecember 21, 2020<February 5, 2021

Atwood Magazine’s Top Artist Discoveries of 2020

by Atwood Magazine Staff
The Old North © 2020
Debut, Music, ReviewsDecember 21, 2020<December 21, 2020

Review: The Old North’s Self-Titled Debut EP Should Make Bostonians Proud

by Ethan James
9
Music, Our Take, ReviewsDecember 21, 2020<December 21, 2020

Our Take: The Avalanches Start a New Chapter with ‘We Will Always Love You’

by Leo Culp
Cries Real Tears! - Issy Wood
Music, Reviews, Track-by-TrackDecember 21, 2020<December 21, 2020

Track-by-Track: UK Artist Issy Wood’s Eccentric, Enthralling, & Experimental ‘Cries Real Tears!’ EP

by Mitch Mosk
La Femme © JF Julian
Features, Interviews, MusicDecember 21, 2020<May 14, 2023

Travel, Experimentation, & Collaboration: A Conversation with La Femme

by Frankie Rose
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Brand New

  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”

:: discover something new ::

Recent Posts

  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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