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Lorana © Arthur Coppens
Features, Interviews, MusicOctober 20, 2020<January 13, 2021

Conceptual Art and Homemade Samples: A Conversation with Lorana

by Alicia Bugallo
Rumour Mill © Maia DeHaan
Music, Music Videos, PremieresOctober 20, 2020<October 20, 2020

Premiere: Rumour Mill Blend Grace & Movement with Poignant Folk in “Wake Me Up” Video

by Mitch Mosk
Music, ReviewsOctober 20, 2020<October 20, 2020

Review: SPAZA’s UPRIZE! is a Soundtrack to Upheaval & Hope

by Adrian Vargas
G Flip © 2020
Interviews, Music, Music Videos, PremieresOctober 20, 2020<November 15, 2020

Interview: Melbourne’s G Flip on Her Passionate & Unapologetic LGBTQIA+ Love Anthem “You & I”

by Mitch Mosk
Deradoorian © Elizabeth Weinberg
Columns, Music, Today's SongOctober 20, 2020<October 20, 2020

Today’s Song: Deradoorian Takes You on a Mystical Journey of Self-Discovery with “Corsican Shores”

by Jordan Catagnus
Columns, Music, Today's SongOctober 19, 2020<October 18, 2020

Today’s Song: “The Valley” is a dynamic preview of Thou and Emma Ruth Rundle’s ‘May Your Chambers Be Full’

by Danny Vagnoni
Features, Music, Weekly RoundupOctober 16, 2020<October 16, 2020

Atwood Magazine’s Weekly Roundup: October 16, 2020

by Atwood Magazine Staff
Hiroki Tanaka © Maya Bankovic
Columns, Music, Today's SongOctober 16, 2020<October 16, 2020

Today’s Song: Hiroki Tanaka’s “Bare Hallways” Is a Gently Haunting Account of Life as a Caregiver

by Frankie Rose
Columns, Music, This Just InOctober 16, 2020<October 16, 2020

This Just In: Young Rising Sons Characterize Human Relationships and Memories in “Halloween”

by Maggie McHale
Features, Interviews, MusicOctober 15, 2020<November 15, 2020

Feature: Paddy Hanna Lays Bare His Haunted Heart on ‘The Hill’

by Oliver Crook
Vansire © Clare Curry
Music, ReviewsOctober 15, 2020<October 15, 2020

Premiere: Inside The Entrancing, Evolutionary Sound of Vansire’s ‘After Fillmore County’

by Madison Vettorino
MisterWives © Matty Vogel
Music, Music Videos, PremieresOctober 15, 2020<October 15, 2020

Premiere: MisterWives Unite Fans with the Smile-Spreading “SUPERBLOOM” Official Fan Video

by Kelly McCafferty Dorogy
Hello Weakness, You Make Me Strong - Gracie and Rachel
Features, Music, Reviews, Track-by-TrackOctober 15, 2020<October 12, 2020

Curiosity, Vulnerability, & Trust: Gracie and Rachel Dive Deep into ‘Hello Weakness, You Make Me Strong’

by Mitch Mosk
Columns, Music, Today's SongOctober 15, 2020<October 15, 2020

Today’s Song: Camila Fuchs Takes us on a Psychedelic Trip on the Entrancing “Moon’s Mountain”

by Oliver Crook
Breaking The Record 2020
Breaking the Record, Columns, MusicOctober 15, 2020<October 15, 2020

Breaking the Record with Roan Yellowthorn, Part 36: You’re Never There

by Guest Writer
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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