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Interviews, MusicOctober 6, 2020<October 6, 2020

Interview: Vacation Manor Gets Vulnerable With ‘Thoughts In Progress, Pt. 1’

by Madison Vettorino
Andrea Viscardi © 2020
Columns, Debut, Music, VariationsOctober 6, 2020<October 6, 2020

Variations: Pianist Andrea Viscardi Takes the Contemporary Plunge with Debut “Deeper Lake”

by Coco Rich
Lala Lala & WHY? © Katie Hogan
Columns, Music, Today's SongOctober 6, 2020<October 3, 2020

Today’s Song: Lala Lala & WHY?’s “Siren 042” Confronts Transitions and Aftermaths

by Kelly Liu
Elle Músa © Adi Ross
Music, Music Videos, PremieresOctober 6, 2020<October 6, 2020

Premiere: Elle Músa’s “Geminis” Is a Loving Ode to Those Closest

by Nick Matthopoulos
Evelyn Cools © Tye Edwards
Music, Music Videos, PremieresOctober 6, 2020<October 8, 2020

Premiere: NYC’s Evelyn Cools Finds Belonging & Home in “Misfit Paradise”

by Mitch Mosk
Caiola © 2020
Debut, Music, Reviews, Track-by-TrackOctober 5, 2020<October 5, 2020

Track-by-Track: The Tender, Driving Nuance of Caiola’s Debut ‘Only Real When Shared’

by Mitch Mosk
Ferris & Sylvester © Felix Bartlett
Features, Music, Reviews, Track-by-TrackOctober 5, 2020<October 5, 2020

Hungry, Hopeful, & True: Ferris & Sylvester Dive into Their ‘I Should Be on a Train’ EP

by Mitch Mosk
9
Music, Our Take, ReviewsOctober 5, 2020<December 15, 2020

Our Take: Ghostpoet’s Doom-Laden Dreariness Captures the 2020 Mood on ‘I Grow Tired But Dare Not Fall Asleep’

by Adam Davidson
FLETCHER © The S(ex) Tapes
Features, Music, Reviews, Track-by-TrackOctober 5, 2020<May 29, 2024

Feature: FLETCHER’s ‘The S(ex) Tapes’ and the Seven Stages of Grief

by Emily Frances Algar
Blackout Balter © 2020
Debut, Music, Reviews, Track-by-TrackOctober 5, 2020<October 5, 2020

Track-by-Track: Nashville’s Blackout Balter Seize the Moment on Visceral Debut Album ‘Animal’

by Mitch Mosk
Columns, Music, Today's SongOctober 5, 2020<October 5, 2020

Today’s Song: Glüme Has Crafted a Dream-Laced Ambrosia with Latest Single “Come Softly To Me”

by Adrian Vargas
ViVii © Alexander Antser
Music, Music Videos, PremieresOctober 5, 2020<October 5, 2020

Stockholm’s ViVii Enchant with Ethereal, Exhilarating “Summer of 99” & “Whistle” Video

by Mitch Mosk
Columns, Music, Today's SongOctober 3, 2020<October 3, 2020

Today’s Song: TOYGIRL Write a Love Song for Whoever Is in Your Heart on “Poison”

by Oliver Crook
Christinna O © Kenya Naomi
Columns, Music, Today's SongOctober 3, 2020<November 3, 2020

Today’s Song: Christinna O Weaves Cultural Traditions with Universal Sentiments in “Braided”

by Frankie Rose
Bright Eyes © Danny Cohen
Features, Interviews, MusicOctober 2, 2020<December 22, 2020

Forming Emotion Through Atmosphere: An Interview with Bright Eyes

by Frankie Rose
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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