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The Wild State © Aaron Busk
Music, PremieresOctober 1, 2020<September 30, 2020

Premiere: The Wild State Bring New Life to “Bloodbuzz Ohio” in Latest The National Cover

by Erica Danielle Garcia
Warning Bell - Daniel Trakell
Debut, Music, PremieresSeptember 30, 2020<September 30, 2020

Album Premiere: Melbourne Singer/Songwriter Daniel Trakell Stuns in Debut ‘Warning Bell’

by Mitch Mosk
Beau © 2020
Features, Interviews, MusicSeptember 30, 2020<October 6, 2020

Interview: NYC’s Beau Return to Set the Night on Fire with Indie Rock Anthem “Dance with Me”

by Mitch Mosk
BAO © 2020
Interviews, Music, PremieresSeptember 30, 2020<September 29, 2020

Interview: BAO Reels & Rises in Outsider’s Anthem “Beautiful Things” off Debut Album ‘Perpetual Heartbreak’

by Mitch Mosk
Logan James © Justin Ham
Music, PremieresSeptember 30, 2020<September 29, 2020

Premiere: Logan James’ Debut “Half Heart” Is an Indie Pop Dream

by Lowndes Commander
Still Woozy © Sergiy Barchuk
Columns, Music, Today's SongSeptember 30, 2020<September 26, 2020

Today’s Song: “BS” Is the Latest Look Inside the Whimsical World of Still Woozy

by Harper Beattie
Time's Up - Quarry
Music, ReviewsSeptember 30, 2020<September 29, 2020

Review: The Sultry Seduction of Quarry’s Deep Vibe, “Time’s Up”

by Mitch Mosk
Miss the Feeling - Hollyy
Debut, Music, Reviews, Track-by-TrackSeptember 29, 2020<February 20, 2025

Track-by-Track: Chicago’s Hollyy Stir Up Classic Soul in Heated Debut EP ‘Miss the Feeling’

by Mitch Mosk
Risking Illness - Ian Wayne
Music, Reviews, Track-by-TrackSeptember 29, 2020<September 29, 2020

Confusion, Loss, & Quietude: Ian Wayne Reckons with Grief in Second Album ‘Risking Illness’

by Mitch Mosk
Naaz © 2020
Features, Interviews, MusicSeptember 29, 2020<September 29, 2020

Interview: Naaz Spellbinds with Her Spectacular Single “Mute Love”

by Luke Pettican
Papi Shiitake
Debut, Music, PremieresSeptember 29, 2020<September 29, 2020

Premiere: Papi Shiitake Don a Weary “Smile” in Dreamy Shoegaze Anthem

by Mitch Mosk
Alicia Keys © Milan Zrnic 8.7
Music, Our Take, ReviewsSeptember 29, 2020<December 15, 2020

Our Take: Alicia Keys Keeps Her 20-Year Streak of Greatness Alive & Well on ‘ALICIA’

by Josh Weiner
Columns, Debut, Music, Today's SongSeptember 29, 2020<September 29, 2020

Today’s Song: Gillian Mapp Marks a Sultry Debut with “Orange Bitters”

by Adrian Vargas
Hannah Georgas © Vanessa Heins
Features, Interviews, MusicSeptember 28, 2020<September 28, 2020

Comfort, Space, & Sanctuary: Hannah Georgas Dives into Her Intimate Album, ‘All That Emotion’

by Mitch Mosk
Loren Allred
Debut, Interviews, MusicSeptember 28, 2020<September 29, 2020

Interview: Loren Allred Shines a Positive Light on a Difficult Period

by Chloe Robinson
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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