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Features, Music, Reviews, Track-by-TrackDecember 2, 2020<May 5, 2023

“Open, Passionate, & Smooth”: Tafari Anthony Stuns & Soars on ‘The Way You See Me’ EP

by Mitch Mosk
Do You Think Of Me - Fretland
Music, PremieresDecember 2, 2020<December 2, 2020

Premiere: Fretland’s Heartfelt “Do You Think of Me” Is a Song of Utter Intimacy & Longing

by Mitch Mosk
Gracie Nash © Punch Card Films
Music, Music Videos, PremieresDecember 2, 2020<December 2, 2020

Premiere: Gracie Nash’s Soulful “Sippy Cup” Takes on Modern Romance & the Ones Who Got Away

by Mitch Mosk
Pale Waves © Niall Lea
Features, Interviews, MusicDecember 2, 2020<December 22, 2020

Interview: Pale Waves’ “Change” Anticipates an Album We’ve All Been Waiting For

by Dimitra Gurduiala
Talkboy © Sam Crowston
Columns, Music, Today's SongDecember 2, 2020<January 19, 2021

Today’s Song: A Riotous Showcasing of Pure Exhilaration on Talkboy’s “Sky Is Falling”

by Adrian Vargas
Decoration Day © Brianna Roye
Features, Music, Reviews, Track-by-TrackDecember 1, 2020<December 1, 2020

“Cathartic, Flowing, Togetherness”: Toronto’s Decoration Day Weave a ‘Makeshift Future’ on Debut Album

by Mitch Mosk
OSKA & Stu Larsen © Fabian Edelbacher
Interviews, Music, PremieresDecember 1, 2020<December 1, 2020

Interview: OSKA & Stu Larsen’s Intimate Duet “Honeymoon Phase / Wide Awake & Dreaming”

by Mitch Mosk
Embroidered Foliage - no thank you 8.7
Music, Our Take, ReviewsDecember 1, 2020<December 15, 2020

Our Take: No Thank You Chart Emotional & Sonic Depths on ‘Embroidered Foliage’

by Nick Matthopoulos
Melody Gardot © Laurence Laborie
Features, Interviews, MusicDecember 1, 2020<September 5, 2022

Interview: Melody Gardot’s ‘Sunset in the Blue’, an Open Window Amongst Closed Doors

by Ilana Kalish
Sampha © Jamie James Medina
Columns, Music, Today's SongDecember 1, 2020<March 13, 2021

Today’s Song: A Storm’s Vehemence & The Endless Ocean of Sampha’s “Treasure”

by Dalia
Liminal Space - Devin Sinha
Music, Reviews, Track-by-TrackNovember 30, 2020<November 30, 2020

“Wistful, Hopeful, Transition”: Seattle’s Devin Sinha Dives into Cinematic 4th LP ‘Liminal Space’

by Mitch Mosk
Sunday - Charlie Kaplan
Debut, Music, Reviews, Track-by-TrackNovember 30, 2020<November 30, 2020

Track-by-Track: Charlie Kaplan Meets Grief with Light in Debut Album ‘Sunday’

by Mitch Mosk
Interviews, MusicNovember 30, 2020<December 1, 2020

Interview: Tessa Kaye Is a Powerful Voice for Those Scared to Speak up About Mental Illness

by Chloe Robinson
Gaspar Narby © 2020
Columns, Music, Today's SongNovember 30, 2020<November 30, 2020

Today’s Song: Gaspar Narby Explores the Fragmentary Nature of Memory in Articulate Track “Fragments” ft. Taura

by Hermione Kellow
Atwood Magazine Roundup November 27
Features, Music, Weekly RoundupNovember 27, 2020<December 15, 2020

Atwood Magazine’s Weekly Roundup: November 27, 2020

by Atwood Magazine Staff
Posts pagination
1 … 365 366 367 368 369 … 729

Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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