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Terrible Sons © Dan Watson
Music, PremieresOctober 8, 2020<October 7, 2020

Premiere: New Zealand’s Terrible Sons Shimmer & Shine on “You Are the Gold”

by Mitch Mosk
Eve Owen © Chris Almeida
Debut, Features, Interviews, MusicOctober 7, 2020<October 7, 2020

Curious, Honest, & Youthful: Eve Owen Dives into Her Breathtaking Debut Album ‘Don’t Let the Ink Dry’

by Mitch Mosk
Fragments - Bear's Den, Paul Frith
Music, Reviews, Track-by-TrackOctober 7, 2020<October 7, 2020

Track-by-Track: Bear’s Den & Paul Frith Dive into the Depths of ‘Fragments’

by Mitch Mosk
DVNA "All My Friends" © 2020
Debut, Music, Reviews, Track-by-TrackOctober 7, 2020<October 7, 2020

Track-by-Track: Gold Coast’s DVNA Compels with Intimate & Alluring Debut EP ‘All My Friends’

by Mitch Mosk
Twisted - Marina Kaye
Features, Interviews, MusicOctober 7, 2020<October 5, 2020

Interview: French Songstress Marina Kaye Shares Her “Double Life” & “7 Billion” Off ‘Twisted’ New Album

by Ben Beamish
Leila Sunier © Kenton Koneval
Music, PremieresOctober 7, 2020<October 6, 2020

EP Premiere: Leila Sunier Reflects on ‘Where Everything Is [Not Quite] Perfect’

by Lowndes Commander
Lupin - Lupin
Debut, Features, Interviews, MusicOctober 7, 2020<October 6, 2020

Interview: A Glimpse into the Making of Jake Luppen’s Dynamic Self-Titled Pop Debut, ‘Lupin’

by Lowndes Commander
IAN SWEET © Lucy Sandler
Columns, Music, Today's SongOctober 7, 2020<October 7, 2020

Today’s Song: IAN SWEET Masters the Blade on “Sword”

by Sophie Prettyman-Beauchamp
Music, PremieresOctober 6, 2020<October 6, 2020

Premiere: Derek Simpson’s Crafts a Playful Surrender on “Naked Forever”

by Anthony Kozlowski
Interviews, MusicOctober 6, 2020<October 6, 2020

Interview: Vacation Manor Gets Vulnerable With ‘Thoughts In Progress, Pt. 1’

by Madison Vettorino
Andrea Viscardi © 2020
Columns, Debut, Music, VariationsOctober 6, 2020<October 6, 2020

Variations: Pianist Andrea Viscardi Takes the Contemporary Plunge with Debut “Deeper Lake”

by Coco Rich
Lala Lala & WHY? © Katie Hogan
Columns, Music, Today's SongOctober 6, 2020<October 3, 2020

Today’s Song: Lala Lala & WHY?’s “Siren 042” Confronts Transitions and Aftermaths

by Kelly Liu
Elle Músa © Adi Ross
Music, Music Videos, PremieresOctober 6, 2020<October 6, 2020

Premiere: Elle Músa’s “Geminis” Is a Loving Ode to Those Closest

by Nick Matthopoulos
Evelyn Cools © Tye Edwards
Music, Music Videos, PremieresOctober 6, 2020<October 8, 2020

Premiere: NYC’s Evelyn Cools Finds Belonging & Home in “Misfit Paradise”

by Mitch Mosk
Caiola © 2020
Debut, Music, Reviews, Track-by-TrackOctober 5, 2020<October 5, 2020

Track-by-Track: The Tender, Driving Nuance of Caiola’s Debut ‘Only Real When Shared’

by Mitch Mosk
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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