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Ferris & Sylvester © Felix Bartlett
Features, Music, Reviews, Track-by-TrackOctober 5, 2020<October 5, 2020

Hungry, Hopeful, & True: Ferris & Sylvester Dive into Their ‘I Should Be on a Train’ EP

by Mitch Mosk
9
Music, Our Take, ReviewsOctober 5, 2020<December 15, 2020

Our Take: Ghostpoet’s Doom-Laden Dreariness Captures the 2020 Mood on ‘I Grow Tired But Dare Not Fall Asleep’

by Adam Davidson
FLETCHER © The S(ex) Tapes
Features, Music, Reviews, Track-by-TrackOctober 5, 2020<May 29, 2024

Feature: FLETCHER’s ‘The S(ex) Tapes’ and the Seven Stages of Grief

by Emily Frances Algar
Blackout Balter © 2020
Debut, Music, Reviews, Track-by-TrackOctober 5, 2020<October 5, 2020

Track-by-Track: Nashville’s Blackout Balter Seize the Moment on Visceral Debut Album ‘Animal’

by Mitch Mosk
Columns, Music, Today's SongOctober 5, 2020<October 5, 2020

Today’s Song: Glüme Has Crafted a Dream-Laced Ambrosia with Latest Single “Come Softly To Me”

by Adrian Vargas
ViVii © Alexander Antser
Music, Music Videos, PremieresOctober 5, 2020<October 5, 2020

Stockholm’s ViVii Enchant with Ethereal, Exhilarating “Summer of 99” & “Whistle” Video

by Mitch Mosk
Columns, Music, Today's SongOctober 3, 2020<October 3, 2020

Today’s Song: TOYGIRL Write a Love Song for Whoever Is in Your Heart on “Poison”

by Oliver Crook
Christinna O © Kenya Naomi
Columns, Music, Today's SongOctober 3, 2020<November 3, 2020

Today’s Song: Christinna O Weaves Cultural Traditions with Universal Sentiments in “Braided”

by Frankie Rose
Bright Eyes © Danny Cohen
Features, Interviews, MusicOctober 2, 2020<December 22, 2020

Forming Emotion Through Atmosphere: An Interview with Bright Eyes

by Frankie Rose
Features, Interviews, Music, Track-by-TrackOctober 2, 2020<November 15, 2020

Theatrical, Emotional, & Badass: Kelsy Karter Dives into Debut Album ‘Missing Person’

by Mitch Mosk
Personal History by Ailbhe Reddy
Debut, Features, Interviews, Music, Reviews, Track-by-TrackOctober 2, 2020<October 2, 2020

Feature: Ailbhe Reddy’s ‘Personal History’ Is a Breathtaking Plunge into Vulnerable Depths

by Mitch Mosk
COIN band music 2020
Interviews, MusicOctober 2, 2020<October 2, 2020

“Sincere Meets Aggressive”: COIN’s Chase Lawrence on the Band’s Intimate Upheaval, “You Are the Traffic”

by Mitch Mosk
Atwood Magazine's Weekly Roundup October 2 2020
Columns, Features, Music, Weekly RoundupOctober 2, 2020<October 13, 2020

Atwood Magazine’s Weekly Roundup: October 2, 2020

by Atwood Magazine Staff
Debut, Music, Reviews, This Just InOctober 2, 2020<October 2, 2020

This Just In: Belfast’s BEA Reimagines Heartbroken Memories in Debut Single “These Streets of Ours”

by Erica Danielle Garcia
Mi Condena - Vic Mirallas & MARO
Columns, Music, Today's SongOctober 2, 2020<October 2, 2020

Today’s Song: Vic Mirallas & MARO Ignite As a Power Duo in Summertime Single “Mi Condena”

by Coco Rich
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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