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Johnnyswim © 2020
Concerts, Music, ReviewsOctober 29, 2020<October 29, 2020

Johnnyswim’s “Live from the Backyard” Is the Best Live Show You Didn’t Know You Needed

by Kelly McCafferty Dorogy
Caroline Kingsbury © Lissyelle Laricchia
Interviews, Music, Premieres, PreviewsOctober 29, 2020<October 17, 2024

Interview: Caroline Kingsbury Presents an Album That Would Make Madonna Proud

by Dimitra Gurduiala
Paper Idol © 2020
Music, PremieresOctober 29, 2020<October 28, 2020

Premiere: Paper Idol’s “Clouds” Invites Us Into a Universe of Quirky, Carousing Dance-Pop

by Kelly Liu
All Too Well - Taylor Swift
Columns, Music, Nostalgia TracksOctober 29, 2020<October 28, 2020

Nostalgia Tracks: Reflections on Taylor Swift’s “All Too Well,” Then and Now

by Emily Frances Algar
Breaking The Record 2020
Breaking the Record, Columns, MusicOctober 29, 2020<October 28, 2020

Breaking the Record with Roan Yellowthorn, Part 38: Full Time Musician

by Atwood Magazine Staff
Erthlings © Cybele Malinowski
Music, PremieresOctober 29, 2020<October 29, 2020

Premiere: Erthlings Return with Catchy & Urgent Dream Pop Upheaval, “Irrational”

by Mitch Mosk
BANNERS © Meredith Truax
Features, Interviews, MusicOctober 28, 2020<October 28, 2020

Feature: BANNERS Enjoys Newfound Success with Viral Hit “Someone to You”

by Anthony Kozlowski
Vertigo EP - GRANT
Music, Reviews, Track-by-TrackOctober 28, 2020<November 2, 2020

Questioning, Urging, Hoping: GRANT Rises High in Effervescent ‘Vertigo’ EP

by Mitch Mosk
Junaco © Nicole Mason
Music, PremieresOctober 28, 2020<October 28, 2020

Premiere: The Seductive Serenity of Junaco’s Dreamy “In Between (Reprise)”

by Mitch Mosk
Elli Ingram © 2020
Features, Interviews, MusicOctober 28, 2020<October 28, 2020

Songs to Get You Through the “Heavy”: A Conversation with Elli Ingram

by Nicole Almeida
The Human Demands - Amy Macdonald
Features, Interviews, MusicOctober 28, 2020<October 28, 2020

Interview: Amy Macdonald Satisfies ‘The Human Demands’ with Fifth Studio Album

by Bethan Harper
Columns, Music, Today's SongOctober 28, 2020<October 28, 2020

Today’s Song: Hallan’s “Modern England” Describes a Sad But All Too Real World

by Dimitra Gurduiala
IV - The Elwins
Features, Music, Reviews, Track-by-TrackOctober 27, 2020<October 27, 2020

Guts, Guitars, & Love: The Elwins Dive Track-by-Track into Visceral Album ‘IV’

by Mitch Mosk
Over & Out, Marks - Jordan Mackampa
Columns, Music, This Just In, Today's SongOctober 27, 2020<October 27, 2020

Artist to Watch: Jordan Mackampa’s Soul-Stirring “Marks” & “Over & Out” Shine with Limitless Passion

by Mitch Mosk
Avenue Beat © Delaney Royer
Features, Interviews, MusicOctober 27, 2020<October 28, 2020

TikTok, The Music Industry, and Self-Producing: An Interview with Avenue Beat

by Frankie Rose
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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