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Cameron Hawthorn © 2020
Interviews, MusicSeptember 22, 2020<September 22, 2020

Interview: Cameron Hawthorn on New Video Inspiration, LGBTQ+ Activism, & More

by Chloe Robinson
Into It. Over It.
Interviews, MusicSeptember 22, 2020<September 22, 2020

Courtesy Greetings: A Conversation with Into It. Over It.

by James Crowley
Steven van Betten
Debut, Music, PremieresSeptember 22, 2020<September 22, 2020

Premiere: Stillness & Surrender in Steven van Betten’s “Flame In Your Eye” ft. Johanna Samuels & Ted Taforo

by Mitch Mosk
Columns, Music, Today's SongSeptember 22, 2020<September 21, 2020

Today’s Song: Ryal Searches for “Closure” in Breezy Electropop Jam

by Anthony Kozlowski
Maggie Miles 2020
Debut, Features, Music, Reviews, Track-by-TrackSeptember 21, 2020<September 21, 2020

Track-by-Track: Maggie Miles Perfects Alt-Pop Intimacy on Debut Album ‘Am I Drowning or Am I Just Learning to Swim’

by Mitch Mosk
Host - Cults
Features, Music, Reviews, Track-by-TrackSeptember 21, 2020<September 21, 2020

“Spooky, Goofy, & Sad”: Cults Dwell in Deep, Dazzling Depths on New Album ‘Host’

by Mitch Mosk
Interviews, MusicSeptember 21, 2020<September 20, 2020

Semisonic Reunite With A Message: You’re Not Alone

by Ben Beamish
Betty Who © Zak Cassar
Features, Interviews, MusicSeptember 21, 2020<November 15, 2020

Interview: Betty Who Once Again Proves That Love Is Love in ‘Unpregnant’ Feature Film Debut

by Anthony Kozlowski
Future Teens © 2020
Columns, Music, Today's SongSeptember 21, 2020<September 21, 2020

Today’s Song: Future Teens Break the Meme with Their “All Star” Cover

by James Crowley
Columns, Features, Music, Weekly RoundupSeptember 18, 2020<September 18, 2020

Atwood Magazine’s Weekly Roundup: September 18, 2020

by Atwood Magazine Staff
McCall © Haley Kreofsky 10
Features, Music, Reviews, Track-by-TrackSeptember 18, 2020<April 15, 2022

Artist to Watch: McCall’s ‘On Self Loathing’ EP Is a Stunning Tapestry of Vulnerable, Electrifying Music

by Mitch Mosk
The Tibbs © Sven Benjamins
Music, PremieresSeptember 18, 2020<September 18, 2020

Premiere: Amsterdam Blue-Eyed Soul Band The Tibbs Seduce with “Damaged Heart”

by Mitch Mosk
Fenne Lily © Nicole Loucaides
Features, Interviews, MusicSeptember 18, 2020<September 18, 2020

Questioning Loneliness & Transition: A Conversation with Fenne Lily

by Frankie Rose
Handsome Ghost © 2020
Features, Interviews, MusicSeptember 18, 2020<March 7, 2023

Handsome Ghost Dive into Stunning Depths on ‘Some Still Morning’, a Beautifully Haunting Reckoning

by Mitch Mosk
Lido © Michael Drummond
Features, Interviews, MusicSeptember 18, 2020<September 18, 2020

Interview with Lido: Looping Past Loves Through Conceptual Ideas

by Lexi Lane
Posts pagination
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Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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