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Atwood Magazine Editor's Picks 37
Columns, Editor's Picks, MusicJuly 28, 2020<July 28, 2020

Editor’s Picks 37: Ric Wilson, Loviet, Zaia, Aquilo, Erez Zobary & theMIND

by Mitch Mosk
KIRBY © Lauren Camp
Features, Interviews, MusicJuly 28, 2020<July 28, 2020

Feature: KIRBY Makes Soul Music to Heal Herself

by Guest Writer
Features, Music, Reviews, RoundtableJuly 28, 2020<June 29, 2024

Roundtable Discussion: A Review of Taylor Swift’s ‘folklore’

by Atwood Magazine Staff
Violence in a Quiet Mind - Haux
Features, Music, Reviews, Track-by-TrackJuly 28, 2020<July 28, 2020

Fracture & Fragility: Inside Haux’s Breathtaking Debut Album ‘Violence in a Quiet Mind’

by Mitch Mosk
Dad Bod © 2020
Debut, Music, ReviewsJuly 28, 2020<July 28, 2020

Feature: Dad Bod’s ‘Precursor’ EP Is a Raw, Intimate, & Exciting Prelude

by Mitch Mosk
Columns, Debut, Music, Today's SongJuly 28, 2020<July 28, 2020

Today’s Song: Untold Poet Makes a Strong First Impression on Debut Single “Start to Speak”

by Josh Weiner
Empty Spaces - Eliot Bronson
Features, Music, Reviews, Track-by-TrackJuly 27, 2020<July 27, 2020

Album Review: Inside the Forlorn Human Depths of Eliot Bronson’s ‘Empty Spaces’

by Mitch Mosk
Tommy Ashby © Fraser Taylor
Features, Music, Reviews, Track-by-TrackJuly 27, 2020<July 27, 2020

Review: The Tender Indie Folk Beauty of Tommy Ashby’s ‘Everywhere Is Home’ EP

by Mitch Mosk
Debut, Features, Interviews, MusicJuly 27, 2020<July 27, 2020

Feature: Silverbacks’ Debut Fad Walks the High-Wire of Modern Life Without a Single Misstep

by Oliver Crook
The Mommyheads © Juliet Rose
Music, Music Videos, PremieresJuly 27, 2020<July 27, 2020

Premiere: The Mommyheads’ Aching Open Letter “Out From Under The Glass”

by Mitch Mosk
The Sophomore Series 4
Music, Sophomore SeriesJuly 27, 2020<October 27, 2020

The Sophomore Series: Jamila Woods’ ‘Legacy! Legacy!’ & The Avalanches’ ‘Wildflower’

by Leo Culp
Dinner Party album
Columns, Debut, Music, Today's SongJuly 27, 2020<July 25, 2020

Today’s Song: Dinner Party’s “Freeze Tag” Is a Multi-Faceted Debut Offering

by Nick Matthopoulos
Skullcrusher © Silken Weinberg
Debut, Features, Interviews, MusicJuly 24, 2020<July 29, 2020

Duality, Horror, and Creative Solitude: An Interview with Skullcrusher

by Frankie Rose
Leah Capelle © Mackenzie Breeden
Debut, Music, Music Videos, PremieresJuly 24, 2020<July 24, 2020

Premiere: Leah Capelle Concludes Her ‘triptych’ Storyline with Pensive, Evocative “friends” Video

by Mitch Mosk
Cub Sport © James Caswell
Features, Interviews, MusicJuly 24, 2020<August 23, 2020

Interview with Cub Sport: Ascending from Trauma to Achieve ‘LIKE NIRVANA’

by Harper Beattie
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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