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Well Kept © Jackson Smith
Music, PremieresOctober 27, 2020<November 4, 2021

Premiere: Well Kept’s Tranquil “Settling” Is a Heavy Meditation on Moving On

by Mitch Mosk
The Sophomore Series 7
Music, Sophomore SeriesOctober 27, 2020<October 27, 2020

The Sophomore Series: Adele’s ‘21’ and Frank Ocean’s ‘Blonde’

by Leo Culp
The Phoenix Foundation © Ebony Lamb Photographer
Features, Music, Reviews, Track-by-TrackOctober 26, 2020<October 26, 2020

Track by Track: The Phoenix Foundation’s ‘Friend Ship’ Explores Connection on Many Levels

by Mitch Mosk
Sanguine - Sister Luna
Debut, Music, Reviews, Track-by-TrackOctober 26, 2020<October 26, 2020

Track-by-Track: Youngstown’s Sister Luna Lay a Seductive Groundwork with Debut EP ‘Sanguine’

by Mitch Mosk
Jackson C. Frank album art a
Features, Music, ReviewsOctober 26, 2020<October 26, 2020

Feature: Deciphering the Ghost of Jackson C. Frank

by Diego Morales
MusicOctober 26, 2020<October 26, 2020

Interview: Takuya Kuroda is Conquering the World’s Biggest Cities by Way of the Trumpet

by Josh Weiner
Alostmen © 2020
Columns, Music, Today's SongOctober 26, 2020<October 26, 2020

Today’s Song: Alostmen Reimagine Traditional Ghanian Music on Party Anthem “Kologo”

by Oliver Crook
Atwood Magazine's Weekly Roundup October 23 2020
MusicOctober 23, 2020<November 15, 2020

Atwood Magazine’s Weekly Roundup: October 23, 2020

by Atwood Magazine Staff
Loma © Bryan C. Parker
Features, Interviews, MusicOctober 23, 2020<October 23, 2020

Interview: Loma’s ‘Don’t Shy Away’ and “The Pleasure of Sound”

by Ben Niesen
Passive Aggressive - Charlotte Cardin
Columns, Music, Today's SongOctober 23, 2020<October 23, 2020

Today’s Song: Charlotte Cardin Keeps Things Sensual & Self-Assured with “Passive Aggressive”

by Frankie Rose
Jealous Of The Birds © Jasmin Bell
Features, Music, Reviews, Track-by-TrackOctober 23, 2020<November 15, 2020

“You Are Here”: Jealous of the Birds Soars with Fresh Depth, Energy, & Passion in ‘Peninsula’

by Mitch Mosk
Interviews, MusicOctober 23, 2020<October 23, 2020

“Loud, Brutal, Extreme, Unapologetic, Sexy, and with a Short Span of Attention”: An Interview with Olivia Anna Livki

by Josh Weiner
Angie McMahon © Chelsea Sienna
Interviews, MusicOctober 22, 2020<October 22, 2020

Interview: Angie McMahon Dives into Her “Melancholy, Introverted, & Imperfect” New EP, ‘Piano Salt’

by Mitch Mosk
The Shape - Spirit of the Bear
Music, Music Videos, PremieresOctober 22, 2020<October 22, 2020

Artist to Watch: Spirit of the Bear Take Off with Dark Charm & Cinematic Finesse in “The Shape”

by Mitch Mosk
(L-R): Maize and Wendy Wang
Music, PremieresOctober 22, 2020<October 22, 2020

The Ethereal Ache of Maize & Wendy Wang’s “Cracks in the Ceiling” (Road Angel Project: Volume 3)

by Mitch Mosk
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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