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Breaking The Record 2020
Breaking the Record, Columns, MusicSeptember 24, 2020<September 23, 2020

Breaking the Record with Roan Yellowthorn, Part 33: How It Feels

by Guest Writer
Columns, Music, Today's SongSeptember 24, 2020<September 23, 2020

Today’s Song: TENDER Leave Their Hearts on the Line in “Own Up”

by Maggie McHale
Movement EP - CIEL
Debut, Music, ReviewsSeptember 24, 2020<September 23, 2020

Review: Brighton’s CIEL Consider Interpersonal Connections on Debut EP ‘Movement’

by Robin Fulton
Twin Heavy - Willie J Healey
Music, ReviewsSeptember 23, 2020<September 23, 2020

Review: Willie J Healey’s ‘Twin Heavy’ Is an Invitation to an Emotional Rollercoaster

by Nina Schaarschmidt
Features, Interviews, MusicSeptember 23, 2020<March 2, 2025

Where We All Go to Dance: Community, Connection, & Music with Saxophonist Jess Gillam

by Emily Frances Algar
Side Street - Joe Kollar 8
Debut, Features, Music, Our Take, Reviews, Track-by-TrackSeptember 23, 2020<December 15, 2020

Feature: Joe Kollar’s Stirring Space Folk Soars on Debut Album ‘Side Street’

by Mitch Mosk
Music, Music Videos, PremieresSeptember 23, 2020<September 23, 2020

Premiere: Jamie-Lee Dimes Finds Inner Peace in Saying “Goodbye”

by Adrian Vargas
Interviews, MusicSeptember 23, 2020<September 22, 2020

Interview: SC.Undercover Spins Excellent Dark Pop Out of His Troubled Past

by Josh Weiner
Bastille © Sarah Louise Bennett
Music, Reviews, This Just InSeptember 23, 2020<September 23, 2020

Stop Pretending Everything’s Fine: Bastille’s “survivin'” Is a Vulnerable & Uplifting Pop Reinvention

by Nina Schaarschmidt
indigoworld
Debut, Music, PremieresSeptember 23, 2020<September 22, 2020

EP Premiere: indigoworld Burst into Existence with Compelling Debut EP ‘FOLD’

by Mitch Mosk
Left at London © West Smith
Columns, Music, Today's SongSeptember 23, 2020<September 23, 2020

Today’s Song: Left at London’s “Safety First” Is More Vulnerable Than We Deserve

by Jesse Herb
Debut, Music, Reviews, Track-by-TrackSeptember 22, 2020<September 22, 2020

Track-by-Track: NYC’s R O N I Captivates with Sleek & Seductive ‘Crown’ EP

by Mitch Mosk
Nostalgix © @beedee_
Interviews, Music, ReviewsSeptember 22, 2020<September 28, 2020

Interview: Nostalgix Is Making Electronica That Can Brighten Spirits Across the Globe

by Josh Weiner
TyDi
MusicSeptember 22, 2020<September 22, 2020

Reaching for Silver Linings: A Conversation with Tydi

by Guest Writer
Angels Devils Eli Moon
Music, Reviews, Track-by-TrackSeptember 22, 2020<September 22, 2020

Track-by-Track: Eli Moon Explores Morality, Hedonism, and Control on EP ‘Angels, Devils and Empty Vessels’

by Bethan Harper
Posts pagination
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Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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