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Atwood Magazine Editor's Picks 42
Columns, Editor's Picks, Features, MusicOctober 30, 2020<January 14, 2021

Editor’s Picks: The Staves, Antony Jeffares, TOBi, Sarah Proctor, Beau, & Lanterns on the Lake

by Mitch Mosk
Atwood Magazine's Weekly Roundup October 30 2020
Columns, Features, Music, Weekly RoundupOctober 30, 2020<November 15, 2020

Atwood Magazine’s Weekly Roundup: October 30, 2020

by Atwood Magazine Staff
"It Doesn't Have To Be This Way" – Wallace Tallman © Keegan Snyder
Debut, Features, Music, Reviews, Track-by-TrackOctober 30, 2020<October 30, 2020

American Human Nature: Wallace Tallman’s Timely & Timeless EP Captures a Fractured Nation in Need of Healing

by Mitch Mosk
Miloe © Emma Quale
Music, Reviews, Track-by-TrackOctober 30, 2020<October 30, 2020

Track-by-Track: Miloe’s ‘Greenhouse’ EP Dwells in a Sweet Summer Bliss

by Mitch Mosk
Debut, Interviews, MusicOctober 30, 2020<October 30, 2020

Interview: Couch Prints’ Debut EP ‘Tell U’ Is an Exploration of the Universality of Human Experience

by Kelly Liu
Field Medic © 2020
Features, Interviews, MusicOctober 30, 2020<October 30, 2020

Interview: Field Medic Refuses To Look Back in ‘Floral Prince’

by Ethan Shanfeld
Stuyedeyed © 2020
Music, Music Videos, PremieresOctober 30, 2020<November 1, 2020

Premiere: Stuyedeyed Make No Bones About Their Feelings with “Welcome to New York”

by Nick Matthopoulos
Mt. Joy © Julia Abner
Columns, Music, Today's SongOctober 30, 2020<October 30, 2020

Today’s Song: Mt. Joy Give Us Something Real on “New President”

by Audrey Steeves
The Resistance Revival Chorus © Kisha Bari
Debut, Features, Interviews, MusicOctober 29, 2020<October 29, 2020

Interview: Resistance Revival Chorus Releases the Soundtrack of Our Struggle on ‘This Joy’

by Oliver Crook
Public Enemy © 2020 8
Music, Our Take, ReviewsOctober 29, 2020<December 15, 2020

Our Take: ‘What You Gonna Do When The Grid Goes Down?’ Is a Late-Career Triumph for Public Enemy

by Josh Weiner
Nana Adjoa © Latoya van der Meeren
Debut, Features, Music, Reviews, Track-by-TrackOctober 29, 2020<October 29, 2020

Identity, Reflection, & Depth: Nana Adjoa Dives into Debut Album ‘Big Dreaming Ants’

by Mitch Mosk
Interviews, MusicOctober 29, 2020<October 28, 2020

Interview: A Wanderlust Spirit is Goth Babe’s Catalyst for Creation

by Kelsey Fitzgerald
VÉRITÉ © 2020
Music, Premieres, VideoOctober 29, 2020<October 29, 2020

Exclusive: VÉRITÉ Navigates a New World with Short Documentary ‘Live from Six Feet’

by Coco Rich
As We Leave © Tom Flower
Music, PremieresOctober 29, 2020<October 29, 2020

Premiere: As We Leave Inject Summer Vibes with Cold Truths on “Hope That Kills”

by Ethan James
LUCA WILDING © John Ogunmuyiwa
Columns, Music, Today's SongOctober 29, 2020<October 29, 2020

Today’s Song: Luca Wilding’s “Ruby, Don’t Cry” Offers Delicate Musings of Life’s Strangers

by Adrian Vargas
Posts pagination
1 … 381 382 383 384 385 … 737

Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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