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Columns, Music, This Just In, Today's SongAugust 20, 2020<September 4, 2020

This Just In: Palmas Welcome the Novelty of the Unknown in “Holy Ground”

by Maggie McHale
Breaking The Record 2020
Breaking the Record, Columns, MusicAugust 20, 2020<August 19, 2020

Breaking the Record with Roan Yellowthorn, Part 28: Alanis Morissette

by Guest Writer
Jacob Collier © Dyan Jong
Music, ReviewsAugust 20, 2020<August 19, 2020

Review: Jacob Collier’s Explosive New Universe, ‘Djesse Vol. 3’

by Mariel Fechik
Bleach Lab © Isy Townsend
Columns, Debut, Music, Reviews, Today's SongAugust 20, 2020<August 20, 2020

Artist to Watch: Bleach Lab’s Third Single “Sleep” is a Hypnotic, Raw & Visceral Dream

by Mitch Mosk
Allman Brown © Flore Diamant
Interviews, Music, Reviews, Track-by-TrackAugust 19, 2020<August 19, 2020

Review: Allman Brown’s Intimate ‘Reflections’ EP Dives Deep into the Self

by Mitch Mosk
Stephen © Undine Markus
Features, Interviews, MusicAugust 19, 2020<August 19, 2020

Interview with Stephen: Discovery, Destruction, and the Blurred Line Between Them

by Guest Writer
TAXI 404
Columns, Debut, Music, Today's SongAugust 19, 2020<August 19, 2020

Today’s Song: The Poetry within the Dreaminess & Simplicity of Taxi 404’s “2047”

by Frankie Rose
Will Hyde © 2020
Music, PremieresAugust 19, 2020<August 19, 2020

Premiere: Melbourne’s will hyde Soars in Euphoric Post-Breakup Anthem “over u.”

by Mitch Mosk
Icona Pop © 2020
Interviews, MusicAugust 19, 2020<August 19, 2020

Interview: Icona Pop on New Track “Feels in My Body” & How Lockdown Gave Them Time to Get Groovy

by Bethan Harper
Julietta © Brett Kincaid
Music, PremieresAugust 18, 2020<August 18, 2020

Premiere: Julietta Turns Resilience into Inspiration on Latest Single “Gotta Get Up”

by Erica Danielle Garcia
Chinwe © 2020
Music, PremieresAugust 18, 2020<March 15, 2024

Premiere: Chinwe’s “Intoxicated” Is a Seductive, Hypnotic & Dreamy Indulgence

by Mitch Mosk
The Hails © Kat DeBarros
Music, PremieresAugust 18, 2020<August 18, 2020

Premiere: A Hopeful Pulse in The Hails’ Aching New Single “Heartbeat”

by Mitch Mosk
Madelline © Betsy May Smith
Music, Music Videos, PremieresAugust 18, 2020<August 18, 2020

Premiere: Madelline Stands Up for Herself in “On a Different Wave!”, a Wake Up Call to Those Who Dragged Her Down

by Alicia Bugallo
Racism on Trial © Jammcard
Concerts, Music, ReviewsAugust 18, 2020<August 18, 2020

Review: Terrace Martin, Denzel Curry, & Kamasi Washington’s Protest Masterpiece ‘Racism on Trial’

by Mariel Fechik
Big Words © Wilhelm Philipp
Interviews, MusicAugust 17, 2020<August 17, 2020

Interview with Big Words: New Mixtape Is the “Cherry” on Top of Impressive Start for Australian Alt-R&B Duo

by Josh Weiner
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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