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Breaking The Record 2020
Breaking the Record, Columns, MusicJuly 9, 2020<July 9, 2020

Breaking the Record with Roan Yellowthorn, Part 22: Transparency

by Guest Writer
Gangstagrass © Melodie Yvonne
Music, PremieresJuly 9, 2020<July 7, 2020

Premiere: Gangstagrass Elicit Old-School Blues Narratives with Liberating Undertones on “Ain’t No Crime”

by Ryan Feyre
PELA © 2020
Columns, Debut, Music, Today's SongJuly 9, 2020<July 6, 2020

Today’s Song: London’s PELA Bring Familiar Comfort on Debut Single “You Got Me”

by Luke Pettican
Brian Dunne
Music, Music Videos, PremieresJuly 9, 2020<July 8, 2020

The Ache of Isolation: Brian Dunne’s Haunting “Nitehawk” ft. Lily & Madeleine

by Mitch Mosk
Fucked Me Up - Clarence James
Debut, Music, ReviewsJuly 9, 2020<July 9, 2020

Review: Clarence James’ Debut ‘Fucked Me Up’ Is DIY Heartbreak at Its Finest

by Mitch Mosk
Jolé
Music, PremieresJuly 9, 2020<July 8, 2020

Premiere: Jolé’s Tranquil “Alpine Green” Evokes the Beauty & Weight of Memory

by Mitch Mosk
Music, ReviewsJuly 8, 2020<July 8, 2020

Review: ‘Nightwhisper’ Is a Solo Comeback to Admire for Veteran Electronica Star Jody Wisternoff

by Josh Weiner
ALITA © Austin Hodaie
Music, Music Videos, PremieresJuly 8, 2020<July 8, 2020

Premiere: Seattle’s ALITA Exudes Intimacy, Femininity, and Sensuality in Liberating “Bodies”

by Ben Beamish
Hazlett © Emil Daniel
Debut, Features, Music, ReviewsJuly 8, 2020<July 8, 2020

Track-by-Track: Hazlett Injects Life’s Depths into Stirring, Intimate ‘Thundering Hopes’ EP

by Mitch Mosk
Women in Music Pt. III - HAIM 8.5
Music, Our Take, ReviewsJuly 8, 2020<December 15, 2020

Our Take: HAIM Find Solace in LA & Each Other on ‘Women in Music Pt. III’

by Guest Writer
The Savants of Soul
Music, PremieresJuly 8, 2020<July 7, 2020

Premiere: The Savants of Soul Dwell in a Hearty Blues on “More Than One to Choose From”

by Mitch Mosk
Tell Me That You Love Me - VEAUX
Music, PremieresJuly 8, 2020<July 8, 2020

Premiere: VEAUX Explore Love, Belonging, & Black Identity in “Tell Me That You Love Me”

by Mitch Mosk
Madame So © 2020
Columns, Music, Today's SongJuly 8, 2020<July 8, 2020

Today’s Song: Madame So Takes the Generational Torch on “Generation Y”

by Oliver Crook
New York Nights - Jamie Scott
Music, PremieresJuly 8, 2020<July 8, 2020

Premiere: Jamie Scott’s Stunning “New York Nights” Is a Carefree Soundtrack to Love & Life

by Mitch Mosk
Pia Mia © Solmaz Sabriel
Features, Interviews, MusicJuly 7, 2020<July 7, 2020

Interview: Pia Mia Talks “Princess” and Perfecting Her Passions

by Lexi Lane
Posts pagination
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Brand New

  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told
  • The Sound of Stillness: Samara Joy in Palo Alto
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026

:: discover something new ::

Recent Posts

  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
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