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Chromatica - Lady Gaga
Features, Music, Reviews, RoundtableJuly 7, 2020<June 29, 2024

Roundtable Discussion: A Review of Lady Gaga’s ‘Chromatica’

by Atwood Magazine Staff
LSD Heartbreak - SuperKnova
Columns, Music, Today's SongJuly 7, 2020<July 6, 2020

Today’s Song: SuperKnova Blends Sorrow and Catchiness on “LSD Heartbreak”

by Nick Matthopoulos
Maisie Peters © 2020
Features, Interviews, MusicJuly 7, 2020<July 6, 2020

Interview with Maisie Peters: Sensational Songwriting, Book Clubs, Live Shows, & Lockdown

by Luke Pettican
Zaia © Cristian Diaz 10
Features, Interviews, Music, Our TakeJuly 6, 2020<December 15, 2020

Feature: Zaia Dwells in Intimate Depths on Extraordinary ‘VERY ALONE’ EP

by Mitch Mosk
Les Hay Babies © Étienne Barry
Music, ReviewsJuly 6, 2020<September 24, 2022

Review: The Fictional ’60s Nostalgia of Les Hay Babies’ ‘Boîte aux Lettres’

by Frankie Rose
Kathleen © Chimera Rene
Columns, Music, Today's SongJuly 6, 2020<July 7, 2020

Today’s Song: Kathleen Hopes Anew with “Asking the Aspens”

by Kelly McCafferty Dorogy
Alex Lleo © Ally Rincón
Music, PremieresJuly 6, 2020<July 6, 2020

Artist to Watch: Alex Lleo Rises with Radiant & Soulful Groove “4:05”

by Mitch Mosk
Interviews, MusicJuly 3, 2020<July 3, 2020

Meet Zanski: A Talented Young EDM Producer Unafraid of Tackling Tough Topics

by Josh Weiner
As It Grows Dark / Light - AJIMAL 9.3
Features, Music, Our Take, Reviews, Track-by-TrackJuly 3, 2020<December 15, 2020

Feature: AJIMAL & Guy Massey Breathe Life into Breathtaking Album ‘As It Grows Dark / Light’

by Mitch Mosk
Columns, Music, Today's SongJuly 3, 2020<July 3, 2020

Today’s Song: IDLES Provide a Sonic Punch to the Face with “GROUNDS”

by Adrian Vargas
Austin Max
Debut, Music, PremieresJuly 3, 2020<July 3, 2020

Premiere: Austin Max Debuts with a Tender Heartache in “As Leaders Fail to Lead”

by Mitch Mosk
Oh Boy EP - Maya Delilah
Debut, Music, Reviews, Track-by-TrackJuly 3, 2020<July 3, 2020

Feature: London’s Maya Delilah Debuts with Sweet n’ Soulful EP ‘Oh Boy’

by Mitch Mosk
Cian Ducrot © 2020
Interviews, MusicJuly 3, 2020<July 3, 2020

Interview: London’s Cian Ducrot on Storytelling & His Unconventional Musical Journey

by Luke Pettican
Garrett Owen © Melissa Laree Cunningham
Music, PremieresJuly 2, 2020<December 14, 2020

Premiere: Garrett Owen’s Spirited “These Modern Times” Breathes with Stormy & Seductive Folk

by Mitch Mosk
Features, Interviews, MusicJuly 2, 2020<June 20, 2024

“In Moments of Disruption, Art Will Always Thrive”: A Conversation with Lewis Watson

by Harper Beattie
Posts pagination
1 … 416 417 418 419 420 … 737

Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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