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Atwood Magazine Weekly Roundup 04102020
Columns, Features, Music, Weekly RoundupApril 10, 2020<May 15, 2020

Atwood Magazine’s Weekly Roundup: April 10, 2020

by Atwood Magazine Staff
Music, Music Videos, PremieresApril 10, 2020<April 10, 2020

Artist-to-Watch: Forever Honey’s Dreamy “Twenty-Five” Is a Dazzling Quarter-Life Crisis

by Mitch Mosk
Future Past Life - STRFKR 8.8
Music, Our Take, ReviewsApril 10, 2020<December 15, 2020

Our Take: STRFKR’s ‘Future Past Life’ Offers Refreshing Take on Electro-Centricity

by Harper Beattie
Columns, Music, Reviews, Today's SongApril 10, 2020<April 10, 2020

Today’s Song: Camille Delean Balances Midsummer Blues & Anxiety on “Fault Line (Late July)”

by Adrian Vargas
7.9
Music, Our Take, ReviewsApril 10, 2020<August 16, 2021

Our Take: Niall Horan Brings Light to a Quiet World with Sophomore Album ‘Heartbreak Weather’

by Erica Danielle Garcia
After the End - Nicotine Dolls
Editorials, MusicApril 10, 2020<April 10, 2020

Essay: Nicotine Dolls on New Song “After the End,” Social Distancing, and Connection During COVID-19

by Guest Writer
In A Rocket with Lissie - Beoga
Music, Reviews, This Just InApril 9, 2020<April 9, 2020

Review: Beoga & Lissie Erupt “In a Rocket” with Catchy, Feel-Good Passion

by Mitch Mosk
Features, Interviews, MusicApril 9, 2020<October 26, 2023

Growth in a Time of Stress: A Conversation with The Districts

by Matthew Dunn
Columns, Music, Today's SongApril 9, 2020<April 9, 2020

Today’s Song: McCall Exhilarates with Fire, Pop, and Personal Antagonism in “Disaster”

by Baylee Less
3.15.20 - Childish Gambino
Features, Music, Reviews, RoundtableApril 9, 2020<June 29, 2024

Roundtable Discussion: A Review of ‘3.15.20’, Childish Gambino’s Memorable (Supposedly) Final Act

by Atwood Magazine Staff
Weatherday
Columns, Debut, Music, Music You Should Know, ReviewsApril 9, 2020<April 6, 2020

Music You Should Know: The Unpredictable but Intriguing Sounds of Weatherday’s ‘Come In’

by Nick Matthopoulos
half light
Debut, Music, PremieresApril 9, 2020<April 9, 2020

Premiere: Half Light Go Track-by-Track Through the Shades of ‘Good Latimer’

by Coco Rich
Chloe Moriondo © Kris Herrmann
Features, Interviews, MusicApril 9, 2020<April 9, 2020

Anxiety, Innocence, and Vulnerability: An Interview with Chloe Moriondo

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicApril 9, 2020<April 8, 2020

Breaking the Record with Roan Yellowthorn, Part 10: Building the Community

by Guest Writer
frogi © Tyreke Monterio
Music, PremieresApril 8, 2020<April 8, 2020

Premiere: frogi’s Intimate “til I turn blue” Is a Breathtaking Bedroom Pop Love Song

by Mitch Mosk
Posts pagination
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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