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The Head and the Heart © Alex Currie
Features, Interviews, MusicJuly 2, 2020<August 23, 2020

Interview with The Head and The Heart: Self-Discovery, Renewal, and the Magic of ‘Living Mirage’

by Mitch Mosk
JRM © Rene Sascha Johannsen
Debut, Music, PremieresJuly 2, 2020<July 2, 2020

Premiere: JRM’s Stunning Debut Single Captures Life As a Black Man in “America”

by Mitch Mosk
Charlotte Clark © Marcus Rexford
Debut, Interviews, Music, PremieresJuly 2, 2020<July 2, 2020

Artist to Watch: UK’s Charlotte Clark Astonishes with Debut Single “Disarray”

by Luke Pettican
Breaking The Record 2020
Breaking the Record, Columns, MusicJuly 2, 2020<July 1, 2020

Breaking the Record with Roan Yellowthorn, Part 21: Finding Balance

by Guest Writer
Meadow Meadow © 2020
Debut, Music, ReviewsJuly 2, 2020<July 1, 2020

Review: Meadow Meadow’s “Bonzo” & “Fireworks” Make for a Spellbinding Introduction

by Mitch Mosk
JC Stewart © 2020
Columns, Music, Today's SongJuly 2, 2020<July 1, 2020

Today’s Song: JC Stewart Energetically Returns with “I Need You to Hate Me”

by Luke Pettican
Leah Capelle © Mackenzie Breeden
Debut, Essays, MusicJuly 1, 2020<July 1, 2020

Editorial: Leah Capelle’s Debut ‘triptych’ & the Sacrilege of Dismissing Full Length Albums

by Guest Writer
BLOXX © Bree Hart
Columns, Music, Today's SongJuly 1, 2020<January 4, 2023

Today’s Song: BLOXX’s “Lie Out Loud” Raises Spirits Through Infectious Rock Energy

by Lexi Lane
Buddie © Ashley Cordoba
Music, PremieresJuly 1, 2020<July 1, 2020

Premiere: Buddie’s Spirited “In Aquamarine” Offers a Fierce, Dynamic Helping Hand

by Mitch Mosk
Gracie and Rachel © Tonje Thilesen
Music, Music Videos, PremieresJuly 1, 2020<July 1, 2020

Premiere: Gracie and Rachel Expand & Evolve Through Compelling “Ideas”

by Mitch Mosk
OXBOW © Meows Imaginarium
Columns, Music, Music You Should KnowJuly 1, 2020<June 30, 2020

Music You Should Know: Oxbow’s ‘Thin Black Duke’

by Nick Matthopoulos
Denison Witmer © 2020 9.4
Features, Interviews, Music, ReviewsJune 30, 2020<February 7, 2024

Feature: Denison Witmer’s Breathtaking ‘American Foursquare’ Is a Soundtrack to Life Lived

by Mitch Mosk
Mini Trees © Shab Ferdowsi
Music, Reviews, Track-by-TrackJune 30, 2020<June 30, 2020

Track-by-Track: Mini Trees Dives into Her Intimate, Sun-Kissed Sophomore EP ‘Slip Away’

by Mitch Mosk
Columns, Music, Today's SongJune 30, 2020<June 30, 2020

Today’s Song: Delicate Ruminations on Harsh Realities with rum.gold’s “Fix Me”

by Adrian Vargas
Run the Jewels © Timothy Saccenti
Features, Music, Reviews, RoundtableJune 30, 2020<June 29, 2024

Roundtable Discussion: A Review of Run the Jewels’ ‘RTJ4’

by Atwood Magazine Staff
Posts pagination
1 … 417 418 419 420 421 … 737

Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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