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Breaking The Record 2020
Breaking the Record, Columns, MusicJuly 9, 2020<July 9, 2020

Breaking the Record with Roan Yellowthorn, Part 22: Transparency

by Guest Writer
Gangstagrass © Melodie Yvonne
Music, PremieresJuly 9, 2020<July 7, 2020

Premiere: Gangstagrass Elicit Old-School Blues Narratives with Liberating Undertones on “Ain’t No Crime”

by Ryan Feyre
PELA © 2020
Columns, Debut, Music, Today's SongJuly 9, 2020<July 6, 2020

Today’s Song: London’s PELA Bring Familiar Comfort on Debut Single “You Got Me”

by Luke Pettican
Brian Dunne
Music, Music Videos, PremieresJuly 9, 2020<July 8, 2020

The Ache of Isolation: Brian Dunne’s Haunting “Nitehawk” ft. Lily & Madeleine

by Mitch Mosk
Fucked Me Up - Clarence James
Debut, Music, ReviewsJuly 9, 2020<July 9, 2020

Review: Clarence James’ Debut ‘Fucked Me Up’ Is DIY Heartbreak at Its Finest

by Mitch Mosk
Jolé
Music, PremieresJuly 9, 2020<July 8, 2020

Premiere: Jolé’s Tranquil “Alpine Green” Evokes the Beauty & Weight of Memory

by Mitch Mosk
Music, ReviewsJuly 8, 2020<July 8, 2020

Review: ‘Nightwhisper’ Is a Solo Comeback to Admire for Veteran Electronica Star Jody Wisternoff

by Josh Weiner
ALITA © Austin Hodaie
Music, Music Videos, PremieresJuly 8, 2020<July 8, 2020

Premiere: Seattle’s ALITA Exudes Intimacy, Femininity, and Sensuality in Liberating “Bodies”

by Ben Beamish
Hazlett © Emil Daniel
Debut, Features, Music, ReviewsJuly 8, 2020<July 8, 2020

Track-by-Track: Hazlett Injects Life’s Depths into Stirring, Intimate ‘Thundering Hopes’ EP

by Mitch Mosk
Women in Music Pt. III - HAIM 8.5
Music, Our Take, ReviewsJuly 8, 2020<December 15, 2020

Our Take: HAIM Find Solace in LA & Each Other on ‘Women in Music Pt. III’

by Guest Writer
The Savants of Soul
Music, PremieresJuly 8, 2020<July 7, 2020

Premiere: The Savants of Soul Dwell in a Hearty Blues on “More Than One to Choose From”

by Mitch Mosk
Tell Me That You Love Me - VEAUX
Music, PremieresJuly 8, 2020<July 8, 2020

Premiere: VEAUX Explore Love, Belonging, & Black Identity in “Tell Me That You Love Me”

by Mitch Mosk
Madame So © 2020
Columns, Music, Today's SongJuly 8, 2020<July 8, 2020

Today’s Song: Madame So Takes the Generational Torch on “Generation Y”

by Oliver Crook
New York Nights - Jamie Scott
Music, PremieresJuly 8, 2020<July 8, 2020

Premiere: Jamie Scott’s Stunning “New York Nights” Is a Carefree Soundtrack to Love & Life

by Mitch Mosk
Pia Mia © Solmaz Sabriel
Features, Interviews, MusicJuly 7, 2020<July 7, 2020

Interview: Pia Mia Talks “Princess” and Perfecting Her Passions

by Lexi Lane
Posts pagination
1 … 415 416 417 418 419 … 737

Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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