Debut, Features, Interviews, MusicJune 1, 2020<September 12, 2020 Interview with Christian Lee Hutson: From Collaborator to Solo Storyteller by Frankie Rose
Features, Interviews, MusicJune 1, 2020<May 30, 2020 Interview with Post Rome: An Emerging English Rock Band Patiently Awaits the Chance to Proceed by Josh Weiner
Columns, Music, Today's SongJune 1, 2020<June 1, 2020 Today’s Song: Kylie Odetta Finds Inner Strength with “Cry Out” by Kelly McCafferty Dorogy
Columns, Interviews, Music, Today's SongMay 30, 2020<February 29, 2024 Interview: “Love Thing” Marks a Fiery First Collaboration for Pisano & Jessame by Josh Weiner
Features, Music, Weekly RoundupMay 29, 2020<May 29, 2020 Atwood Magazine’s Weekly Roundup: May 29, 2020 by Atwood Magazine Staff
Music, Reviews, Track-by-TrackMay 29, 2020<May 29, 2020 Edward and Jane Bid a Beautiful Farewell in Haunting Third EP ‘With You, Always’ by Mitch Mosk
Debut, Music, PremieresMay 29, 2020<May 29, 2020 Premiere: Norii’s Debut “So It Goes” Powerfully Turns the Tables on a Relationship by Lexi Lane
Debut, Interviews, MusicMay 29, 2020<March 2, 2023 Interview: Shawn Wasabi’s Vastly Vibrant World on Debut Album ‘MANGOTALE’ by Alex Killian
Features, Interviews, MusicMay 29, 2020<May 29, 2020 ‘Future Teenage Cave Artists’: An Interview with Deerhoof on the Merits of Fairytales in Post-Apocalyptica by Ben Niesen
Music, Reviews, Track-by-TrackMay 29, 2020<May 29, 2020 Track-by-Track: The Memories’ ‘Pickles & Pies’ Is a Delicious Indulgence by Mitch Mosk
10 Debut, Features, Music, Our Take, Reviews, Track-by-TrackMay 29, 2020<May 23, 2023 Our Take: The Shadowboxers’ Debut Album Is a Majestic Musical Masterpiece by Mitch Mosk
Columns, Music, Today's SongMay 29, 2020<May 29, 2020 Today’s Song: On Their New Single “Ravenous Girl,” Arre! Arre! Sneer at Mainstream Beauty Standards by Danny Vagnoni
Music, Reviews, This Just InMay 29, 2020<May 29, 2020 This Just In: Hoger Navigates Enigmatic Emotions on “Show Me How to Love” by Luke Pettican
Features, Interviews, MusicMay 29, 2020<August 23, 2020 Feature: Soda Blonde’s Breathtaking ‘isolation • content’ EP Captures Life in Lockdown by Mitch Mosk
Debut, Music, ReviewsMay 29, 2020<May 29, 2020 Review: The Howl & The Hum’s ‘Human Contact’ Is a Spellbinding Debut by Bethan Harper
For the Love of Music
For the Love of Music
