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Music, Reviews, This Just InMay 22, 2020<May 22, 2020

This Just In: DBMK Celebrate Singularity in “Haunted House”

by Maggie McHale
Roos Jonker & Dean Tippet © 2020
Columns, Music, Today's SongMay 22, 2020<May 22, 2020

Today’s Song: Roos Jonker & Dean Tippet Spark Hope with “Love Like That”

by Kelly McCafferty Dorogy
Notes on a Conditional Form - The 1975 9.7
Features, Music, Our Take, ReviewsMay 22, 2020<December 15, 2020

Our Take: The 1975’s Epic ‘Notes on a Conditional Form’ Is an Odyssey of Sound & Substance

by Mitch Mosk
7.1
Music You Should Know, Our TakeMay 21, 2020<December 15, 2020

Our Take: ‘Man of the Woods’ Proves to Be a Solid Effort From JT

by Josh Weiner
Ella Isaacson x Gallant © 2020
Music, Reviews, This Just InMay 21, 2020<May 21, 2020

This Just In: Ella Isaacson Lets Go with “Expectations” featuring Gallant

by Kelly McCafferty Dorogy
Atwood Magazine Editor's Picks 35
Columns, Editor's Picks, Features, MusicMay 21, 2020<August 23, 2020

Editor’s Picks: May 21, 2020

by Mitch Mosk
LUCA WILDING © John Ogunmuyiwa
Debut, Music, PremieresMay 21, 2020<August 4, 2020

Premiere: London’s Luca Wilding Debuts with Raw, Impassioned “Heartachers”

by Mitch Mosk
Music, PremieresMay 21, 2020<May 21, 2020

Premiere: Raw and Impassioned, Desmerelda’s “Welcome to the Establishment” Provides a Much Needed Escape

by Adrian Vargas
Stonefox "Time" acoustic
Music, Music Videos, PremieresMay 21, 2020<May 21, 2020

Premiere: Melbourne’s Stonefox Are Intimate & Raw in Stripped “Time” Acoustic Video

by Mitch Mosk
Columns, Music, Today's SongMay 21, 2020<May 21, 2020

A Sweet Recall of Love Makes Christy O’Donnell’s “Remember Me Well” a Standout

by Kelly McCafferty Dorogy
Breaking The Record 2020
Breaking the Record, Columns, MusicMay 21, 2020<May 20, 2020

Breaking the Record with Roan Yellowthorn, Part 16: On Writing

by Guest Writer
Grown Ungrown - Orpine
Debut, Features, Music, Reviews, Track-by-TrackMay 20, 2020<May 20, 2020

Review: Orpine Inject Duality & Depth into Debut Album ‘Grown Ungrown’

by Mitch Mosk
I Do Not Have to Be Good - Emily Keener
Features, Music, Premieres, Track-by-TrackMay 20, 2020<May 20, 2020

Feature: Emily Keener’s Stunning & Stirring Sophomore Album ‘I Do Not Have to Be Good’

by Mitch Mosk
Interviews, MusicMay 20, 2020<May 20, 2020

Interview: Shoegaze Duo The Know on Their Evocative & Intimate Debut EP ‘wearetheknow’

by Chloe Robinson
Features, Interviews, MusicMay 20, 2020<May 21, 2020

Interview with The Fratellis: Multi-Platinum and Still Finding Ways to Improve

by Matthew Dunn
Posts pagination
1 … 418 419 420 421 422 … 728

Brand New

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes

:: discover something new ::

Recent Posts

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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