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Seph Cove © 2020
Music, PremieresJune 18, 2020<June 17, 2020

Premiere: Seph Cove Finds Shelter in the Memory of Love with Debut Single “Falling”

by Ditta Demeter
Patience - Sondre Lerche
Features, Interviews, MusicJune 18, 2020<August 23, 2020

‘Patience’, Space, & Beauty: Sondre Lerche Dives into His Breathtaking Ninth Album

by Mitch Mosk
Columns, Music, Music Videos, Today's SongJune 18, 2020<June 18, 2020

Today’s Song: Odet’s “Rising” Is a Richly Textured Sonic Experience

by Adrian Vargas
Breaking The Record 2020
Breaking the Record, Columns, MusicJune 18, 2020<June 17, 2020

Breaking the Record with Roan Yellowthorn, Part 19: The Future of Touring

by Guest Writer
Jessica Nicole Brown © 2020 8
Debut, Music, Our Take, ReviewsJune 17, 2020<December 15, 2020

Our Take: Jessica Nicole Brown Is Raw, Bright, & Real on Debut EP ‘Girl, I Don’t Know’

by Baylee Less
VALLEY © Shannon Beveridge
Features, Interviews, MusicJune 17, 2020<June 17, 2020

Meshing As One & Connecting All the Strings: A Year Later with VALLEY

by Kelsey Fitzgerald
Atwood Magazine Editor's Picks 36
Columns, Editor's Picks, Features, MusicJune 17, 2020<August 23, 2020

Editor’s Picks 36: Yola, Don Bryant, Orion Sun, Sondre Lerche & More

by Mitch Mosk
6.9
Music, Our Take, ReviewsJune 17, 2020<December 15, 2020

Our Take: Lil Wayne Compiles a Puffy Grab Bag on ‘Funeral (Deluxe)’

by Josh Weiner
Music, PremieresJune 17, 2020<June 16, 2020

Premiere: Philly’s Commonwealth Choir Let Loose on Fervent Sophomore EP ‘No End’

by Mitch Mosk
Orion Sun © Sophie Hur
Columns, Music, Today's SongJune 17, 2020<June 11, 2020

Today’s Song: The Tender Intimacy of Orion Sun’s “Ne Me Quitte Pas (Don’t Leave Me)”

by Mitch Mosk
Tommy Ashby © Fraser Taylor
Music, PremieresJune 17, 2020<June 17, 2020

Artist to Watch: “Blood Wolf Moon” Is Tommy Ashby’s Breathtakingly Sweet Indie Folk Love Song

by Mitch Mosk
Interviews, MusicJune 16, 2020<June 19, 2020

Interview: Treasure Talks Trauma & Providing Breathing Spaces for His Fans with ‘Suffocation & Air’

by Guest Writer
Gizmo Varillas © Carsten Windhorst
Music, Reviews, Track-by-TrackJune 16, 2020<June 15, 2020

Track-by-Track: Gizmo Varillas Leads Us ‘Out of the Darkness’ with His Brilliant, Radiant Third Album

by Mitch Mosk
Victoria Bigelow © Susan Berry
Debut, Music, PremieresJune 16, 2020<June 12, 2020

Premiere: Victoria Bigelow Turns Grief into Beauty in Stirring, Cinematic Debut ‘To Everyone I’ve Loved Before’ EP

by Mitch Mosk
Shamir © 2020
Columns, Music, Today's SongJune 16, 2020<June 14, 2020

Shamir’s Impassioned “On My Own” Embraces Isolation & Independence

by Mitch Mosk
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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