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Columns, Music, Today's SongJune 1, 2020<June 1, 2020

Today’s Song: Kylie Odetta Finds Inner Strength with “Cry Out”

by Kelly McCafferty Dorogy
Jessame "Love Thing"
Columns, Interviews, Music, Today's SongMay 30, 2020<February 29, 2024

Interview: “Love Thing” Marks a Fiery First Collaboration for Pisano & Jessame

by Josh Weiner
Features, Music, Weekly RoundupMay 29, 2020<May 29, 2020

Atwood Magazine’s Weekly Roundup: May 29, 2020

by Atwood Magazine Staff
With You, Always EP - Edward + Jane
Music, Reviews, Track-by-TrackMay 29, 2020<May 29, 2020

Edward and Jane Bid a Beautiful Farewell in Haunting Third EP ‘With You, Always’

by Mitch Mosk
Norii © 2020
Debut, Music, PremieresMay 29, 2020<May 29, 2020

Premiere: Norii’s Debut “So It Goes” Powerfully Turns the Tables on a Relationship

by Lexi Lane
Shawn Wasabi © Luke Fontana
Debut, Interviews, MusicMay 29, 2020<March 2, 2023

Interview: Shawn Wasabi’s Vastly Vibrant World on Debut Album ‘MANGOTALE’

by Alex Killian
Features, Interviews, MusicMay 29, 2020<May 29, 2020

‘Future Teenage Cave Artists’: An Interview with Deerhoof on the Merits of Fairytales in Post-Apocalyptica

by Ben Niesen
Pickles & Pies - The Memories
Music, Reviews, Track-by-TrackMay 29, 2020<May 29, 2020

Track-by-Track: The Memories’ ‘Pickles & Pies’ Is a Delicious Indulgence

by Mitch Mosk
The Slow March of Time Flies By - The Shadowboxers 10
Debut, Features, Music, Our Take, Reviews, Track-by-TrackMay 29, 2020<May 23, 2023

Our Take: The Shadowboxers’ Debut Album Is a Majestic Musical Masterpiece

by Mitch Mosk
Columns, Music, Today's SongMay 29, 2020<May 29, 2020

Today’s Song: On Their New Single “Ravenous Girl,” Arre! Arre! Sneer at Mainstream Beauty Standards

by Danny Vagnoni
Hoger
Music, Reviews, This Just InMay 29, 2020<May 29, 2020

This Just In: Hoger Navigates Enigmatic Emotions on “Show Me How to Love”

by Luke Pettican
Soda Blonde © Ste Murray
Features, Interviews, MusicMay 29, 2020<August 23, 2020

Feature: Soda Blonde’s Breathtaking ‘isolation • content’ EP Captures Life in Lockdown

by Mitch Mosk
The Howl & The Hum Album
Debut, Music, ReviewsMay 29, 2020<May 29, 2020

Review: The Howl & The Hum’s ‘Human Contact’ Is a Spellbinding Debut

by Bethan Harper
Lady Clementine’s Fantastic Party © Nicole Hernandez
Music, PremieresMay 29, 2020<May 29, 2020

Premiere: Lady Clementine’s Fantastic Party Explores the Fog of the National Ethos in “American Dream”

by Jonny Shapiro
Watsky © 2020
Music, ReviewsMay 28, 2020<May 28, 2020

Review: Watsky’s ‘Placement’ Crafts a Polarizing New Voice for Hip-Hop’s Wunderkind

by Guest Writer
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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