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Interviews, Music, ReviewsFebruary 13, 2020<February 13, 2020

The Lasting Impressions of Ephemeral Beauty: A Conversation with Rafiq Bhatia

by Adrian Vargas
KOOLKID © Robbie Bannerman
Music, PremieresFebruary 13, 2020<February 13, 2020

Premiere: Getting All Up in Our “Feelings” with Glasgow’s Pop Provocateur KOOLKID

by Mitch Mosk
Pinegrove © Caroline Tompkins
Features, Interviews, MusicFebruary 13, 2020<February 13, 2020

An Endless Night Through ‘Marigold’: A Conversation with Pinegrove

by James Crowley
Fransancisco © Aaron Thomas
Music, PremieresFebruary 13, 2020<February 13, 2020

Premiere: Indie Folk Duo Fransancisco Debut with Breathtaking Heartache in “Gold”

by Mitch Mosk
Loose Fit © Zafiro
Columns, Debut, Music, Today's SongFebruary 13, 2020<February 8, 2020

Today’s Song: Loose Fit’s “Pull the Lever” Brings Sharp Lyricism and a Killer Groove

by Danny Vagnoni
Breaking The Record 2020
Breaking the Record, Columns, MusicFebruary 13, 2020<February 13, 2020

Breaking the Record with Roan Yellowthorn, Part 2: Preproduction

by Guest Writer
Tessa © Maki Levine
Debut, Music, PremieresFebruary 13, 2020<February 14, 2020

Premiere: Melbourne’s Tessa Sheds Her ‘Hoodlem’ Alias with “Bad Bad Love”

by Ben Beamish
Eliza Shaddad © Mel Tjoeng
Music, ReviewsFebruary 12, 2020<February 12, 2020

Review: Longing for Connection with Eliza Shaddad’s Stormy ‘Sept ~ Dec’ EP

by Mitch Mosk
Debut, Music, Music Videos, PremieresFebruary 12, 2020<February 12, 2020

Premiere: Artist-to-Watch Ryann Emerges with Irresistible, Impassioned Sophomore Single “Drive”

by Mitch Mosk
SUMif © Kelly Mason
Music, Music Videos, PremieresFebruary 12, 2020<February 12, 2020

Premiere: SUMif Gives Us Pop-Synth Heaven with “Collide”

by Kelly McCafferty Dorogy
hristopher Paul Stelling - Chris Phelps3
Interviews, MusicFebruary 12, 2020<February 12, 2020

Interview: Christopher Paul Stelling Dives Into What Made ‘Best of Luck’ A Standout Record

by Kelly McCafferty Dorogy
Fake Shape © David Caleb Courtney 2019
Debut, Music, PremieresFebruary 12, 2020<February 13, 2020

Premiere: Fake Shape Get Real Jazzy in Debut “Headspace”

by Mitch Mosk
Julia Bardo © Ashton Hugh
Columns, Music, Today's SongFebruary 12, 2020<February 7, 2020

Today’s Song: Julia Bardo Wants to Feel Love in Her ’60s-Inspired Music Video

by Caitlin Ison
Glassio © Katelyn Kopenhaver
Interviews, MusicFebruary 11, 2020<March 13, 2020

Interview: Meet Glassio, an Artist Fueled by Melancholic & Halcyon Melodies

by Josh Weiner
Atwood Editor's Picks 28
Columns, Editor's Picks, Features, MusicFebruary 11, 2020<February 11, 2020

Editor’s Picks: February 11, 2020

by Mitch Mosk
Posts pagination
1 … 434 435 436 437 438 … 712

Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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    • Music You Should Know
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