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Music, PremieresFebruary 6, 2020<February 6, 2020

Premiere: Youngr & Tall Children Join Forces in Irresistible Sun-Soaked Banger “Last for Long”

by Mitch Mosk
Kerry Hart © Lauren Dukoff
Music, PremieresFebruary 6, 2020<February 6, 2020

Premiere: Kerry Hart Tears into Life’s Paradox in Raw, Emotional “Screaming Quietly”

by Mitch Mosk
Music, Music Videos, Premieres, ReviewsFebruary 6, 2020<February 6, 2020

Premiere: Le Couleur Embrace Macabre Sensuality on Latest Single “Concorde”

by Adrian Vargas
Breaking the Record, Columns, MusicFebruary 6, 2020<February 6, 2020

Breaking the Record with Roan Yellowthorn, Part 1: Introduction

by Guest Writer
Opus Orange © Peach Beckley
Features, Music, PremieresFebruary 6, 2020<February 6, 2020

Feature: Opus Orange’s Classical Music Roots, Love for Nature, and “Miles from Nowhere”

by Guest Writer
Music, PremieresFebruary 6, 2020<February 6, 2020

Premiere: Billy Raffoul Explores New Sounds with Latest Single “Without Falling in Love”

by Erica Danielle Garcia
Columns, Music, Today's SongFebruary 6, 2020<February 6, 2020

Today’s Song: Singer/Songwriter Liz Longley Liberates with “3 Crow”

by Kelly McCafferty Dorogy
Harmless © 2020
Music, ReviewsFebruary 5, 2020<February 5, 2020

Love, Tears, & Recovery: Harmless’ Spiritually Cleansing ‘Condiciones’ EP

by Mitch Mosk
Alexandria Maillot © Laura Baldwinson
Music, Music Videos, PremieresFebruary 5, 2020<March 2, 2025

Video Premiere: Alexandria Maillot’s Dark, Emotionally Intense “Someone to Keep You Warm”

by Mitch Mosk
Gus Englehorn © Ariane Moisan
Debut, Interviews, MusicFebruary 5, 2020<February 5, 2020

Interview: Entering the Creepy & Emotive World of Gus Englehorn’s ‘Death & Transfiguration’

by Frankie Rose
Electric Palace © 2019
Columns, Music, Today's SongFebruary 5, 2020<February 5, 2020

Today’s Song: Electric Palace Call Out Two-Faced People on Dancey-Rock Single “Pretend”

by Oliver Crook
Ethansroom - Ethansroom
Features, Music, PremieresFebruary 5, 2020<February 5, 2020

Premiere: Ethansroom Opens His Room and His Heart on Vulnerable Self-Titled Album

by Oliver Crook
Tom Joshua © Jodie Canwell
Debut, Features, Interviews, MusicFebruary 5, 2020<April 16, 2020

Interview: English Singer/Songwriter Tom Joshua Stuns with Soaring “Cinema”

by Luke Pettican
Emily Keener © Adam Maraschky
Music, PremieresFebruary 4, 2020<February 4, 2020

Premiere: Emily Keener’s “Do You Love Me Lately?” Crosses Desire & Fear with Haunting Indie Folk Vulnerability

by Mitch Mosk
Charli Adams © Bjorn Franklin
Debut, Features, Interviews, MusicFebruary 4, 2020<February 4, 2020

Down for the Ride: Charli Adams’ Debut EP Reverberates Precious Youth

by Coco Rich
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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