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Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

This Just In: The Rolling Stones Call It Quits

by Josh Weiner
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Today’s Song: The Birds Outside My Window Deliver Mind-Bending Sounds with “Chirp”

by Adrian Vargas
Cormac O Caoimh © 2020
Music, PremieresMarch 31, 2020<April 5, 2020

Premiere: Cormac O Caoimh’s Poignant & Upbeat Ode “When My Kids Grow Too Old to Hold Hands”

by Mitch Mosk
The Sweater Set © Plume Photography (Amanda Reynolds)
Music, PremieresMarch 31, 2020<March 31, 2020

Premiere: DC Duo The Sweater Set Weave Sweet Folk & Romance into “Hostage”

by Mitch Mosk
Debut, Music, Our Take, ReviewsMarch 31, 2020<December 15, 2020

Acoustics, Electropop & Inner Turmoil Add up to Leila Sunier’s Successful Debut EP ‘If Only to Bleed Out the White Noise’

by Josh Weiner
Debut, Interviews, MusicMarch 31, 2020<March 31, 2020

Transporting to a Wistful World: Polartropica Dives into Debut Album ‘Dreams Come True’

by Chloe Robinson
Brian Bradley 'Nocturnes' © 2020
Features, Interviews, MusicMarch 31, 2020<March 30, 2020

Interview: Environment Is Sound for Brian Bradley and His New EP ‘Nocturnes’

by Coco Rich
Waxahatchee © Molly Matalon
Columns, Music, Today's SongMarch 31, 2020<March 31, 2020

Today’s Song: Waxahatchee’s “Can’t Do Much” Is an Apt Blend of Reality and Dreaminess

by Frankie Rose
The Jacks © Paige Sara
Music, Reviews, Track-by-TrackMarch 30, 2020<March 31, 2020

Heart, Soul, & Ignition: The Jacks’ ‘Remember You’ EP Is Pure 21st Century Indie Rock

by Mitch Mosk
Interviews, MusicMarch 30, 2020<March 30, 2020

Interview: Minneapolis Collective Doomtree Re-Establish Their Genre-Defying Aesthetic on “Five Alive”

by Ryan Feyre
All You're Not - FERGUS
Music, PremieresMarch 30, 2020<March 30, 2020

Premiere: FERGUS’ Vulnerable & Bittersweet Song “All You’re Not” Unveils a Heavy, Aching Wound

by Mitch Mosk
Rocket - Rose Betts
Music, PremieresMarch 30, 2020<March 30, 2020

Premiere: Rose Betts’ Timely “Rocket” Ignites with Childlike Optimism, Urgency, and Hope

by Mitch Mosk
Features, Interviews, MusicMarch 30, 2020<March 30, 2020

Interview: Peach Pit Tackle Challenging Themes with Satire on Sophomore Album ‘You and Your Friends’

by Harper Beattie
Future Nostalgia - Dua Lipa 9
Music, Our Take, ReviewsMarch 30, 2020<December 15, 2020

Our Take: All Queue Up for the Party of the Year on Dua Lipa’s ‘Future Nostalgia’

by Josh Weiner
MAVICA © Sofía Boriosi
Music, PremieresMarch 30, 2020<March 30, 2020

Premiere: Mavica Returns to Her Roots, Bringing It Back Home with “Ada Road”

by Alicia Bugallo
Posts pagination
1 … 436 437 438 439 440 … 728

Brand New

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes

:: discover something new ::

Recent Posts

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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