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Waxahatchee © Molly Matalon
Columns, Music, Today's SongMarch 31, 2020<March 31, 2020

Today’s Song: Waxahatchee’s “Can’t Do Much” Is an Apt Blend of Reality and Dreaminess

by Frankie Rose
The Jacks © Paige Sara
Music, Reviews, Track-by-TrackMarch 30, 2020<March 31, 2020

Heart, Soul, & Ignition: The Jacks’ ‘Remember You’ EP Is Pure 21st Century Indie Rock

by Mitch Mosk
Interviews, MusicMarch 30, 2020<March 30, 2020

Interview: Minneapolis Collective Doomtree Re-Establish Their Genre-Defying Aesthetic on “Five Alive”

by Ryan Feyre
All You're Not - FERGUS
Music, PremieresMarch 30, 2020<March 30, 2020

Premiere: FERGUS’ Vulnerable & Bittersweet Song “All You’re Not” Unveils a Heavy, Aching Wound

by Mitch Mosk
Rocket - Rose Betts
Music, PremieresMarch 30, 2020<March 30, 2020

Premiere: Rose Betts’ Timely “Rocket” Ignites with Childlike Optimism, Urgency, and Hope

by Mitch Mosk
Features, Interviews, MusicMarch 30, 2020<March 30, 2020

Interview: Peach Pit Tackle Challenging Themes with Satire on Sophomore Album ‘You and Your Friends’

by Harper Beattie
Future Nostalgia - Dua Lipa 9
Music, Our Take, ReviewsMarch 30, 2020<December 15, 2020

Our Take: All Queue Up for the Party of the Year on Dua Lipa’s ‘Future Nostalgia’

by Josh Weiner
MAVICA © Sofía Boriosi
Music, PremieresMarch 30, 2020<March 30, 2020

Premiere: Mavica Returns to Her Roots, Bringing It Back Home with “Ada Road”

by Alicia Bugallo
Rachel Levin © Riker Brothers Photography
Columns, Interviews, Music, Today's SongMarch 30, 2020<March 30, 2020

Today’s Song: YouTuber Rachel Levin Launches Music Career with “Myself,” a Positive Anthem of Self-Acceptance

by Josh Weiner
Delacey Black Coffee © Aysia Marotta 2020 9.7
Debut, Features, Music, Our Take, Reviews, Track-by-TrackMarch 27, 2020<December 15, 2020

Feature: Delacey Dives into Her Grungy, Emotional, Messy Debut Album ‘Black Coffee’

by Mitch Mosk
OK, All Right - David Archuleta
Features, Interviews, MusicMarch 27, 2020<November 13, 2024

Interview: David Archuleta on Overcoming Anxiety, The Office, and New Single “OK, All Right”

by Mitch Mosk
Riaz Ahmad © 2020
Debut, Music, ReviewsMarch 27, 2020<March 27, 2020

Review: Riaz Ahmad Proves a Glorious Singer & Affectionate Son on Debut EP ‘All at Sea’

by Josh Weiner
Dive Index © 2020
Music, Music Videos, PremieresMarch 27, 2020<March 27, 2020

Premiere: The Minimalist Intimacy of Dive Index’s Arresting “Window to Window” ft. Natalie Walker

by Mitch Mosk
Debut, Features, Interviews, MusicMarch 27, 2020<March 27, 2020

It’s Because of the Stories: A ‘Lady Like’ Conversation with Ingrid Andress

by Erica Danielle Garcia
Columns, Music, Today's SongMarch 27, 2020<March 27, 2020

Today’s Song: Worriers Give Voice to Global Loneliness in “Big Feelings” & Catastrophe in “End of the World”

by James Crowley
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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