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The Slow Rush - Tame Impala 7.9
Music, Our Take, ReviewsFebruary 27, 2020<December 15, 2020

Our Take: Tame Impala Meditates House Music and Mindfulness on ‘The Slow Rush’

by Ben Niesen
Columns, Music, Today's SongFebruary 27, 2020<August 16, 2021

Today’s Song: Meredith Shock Captures Giving Love a Try in “Trial Run”

by Erica Danielle Garcia
Color Theory © Kremer Johnson
Music, PremieresFebruary 27, 2020<February 27, 2020

Premiere: Color Theory’s “This Whole Nothing” Dwells in Radiant Synthwave Dreams

by Mitch Mosk
Brother Moses © Lowndes Commander
Music, PremieresFebruary 27, 2020<February 26, 2020

Premiere: Brother Moses’ Thoughtfully Written “Bathroom Floor” Is a Snapshot of Honest Emotion

by Lowndes Commander
Breaking The Record 2020
Breaking the Record, Columns, MusicFebruary 27, 2020<February 26, 2020

Breaking the Record with Roan Yellowthorn, Part 4: Aftermath

by Guest Writer
Atwood Magazine Editor's Picks 29
Columns, Editor's Picks, Features, MusicFebruary 26, 2020<March 6, 2020

Editor’s Picks: February 26, 2020

by Mitch Mosk
Little Hurt © Deanie Chen
Columns, Music, Today's SongFebruary 26, 2020<March 27, 2020

Colin Dieden’s Little Hurt Turns Pain into Beauty with “Better Drugs”

by Mitch Mosk
Heaven - Fretland
Music, PremieresFebruary 26, 2020<February 26, 2020

Premiere: Washington’s Fretland Emerge with Empathy, Passion, & Americana Warmth in “Heaven”

by Mitch Mosk
Phoebe Bridgers © Olof Grind
Music, Reviews, This Just InFebruary 26, 2020<March 6, 2020

This Just In: Phoebe Bridgers’ Mesmerizing New Single “Garden Song” Cuts Deep into Your Soul

by Lexi Lane
Debut, Features, Interviews, MusicFebruary 26, 2020<February 26, 2020

It’s All in His Head: The Undercover Dream Lovers Bridges the Old & the New

by Nina Schaarschmidt
Sea Offs © 2020
Music, PremieresFebruary 26, 2020<February 25, 2020

Premiere: Sea Offs’ Folky Single “For Familiarity’s Sake” Tells Us to Let Old Love Die

by Oliver Crook
Twist Helix © Jay Dawson
Music, PremieresFebruary 26, 2020<February 26, 2020

Premiere: UK Trio Twist Helix’s Unapologetic “Louder” Is a Call for Gender Equality

by Alicia Bugallo
James Gillespie © 2020
Music, Music Videos, PremieresFebruary 26, 2020<February 25, 2020

Video Premiere: James Gillespie’s “ICFTI” Is Awash in Autumnal Hues & Seductive Visuals

by Bethan Harper
Gordi © Jess Gleeson
Music, Reviews, This Just InFebruary 25, 2020<March 6, 2020

Gordi’s Beautiful Song “Sandwiches” Captures the Powerful Weight of a Loved One’s Absence

by Mitch Mosk
Mannequin Online © Meghan Cummings
Music, PremieresFebruary 25, 2020<February 25, 2020

Premiere: Say “I Do” with Mannequin Online’s Sultry New Late-Night Song

by Mitch Mosk
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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