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Body EP - Marie Lang
Debut, Music, ReviewsDecember 23, 2019<December 20, 2019

Review: Marie Lang Lets Loose on Debut EP ‘Body’

by Ben Beamish
Circa Waves © Katy Cummings
Columns, Music, Today's SongDecember 23, 2019<December 19, 2019

Today’s Song: Nostalgia Meets Hustle Culture in Circa Waves’ “Jacqueline”

by Nina Schaarschmidt
Atwood Magazine's 2019 Songs of the Year
Features, Music, ReviewsDecember 20, 2019<March 6, 2020

Atwood Magazine’s 2019 Songs of the Year

by Atwood Magazine Staff
The Rotanas
Columns, Music, Today's SongDecember 20, 2019<December 19, 2019

Today’s Song: Getting “Caught on Camera” with Cardiff’s The Rotanas

by Hermione Kellow
Fine Line - Harry Styles
Features, Music, Reviews, RoundtableDecember 19, 2019<June 29, 2024

Roundtable Discussion: A Review of Harry Styles’ ‘Fine Line’

by Atwood Magazine Staff
Columns, Reviews, Today's SongDecember 19, 2019<December 19, 2019

Today’s Song: Incantations of Modern Dread on Destroyer’s Newest Single “It Just Doesn’t Happen”

by Adrian Vargas
Albums of the Decade, Features, MusicDecember 18, 2019<February 6, 2020

Atwood Magazine’s Best Albums of the Decade

by Atwood Magazine Staff
Music, ReviewsDecember 18, 2019<December 18, 2019

Review: Nina Kraviz’s ‘MASSEDUCTION Rewired’ Is a Splintered, Over-Saturated Translation

by Guest Writer
Matt Mays © Devin McLean
Columns, Music, Today's SongDecember 18, 2019<December 17, 2019

Today’s Song: Matt Mays Looks for Hope Amongst the Wreckage on “Let There Be Love”

by Oliver Crook
Atwood Magazine Editor's Picks 25
Editor's Picks, Features, MusicDecember 17, 2019<January 9, 2020

Editor’s Picks: December 17, 2019

by Mitch Mosk
Love you later
Columns, Music, Today's SongDecember 17, 2019<December 17, 2019

Today’s Song: On “Said That You’d Be There,” Love You Later Makes the Most of Past Misfortunes

by Josh Weiner
Lust and Learn - The Slow Show
Features, Interviews, MusicDecember 16, 2019<December 16, 2019

Interview: The Slow Show Dive into the Breathtaking Depths of ‘Lust and Learn’

by Mitch Mosk
Columns, Music, Today's SongDecember 16, 2019<December 13, 2019

Today’s Song: A Mellifluous Telling of Growth on Jennah Barry’s “Pink Grey Blue”

by Adrian Vargas
Halsey © Aidan Cullen
Music, Reviews, This Just InDecember 13, 2019<December 13, 2019

This Just In: Halsey Displays Duality in New Songs “Finally // beautiful stranger” and “SUGA’s Interlude”

by Lexi Lane
Atwood Magazine's Favorite Albums of 2019
Albums of the Decade, Columns, Features, MusicDecember 13, 2019<January 9, 2020

Our Favorite Albums of the Decade: 2019

by Atwood Magazine Staff
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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