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Pinegrove © Caroline Tompkins
Features, Interviews, MusicFebruary 13, 2020<February 13, 2020

An Endless Night Through ‘Marigold’: A Conversation with Pinegrove

by James Crowley
Fransancisco © Aaron Thomas
Music, PremieresFebruary 13, 2020<February 13, 2020

Premiere: Indie Folk Duo Fransancisco Debut with Breathtaking Heartache in “Gold”

by Mitch Mosk
Loose Fit © Zafiro
Columns, Debut, Music, Today's SongFebruary 13, 2020<February 8, 2020

Today’s Song: Loose Fit’s “Pull the Lever” Brings Sharp Lyricism and a Killer Groove

by Danny Vagnoni
Breaking The Record 2020
Breaking the Record, Columns, MusicFebruary 13, 2020<February 13, 2020

Breaking the Record with Roan Yellowthorn, Part 2: Preproduction

by Guest Writer
Tessa © Maki Levine
Debut, Music, PremieresFebruary 13, 2020<February 14, 2020

Premiere: Melbourne’s Tessa Sheds Her ‘Hoodlem’ Alias with “Bad Bad Love”

by Ben Beamish
Eliza Shaddad © Mel Tjoeng
Music, ReviewsFebruary 12, 2020<February 12, 2020

Review: Longing for Connection with Eliza Shaddad’s Stormy ‘Sept ~ Dec’ EP

by Mitch Mosk
Debut, Music, Music Videos, PremieresFebruary 12, 2020<February 12, 2020

Premiere: Artist-to-Watch Ryann Emerges with Irresistible, Impassioned Sophomore Single “Drive”

by Mitch Mosk
SUMif © Kelly Mason
Music, Music Videos, PremieresFebruary 12, 2020<February 12, 2020

Premiere: SUMif Gives Us Pop-Synth Heaven with “Collide”

by Kelly McCafferty Dorogy
hristopher Paul Stelling - Chris Phelps3
Interviews, MusicFebruary 12, 2020<February 12, 2020

Interview: Christopher Paul Stelling Dives Into What Made ‘Best of Luck’ A Standout Record

by Kelly McCafferty Dorogy
Fake Shape © David Caleb Courtney 2019
Debut, Music, PremieresFebruary 12, 2020<February 13, 2020

Premiere: Fake Shape Get Real Jazzy in Debut “Headspace”

by Mitch Mosk
Julia Bardo © Ashton Hugh
Columns, Music, Today's SongFebruary 12, 2020<February 7, 2020

Today’s Song: Julia Bardo Wants to Feel Love in Her ’60s-Inspired Music Video

by Caitlin Ison
Glassio © Katelyn Kopenhaver
Interviews, MusicFebruary 11, 2020<March 13, 2020

Interview: Meet Glassio, an Artist Fueled by Melancholic & Halcyon Melodies

by Josh Weiner
Atwood Editor's Picks 28
Columns, Editor's Picks, Features, MusicFebruary 11, 2020<February 11, 2020

Editor’s Picks: February 11, 2020

by Mitch Mosk
Alexander Biggs © Jack Cain
Music, PremieresFebruary 11, 2020<February 10, 2020

Premiere: Alexander Biggs’ Breathtaking Song “Laundromat” & the Weight of Disconnection

by Mitch Mosk
Broken Robots © Joel Lopez
Music, Music Videos, PremieresFebruary 11, 2020<February 10, 2020

Premiere: Feeling Like a Fish with Broken Robots’ “Dimes and Quarters”

by Mitch Mosk
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1 … 460 461 462 463 464 … 737

Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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