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Tyson Motsenbocker
Music, PremieresJanuary 30, 2020<January 30, 2020

Premiere: Tyson Motsenbocker Wants You to “Come to California” in His Golden New Song

by Mitch Mosk
Jack Symes
Music, PremieresJanuary 30, 2020<January 30, 2020

Premiere: Feel the Love in Jack Symes’ Seductive, Sunny Song “Baby, My Baby”

by Mitch Mosk
Comme des Garçons - Rina Sawayama
Columns, Music, Today's SongJanuary 30, 2020<January 30, 2020

Rina Sawayama Channels Early 2000s Swagger in Her Drippingly Confident “Comme des Garçons”

by Danny Vagnoni
Music, Music Videos, Premieres, ReviewsJanuary 30, 2020<January 30, 2020

Video Premiere: Daggy Man Combines Distortion and Elegance on “A Reliable Figure”

by Adrian Vargas
A Light | Dusk - Granite to Glass
Music, ReviewsJanuary 29, 2020<January 29, 2020

Brooklyn’s Granite to Glass Weave Wondrous Orchestral Folk in “A Light | Dusk”

by Mitch Mosk
Amy Milner © Tim Larcombe
Debut, Music, Premieres, ReviewsJanuary 29, 2020<January 29, 2020

EP Premiere: Amy Milner’s ‘Plans’ EP Is an Uplifting, Spellbinding Experience

by Mitch Mosk
TEME © Bo Morgan
Music, PremieresJanuary 29, 2020<January 29, 2020

Premiere: TEME’s Haunting Song “PRLYSD” Manifests Intimate Grief

by Mitch Mosk
Debut, Music, PremieresJanuary 29, 2020<January 28, 2020

Premiere: CHERITON Brings Summer Early with Debut Single “Parallel”

by Baylee Less
Columns, Music, Today's SongJanuary 29, 2020<January 28, 2020

Common’s “My Fancy Free Future Love,” Remixed by Tom Misch: Settling Down Meets Getting on Up

by Tim Horwood
Circa Waves © 2020
Features, Interviews, MusicJanuary 29, 2020<February 6, 2020

Making Music Videos, Self-Deprecation and the End of the World: An Interview with Circa Waves

by Bethan Harper
Me & The Monster
Debut, Music, Premieres, ReviewsJanuary 28, 2020<January 28, 2020

Premiere: Me & the Monster Emerge with Urgency in Raw, Stirring Self-Titled Debut EP

by Mitch Mosk
Atwood Editor's Picks Jan 27 2020
Columns, Editor's Picks, MusicJanuary 28, 2020<January 28, 2020

Editor’s Picks: January 27, 2020

by Mitch Mosk
Music, Music Videos, PremieresJanuary 28, 2020<January 28, 2020

Video Premiere: Draag Submerges Listeners in a Pool of Ominous Bliss on “Trauma Kit”

by Adrian Vargas
Ella Vos © Danielle Ernst
Covers, Features, Interviews, MusicJanuary 28, 2020<January 27, 2020

Interview: Ella Vos Affirms Her Self-Worth in Her Devastating “Cellophane” Cover

by Anthony Kozlowski
Kaleo © Dan Winters
Music, Reviews, This Just InJanuary 28, 2020<January 27, 2020

This Just In: Kaleo Break Long Silence with Dual Singles “I Want More” and “Break My Baby”

by Anthony Kozlowski
Posts pagination
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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