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Pressure - Commonheart
Music, Our Take, ReviewsSeptember 11, 2019<December 15, 2020

Review: The Commonheart’s ‘Pressure’ Will Make You Feel the Love

by Oliver Crook
Kyva
Debut, Interviews, Music, PremieresSeptember 11, 2019<September 11, 2019

Premiere: Sydney’s Kyva Debuts with Unifying Song “Wide World”

by Mitch Mosk
talker © Shabnam Ferdowski
Features, Interviews, MusicSeptember 11, 2019<September 10, 2019

Interview: talker Lays Down a Slice of Therapy for the ‘Horror Films’ in Our Heads

by Anthony Kozlowski
Bag Raiders © Byron Spencer
Features, Interviews, MusicSeptember 11, 2019<September 11, 2019

Did Bag Raiders Ever Really Leave Us? A Conversation About ‘Horizons’

by Ben Niesen
Tom Boy © Ryan Brough
Columns, Music, Today's SongSeptember 11, 2019<September 11, 2019

Today’s Song: Tom Boy Rise from Their Ashes with “Wastecase”

by Alicia Bugallo
Young Mister © Steven Fiore
Interviews, Music, PremieresSeptember 10, 2019<September 10, 2019

Album Premiere: Young Mister’s ‘Sudden Swoon’ Is a Radiant American Opus

by Mitch Mosk
Joshua Radin © Shervin Lainez
Interviews, Music, PremieresSeptember 10, 2019<September 10, 2019

Premiere: Joshua Radin Addresses Child Separation in Breathtaking “What Would You Do (Refugee Song)”

by Mitch Mosk
Lana del Rey - NFR
Features, Music, Reviews, RoundtableSeptember 10, 2019<June 29, 2024

Roundtable Discussion: A Review of Lana del Rey’s ‘Norman Fucking Rockwell!’

by Atwood Magazine Staff
Oh Wonder © Olga De La Iglesia
Interviews, Music, ReviewsSeptember 10, 2019<September 10, 2019

Singing “Hallelujah”: Oh Wonder Dive into Their Stirring Spiritual Release

by Mitch Mosk
Zola Courtney
Columns, Debut, Interviews, Music, Today's SongSeptember 9, 2019<April 16, 2020

Interview: Artist-to-Watch Zola Courtney Has “Nothing to Lose” in Her Stunning Debut

by Mitch Mosk
Oddnesse
Interviews, Music, ReviewsSeptember 6, 2019<October 16, 2019

Sugar, Spice, and Everything Nice: An Interview with Oddnesse

by Mitch Mosk
roundup040919
Features, Music, Weekly RoundupSeptember 6, 2019<September 6, 2019

Atwood Magazine’s Weekly Roundup: September 6, 2019

by Atwood Magazine Staff
Jeri Silverman © Gavin Goodman
Music, PremieresSeptember 6, 2019<September 6, 2019

Premiere: Jeri Silverman’s “Come Undone” is a Dark, Imaginative Exploration of Human Nature

by Mitch Mosk
Getaway Dogs © Andrew Hawes
Music, PremieresSeptember 6, 2019<September 6, 2019

Premiere: Getaway Dogs Drizzle Dreamy Acoustic Intimacy & Soul in “Sawtooth (I’ve Been Wrong Before)”

by Mitch Mosk
The Last Morrell
Debut, Music, Music Videos, PremieresSeptember 6, 2019<September 6, 2019

Premiere: The Last Morrell Lets Go in Cathartic Debut “Fine Now”

by Mitch Mosk
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Music You Should Know
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