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DEVENDRA Banhart
Music, Reviews, This Just InAugust 2, 2019<August 2, 2019

This Just In: Devendra Banhart Delivers on the Universal Language of Loss with the Achingly Beautiful “Memorial”

by Adrian Vargas
Ritt Momney © James Kowalski
Debut, Music, ReviewsAugust 2, 2019<August 2, 2019

Album Review: Ritt Momney’s Triumphant Debut ‘Her and All of My Friends’

by Harper Beattie
Field Mouse © Katie Krulock
Music, PremieresAugust 2, 2019<August 2, 2019

Premiere: Field Mouse Get Apocalyptic in Intimate New Song “Black Hole, Son”

by Mitch Mosk
Time For T © Anna Becerra
Music, PremieresAugust 2, 2019<August 2, 2019

Premiere: The Dreamy Folk-Rock Flow of Time for T’s “Screenshot”

by Mitch Mosk
Columns, Music, Today's SongAugust 2, 2019<August 2, 2019

Today’s Song: Goth Babe Preserves DIY Elements of the Alternative Music Scene with “Imaginationcy”

by Harper Beattie
whywhywhy - MisterWives
Music, Reviews, This Just InAugust 1, 2019<August 1, 2019

MisterWives’ Unapologetic “whywhywhy” Is a Dynamic Post-Breakup Reckoning

by Mitch Mosk
JP Saxe © Josh Separzadeh / Deema Alansari
Features, Interviews, MusicAugust 1, 2019<August 1, 2019

Heartache & Hope in the Same Room: An Interview with JP Saxe

by Luke Pettican
Atwood Magazine Editor's Picks 2019 July 29
Columns, Editor's Picks, Features, MusicAugust 1, 2019<November 14, 2023

Editor’s Picks: July 29, 2019

by Mitch Mosk
Lily Kershaw © Shervin Lainez
Interviews, Music, PremieresAugust 1, 2019<August 1, 2019

Premiere: Lily Kershaw Grapples with Past & Present in Her Latest Single “Now & Then”

by Madison Vettorino
Opeongo © 2019
Music, PremieresAugust 1, 2019<October 22, 2019

Premiere: Opeongo’s Expansive Single “Less of Me” Gives Us More

by Ilana Kalish
Rosier © Anne Sophie Coiteux
Music, PremieresAugust 1, 2019<August 1, 2019

Premiere: Rosier Reveal Their New Identity in “Vie Pénible”

by Ditta Demeter
Rhys Lewis © Daniel Alexander Harris
Columns, Music, Today's SongAugust 1, 2019<August 1, 2019

Today’s Song: The Reflective Rumination of Rhys Lewis’ “What If”

by Luke Pettican
Kew the Music 2019
Festival, Music, ReviewsAugust 1, 2019<July 31, 2019

Review: Kew the Music Festival 2019

by Hermione Kellow
Music, Our Take, ReviewsJuly 31, 2019<December 15, 2020

Review: Ian Ferguson’s ‘State of Gold’ Is Your New Summer Road Tunes Record

by Oliver Crook
So Sensitive © Ashlyn Hubenak, edited by Cam Perkins
Debut, Music, Premieres, ReviewsJuly 31, 2019<July 31, 2019

Album Premiere: Female Energy Fuels So Sensitive’s Alluring Debut ‘Bedroom Drama’

by Mitch Mosk
Posts pagination
1 … 491 492 493 494 495 … 728

Brand New

  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream

:: discover something new ::

Recent Posts

  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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