Concerts, Music, ReviewsJuly 30, 2019<July 30, 2019 Live Review: Mdou Moctar Takes Crowd on Magical Journey at Halifax Jazz Fest by Oliver Crook
Columns, Music, Today's SongJuly 30, 2019<July 25, 2019 Today’s Song: Adam Melchor’s Bittersweet Summer Joyride by Audrey Steeves
Music, Music Videos, PremieresJuly 29, 2019<July 29, 2019 Premiere: FENCES’ Stirring American Western “Same Blues” by Mitch Mosk
Features, Interviews, MusicJuly 29, 2019<July 29, 2019 Naked & Deep Pop: A Conversation with Temptress by Kelsey Fitzgerald
Music, ReviewsJuly 29, 2019<July 29, 2019 Requiem for a Poor Mathô: A Review of MARINA’s ‘Love + Fear’ by Ben Niesen
Concerts, Festival, Music, ReviewsJuly 29, 2019<July 29, 2019 The Ultimate Matriarchal Experience: British Summertime Festival 2019 by Hermione Kellow
Columns, Music, Today's SongJuly 29, 2019<August 17, 2019 Taylor Swift’s “The Archer” Is an Emotionally Self-Reflective Preview for ‘Lover’ by Melanie Lustig
Columns, Features, Music, Weekly RoundupJuly 26, 2019<July 26, 2019 Atwood Magazine’s Weekly Roundup: July 26, 2019 by Atwood Magazine Staff
Features, Interviews, MusicJuly 26, 2019<September 19, 2019 The Glimmering Light of Our ‘Doom Days’: A Conversation with Bastille by Mitch Mosk
Features, Interviews, MusicJuly 26, 2019<July 26, 2019 Premiere: Relick Inject Light & Raw Energy into New Song “Powder Pink” by Mitch Mosk
Interviews, Music, ReviewsJuly 26, 2019<December 21, 2024 A Beautiful Marriage of Vintage and Modern: A Conversation with Weird Milk by Adrian Vargas
Columns, Music, Today's SongJuly 26, 2019<July 26, 2019 Kid Froopy Puts His Spin on Lostboycrow’s “Orange Juice (Summer Squeeze Mix)” by Alex Killian
Features, Interviews, Music, ReviewsJuly 25, 2019<July 26, 2019 Interview: Lauran Hibberd Lets Loose on “Frankie’s Girlfriend” with Raw Indie Rock Zeal by Mitch Mosk
Music, PremieresJuly 25, 2019<July 25, 2019 Premiere: Somebody’s Child Goes the “Distance” in a Euphoric Coming-of-Age Song by Mitch Mosk
Music, PremieresJuly 25, 2019<July 25, 2019 Premiere: Stone Irr Battles the Discomforts of a Mismatched Relationship on “Fine with Me” by Adrian Vargas
For the Love of Music
For the Love of Music
