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Titus Andronicus © Ray Concepcion
Columns, Music, Today's SongJuly 3, 2019<July 3, 2019

Today’s Song: Titus Andronicus’ “Troubleman Unlimited” Shows They Can Go Guttural Just As Well As Cerebral

by Oliver Crook
Local Natives © Jonathan Chu
Features, Interviews, MusicJuly 3, 2019<July 3, 2019

Feature: Local Natives Take to Violet Street and Execute Aspiration

by Coco Rich
Elsa Birgitta Bekman
Debut, Music, Music Videos, PremieresJuly 3, 2019<July 2, 2019

Premiere: Elsa Birgitta Bekman’s Debut “Once in My Life (Sverige Vals)” Shines a Magnificent Light

by Adrian Vargas
Wallows © Caitlin Ison
Concerts, Music, ReviewsJuly 2, 2019<July 2, 2019

Live Review: Wallows Took Their Hometown Los Angeles by Storm at The Fonda

by Caitlin Ison
WKND FRNDS - The F16s
Music, Our Take, ReviewsJuly 2, 2019<December 15, 2020

Review: WKND FRNDS is The F16s’ Heady Soundtrack for the Summer

by Urooj Ali Rizvi
Andi Fins © Katja Aujesky
Music, Music Videos, PremieresJuly 2, 2019<July 2, 2019

Video Premiere: Andi Fins Balances Elation & Melancholy in “Stan’s Copycat”

by Mitch Mosk
Festival, Music, ReviewsJuly 2, 2019<July 2, 2019

Review: Governors Ball Music Festival 2019

by Shayna Chabrow
Mosa Wild © Hollie Fernando
Debut, Features, Interviews, MusicJuly 2, 2019<July 2, 2019

Talking in Circles & Moving Forward: An Interview with Mosa Wild

by Luke Pettican
Columns, Music, Today's SongJuly 2, 2019<July 2, 2019

Today’s Song: MUNA Talks Self-Love With “Number One Fan”

by Alex Killian
Interviews, Music, Music Videos, ReviewsJuly 1, 2019<August 16, 2022

On the Nature of Change: How Plastic Picnic’s “After You” Offers a Personal Journey Unlike Any Other

by Adrian Vargas
Music, Music Videos, This Just InJuly 1, 2019<July 1, 2019

This Just In: Miami Horror’s Funky & Quirky “Restless” Marks a Welcomed Return

by Adrian Vargas
Freya Ridings © Jamie Rowan
Columns, Music, Today's SongJuly 1, 2019<July 1, 2019

Today’s Song: Freya Ridings Captivates with the Poignantly Empowering “Castles”

by Luke Pettican
roundup28062019
Features, Music, Weekly RoundupJune 28, 2019<June 28, 2019

Atwood Magazine’s Weekly Roundup: June 28, 2019

by Atwood Magazine Staff
Dead Yet - Gabriel Black Phem
Features, Music, Reviews, This Just InJune 28, 2019<August 20, 2019

The Restless Allure of Gabriel Black & phem’s Beautiful “dead yet”

by Mitch Mosk
Essays, FeaturesJune 28, 2019<January 2, 2020

Honoring Pride: Gay Pop Artist Sinclair Shares Her Story

by Guest Writer
Posts pagination
1 … 508 509 510 511 512 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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